Quotes About Creative

The model we established was to give creative people complete creative freedom in exchange for betting on themselves, so they work for the minimums you're allowed to work for, and if the movies work in a big way, everyone does very well. If the movies don't, nobody loses too much money. The benefit to doing all the movies low budget is we can tell different types of stories and take creative risks. The Purge would have been irresponsible to do for $20M, but to do it for $3M makes sense.

I think if you're a creative person, then you're always kinda looking to move things along - 'Where else can I go? Where can I take this?' From painters to photographers - anything creative in the arts - if you're a true artist, I think you'll always look to do something else. 'Where else can I go with it?' Do you know what I mean?

I think it's really important as a creative director, to always keep your ears on the ground and always surround yourself with people who've been in the business longer than you to really think of new and creative ways to present your designs to girls.

For you to make your creative work creative, you must seek creativity from the creator.

Making art, being creative, is risky, especially for actors, but everybody on the set is being creative. You're putting yourself out there with ideas, and to have your brain be free of stress so that it can actually do its best work, it feels like you want to have a real sense of intimacy and connection and trust with everybody.

I've got a lot of wonderfully talented, creative directors I've worked with in Texas, but the market we're in, they kind of have to write to that. I think we've done some cool, simple spots. I was very comfortable in Texas, and getting ready to push out into national stuff, try to get to that national-type creative, and then I got sidetracked with this stuff.

Our species is the only creative species, and it has only one creative instrument, the individual mind and spirit of man. Nothing was ever created by two men. There are no good collaborations, whether in music, in art, in poetry, in mathematics, in philosophy. Once the miracle of creation has taken place, the group can build and extend it, but the group never invents anything. The preciousness lies in the lonely mind of a man.

All too often, when creative people pick out someone else's creative work as an inspiration, what they end up with is very, very far from the original.

Your development as a musician will come to an eventual standtill if you do not develop yourself as a human being. Only by having a creative, expansive and inspiring life can you create creative, expansive and inspiring music.

In the early days I was incredibly creative and productive - I loved the research trips, I loved the creation and finding technical solutions to creative challenges. I didn't need alcohol and the pills for that. What changed was, I was afraid to say no - that little word, N.O. Because I thought it showed weakness. And with more and more success I would just say yes. And keep on taking more work on - which took its toll.

The creative person, the person who moves from an irrational source of power, has to face the fact that this power antagonizes. Under all the superficial praise of the creative is the desire to kill. It is the old war between the mystic and the nonmystic, a war to the death.

I think good creative writing opens up space for people to come into. Let God reach out and touch the human soul. That's not my job. I get to be present and create as much space as I can ... That frees me up just to be creative in the way I want to be.

Companies that recognize the need to be creative about their businesses are going to pursue this creative thinking with us or without us. It's our collective responsibility, our collective future to make sure they choose to do it with us.

If we have come up with a creative decision and somebody comes up with another idea, you do have to get into the depths of it and ask: "Is it a better idea? Or is it a different idea?" That can be hard. But that's the type of conversation the director and I will have, or as part of our creative groups. So with that in mind, it's hard to keep a budget in line. It's like in life, if you've ever built anything for the first time you're usually better at it the second time.

For me it's much more like a little kid rebelling. The minute I was told what to do at any age, I did the opposite. Hopefully I'll do that for the rest of my life. I come from the business side and Mark comes from the creative side, but every time a decision came up about Creep it was two emails, and we agreed. I've not had that ever with someone on the creative or the business side.

There is rarely a creative man who does not have to pay a high price for the divine spark of his greatest gifts... the human element is frequently bled for the benefit of the creative element and to such an extent that it even brings out the bad qualities, as for instance, ruthless, naive egoism (so-called "auto-eroticism"), vanity, all kinds of vices-and all this in order to bring to the human I at least some life-strength, since otherwise it would perish of sheer inanition.

What a beautiful testament to the creative spirit and its true motives, to creative contribution coming from a place of purpose rather than a hunger for profit.

I'm not always open to creative input when I have my heart set on a creative idea or a message I want to convey.

The creative process obtains in all creative acts. So if I'm painting suddenly I'll see something that I didn't see before.

The essential in artistic creativity is victory over the burden of necessity. In art, man lives outside himself, outside his burdens, the burdens of life. Every creative artistic act is a partial transfiguration of life. In the artistic concept man breaks out through the heaviness of the world. In the creative-artistic attitude towards this world we catch a glimpse of another world.

If it's not bourbon or sweatpants, it's going in the garbage.... No, don't get creative. Now is not a creative time. Now is a bourbon and sweatpants time.

Once a book is published, it no longer belongs to me. My creative task is done. The work now belongs to the creative mind of my readers. I had my turn to make of it what I would, now it is their turn.

