Quotes About Creative

Chess, like any creative activity, can exist only through the combined efforts of those who have creative talent, and those who have the ability to organize their creative work

To choose order over disorder, or disorder over order, is to accept a trip composed of both the creative and the destructive. But to choose the creative over the destructive is an all-creative trip composed of both order and disorder

Ive taken Saturdays to be the day I pull back completely. I do things that are more creative, and Ive actually found that helps me when I get back into work to be more thoughtful, and I truly believe that feeding your creative soul is really important to being more analytical.

Audiences, as they get smaller, can intensify their relationship with the product, and so can the creative relationship with the people that you are serving. The good news is that, the more shows there are, the less the conglomerates have to gain by breaking the will of each individual creative.

Jews and homosexuals are the outstanding creative minorities in contemporary urban culture. Creative, that is, in the truest sense: they are creators of sensibilities. The two pioneering forces of modern sensibility are Jewish moral seriousness and homosexual aestheticism and irony.

I believe that the profits will come from the quality of your creative products. Since the beginning, I've always wanted to develop a self-feeding circle of creative productions: the positive financial returns from one show would be used to develop and create a new show, and so on.

Great fear, conformity, immorality: these are heavy burdens. They drain us of creative energy. And when we are drained of creative energy, we do not create. We procreate, but we do not create.

The preliminaries were out of the way, the creative process was about to begin. The creative process, that mystic life force, that splurge out of which has come the Venus de Milo, the Mona Lisa, the Fantasie Impromptu, the Bayeux tapestries, Romeo and Juliet, the windows of Chartres Cathedral, Paradise Lost - and a pulp murder story by Dan Moody. The process is the same in all; if the results are a little uneven, that doesn't invalidate the basic similarity of origin.

Kids are so busy with different things and are occupied with other things, so when they do find themselves to be creative, it's often that they can be creative in the kitchen and they get the opportunity to bond with family, friends and talk. It just opens up their lines of communication. We need that now for these young people.

My favorite thing about acting is being alone and going through the scripts and working on it and getting ideas and asking myself questions, looking outside myself for them and researching and getting to the bottom of something and being creative with it as an actor and how to express it in a creative fashion. That's my favorite part. And, the actual acting of it.

The key to growth is quite simple: creative men with money. The cause of stagnation is similarly clear: depriving creative individuals of financial power.

I was 3 years old and Mary Poppins [1964] made an impression on me that was seismic, apparently. I fell into some kind of total creative, imaginative rapture over that movie that propelled this industry of Mary Poppins drawings, plays, performances - just an obsessive, creative reaction to it.

Nationality is the creative power of human culture, culture is the creative power of nationality.

The creative person, the person who moves from an irrational source of power, has to face the fact that this power antagonizes. Under all the superficial praise of the creative is the desire to kill. It is the old war between the mystic and the nonmystic, a war to the death.

If you read reviews of concerts, the word 'creative' comes up all the time. However, performers playing music usually aren't creative. Critics might say they are, but they're just playing another persons work. They didn't create it.

Always have clear lines of communication and be open to trying new ideas. Being open to new ideas is crucial to growing as an artist. If you always have the same creative habits, how will you ever excel to the next level? The answer is, you won't. Taking those creative risks reaps the most incredible rewards.

When you write a novel or paint a picture, you have the opportunity to approach it and back off, tear up pages, write, rewrite, paint over, and come back to it. In film, once you start shooting, you can't restart the clock, and you keep moving forward, and you don't look back, and you don't go back. And that is, of course, antithetical to the creative process. It's really hard to generate a comfortable creative flow under that kind of pressure.

When you work for others, you are at their mercy. They own your work; they own you. Your creative spirit is squashed. What keeps you in such positions is a fear of having to sink or swim on your own. Instead you should have a greater fear of what will happen to you if you remain dependent on others for power. Your goal in every maneuver in life must be ownership, working the corner for yourself. When it is yours, it is yours to lose - you are more motivated, more creative, more alive. The ultimate power in life is to be completely self-reliant, completely yourself.