One of the major challenges facing creative individuals is that of building upon the continuity of human knowledge while achieving novel insights. ... On the one hand, to intensify an inquiry and develop a sense of commitment to a creative life, the learner needs models, teachers, and collaborators. On the other hand, the individual, while building upon the past, needs to transform it, and thus broaden his or her choices.

I want you to go back to Tucson and bring me the bottle of tequila I keep in my liquor cabinet. And don't scare Tim." Volusian remained motionless in that way of his. "My mistress grows increasingly creative in her ways to torment me." "I thought you'd appreciate it." "Only in so much as it inspires me to equally creative means to rip you apart when I am able to break free of these bonds and finally destroy you." "You see? There's a silver lining to everything. Now hurry up.

Thought is the creative power, or the impelling force which causes the creative power to act; thinking in a Certain Way will bring riches to you, but you must not rely upon thought alone, paying no attention to personal action. That is the rock upon which many otherwise scientific metaphysical thinkers meet shipwreck–the failure to connect thought with personal action.

Being wrong doesn't mean being creative - but if you aren't afraid of being wrong, you can't be creative.

Every great creative idea, formulated as a philosophy, has a social setting - in time, in a geographical location, in a political economy, in a matrix of interests and knowledge. It is not a free-swinging phenomenon like a balloon without moorings. It is not produced in a vacuum and, being creative, it does not work in a vacuum. Nurtured on things experienced and things known, it reaches out toward the unknown like a flower on a stalk growing out of the soil.

Philosophy, for Plato, is a kind of vision, the 'vision of truth'...Everyone who has done any kind of creative work has experienced, in a greater or less degree, the state of mind in which, after long labour, truth or beauty appears, or seems to appear, in a sudden glory - it may only be about some small matter, or it may be about the universe. I think that most of the best creative work, in art, in science, in literature, and in philosophy, has been a result of just such a moment.

Every creative story is different. And every creative story is the same. There was nothing. Now there is something. It's almost like magic.

Thank God for the creative ideas that enrich life by adding your own creative contributions to human progress

When you have creative people, you have to let them do their thing. You have to resist the urge to be too efficient, you have to resist the urge to work to a certain budget and schedule - other than the fact that things have to end. It's harder work to produce this way but my philosophy is that you have to let it be creatively chaotic and let it find its place. When creative people are on to something, you know it and you have to allow it to happen. You can't set a schedule for that.

True life is creativity, not development: it is the freedom for creative acts, for creative fire, rather than necessity and the heaviness of congealing self-perfection.

The creative process is not like a situation where you get struck by a single lightning bolt. You have ongoing discoveries, and theres ongoing creative revelations. Yes, its really helpful to be marching toward a specific destination, but, along the way, you must allow yourself room for your ideas to blossom, take root, and grow.

The Creative Power within us makes us into the image of that to which we give our attention.

When I'm a part of someone else's creative process, it's all about facilitating their ideas and hopefully bringing their perspective and making it a part of a song.

When the doors to television were opened to me, that was quite a surprise. It's been such a gift that there was so much TV and independent film happening in New York that I could be a part of. There was something to satiate my desire to be artistic and creative, especially when it wasn't in the way I originally thought it was going to be.

If we can (generate) the right emotion inside of us, we can get ourselves to do anything. If you don’t have the money, but you’re creative and determined enough, you’ll find the way.

Failure and its accompanying misery is for the artist his most vital source of creative energy.

American mainstream is obsessed with black creative genius - be it music, walk, style - but at the same time puts a low priority on the black social misery which is the very context out of which that creativity flows.

I've been very lucky in that the studios really respect me and they give me all my creative freedom. But nevertheless, they are inputs, they have opinions. It's the same thing for me as if you're in a shower and you're coming up with a tune, with a melody, but there are 70 people trying to sing their own melody at the same time. So you have to focus and concentrate, and not lose the track of your melody.

If you can see yourself more than just a victim, aha, now you've got the place to move into that is much more vital and creative and is resourceful than being a victim.

I learned at a young age to dribble with both hands, and that allows me to be more creative when I go against bigger and stronger opponents.

I look for the essence of a story and a human angle that I think audiences can relate to. I also look at how the dialogues flow in the film as a whole and between the characters, and most importantly I always consider what I can bring to the character from a creative point of view.

Happiness lies not in the mere possession of money; it lies in the joy of achievement, in the thrill of creative effort.

I did not believe political directives could be successfully applied to creative writing . . . not to poetry or fiction, which to be valid had to express as truthfully as possible the individual emotions and reactions of the writer.

I feel responsible; I feel I've got to do something that will leave the kids a place where they can live healthy, safe, productive, creative and prosperous lives.

You can't have the space for prosperity and success when you are obsessed with security. It is not possible to obtain unwavering security - physical, emotional, or economic - by having money. Keep in mind that security, like success, can be defined in many ways. If you focus less on how much your financial assets are worth, and more on what a creative and well-balanced individual you can be, security will take on a new meaning.

You're a psychopath." "I prefer creative.