Look at the great athletes, musician, artists, and writers. They all tap into a source. Some call that source God or soul or spirit or consciousness. The Seven Faces of Intention: creativity, kindness, love, beauty, expansion, abundance, and receptivity. And all seven are expressions of what I imagine that source to look like. The very fact that we exist is proof to me that the nature of that source is creative at its core. And there isn't a person reading this who does not have a gnawing sense inside that there's something they're here to do, something creative.

It almost seems as if autumn were the true creator, more creative than the spring, which is too even-toned, more creative when it comes with its will-to-change and shatters the much too ready-made, self-satisfied and really almost bourgeois-complacent image of summer.

I am pretty sick with myself! It seemed a pretty good idea at the time. Around the time I turned 30, I started to feel very creative, more creative than I had been before which is good and I like that.

I guess I feel like; if you're doing something and people are accusing you of appropriating something like that so obviously, then I would feel like I've failed as a creative person. It's just like stealing something and doing some sort of slight alteration to it - I'd feel like I'm not doing my job as a musician, or as a creative person - if it's just obvious like that.

I'm really thriving and enjoying being a part of a really vibrant creative team and doing creative work.

To me, music and songwriting is... part of the intriguing thing is the creative process; you know, the creative thought process. Relying on that... there is some sort of inspiration there and you can't always put your finger on where it comes from. So, it's always been important for me to have my own thing and, even though I'm inspired by and influenced by many different musicians and styles of music, I was very determined early on to have my own thing. So when I sit down to write I don't necessarily have a particular narrative or message in mind. I'm interested in language and in words.

Being wrong doesn't mean being creative - but if you aren't afraid of being wrong, you can't be creative.

Creative power has to filter through our beliefs, attitudes, emotions, and habits. The more negative and constricted our beliefs and patterns are, the more they block the creative energy. Most people hope that by ignoring negativity, it will go away, but the reverse is actually true. Through recognizing, acknowledging, and experiencing it, the blocked energy can be released. You are then free to replace it with positive beliefs and attitudes.

We have to have genius creative thoughts precisely four times a year and on exact dates. I actually write them on my calendar. I write, 'Friday, Nov. 8. Three o'clock. Have a genius creative idea.'

I enjoy both acting and screenwriting, in completely different ways. You have more creative freedom with writing because you can create everything that happens. But, as an actor you also have creative freedom because you don't so much focus on what has to move the story along, and only on how your character is reacting to situations.

I suppose that anyone who does any kind of creative work some time in their life - especially as you grow into middle age! - you come to a time where you really question more and more frequently, whether you have anything else to offer. And at its worst, you feel utterly bereft of whatever creative force it takes to do that work.

The trouble with much of the advice business is getting today about the need to be more vigorously creative is, essentially, that its advocates have generally failed to distinguish between the relatively easy process of being creative in the abstract and the infinitely more difficult process of being innovationist in the concrete.

An almost indispensable skill for any creative person is the ability to pose the right questions. Creative people identify promising, exciting, and, most important, accessible routes to progress - and eventually formulate the questions correctly.

The thing that makes a creative person is to be creative and that is all there is to it.

I've always liked to write, but I never thought I could make a career out of it. I went to business school because in the '80, it was the thing to do. I thought that marketing was a way to be creative in business, but quickly learned all creative stuff happens at the ad agency.

If creative work protects a man against mental illness, it is small wonder that he pursues it with avidity; and even if the state of mind he is seeking to avoid is no more than a mild state of depression or apathy, this still constitutes a cogent reason for engaging in creative work even when it brings no obvious external benefit in its train.

I think as long as I have a creative outlet, I'm happy.

I'm always cribbing from real life. I'm not a very creative filmmaker.

If we can (generate) the right emotion inside of us, we can get ourselves to do anything. If you don’t have the money, but you’re creative and determined enough, you’ll find the way.

I really love action. I really love doing my own stunts. I would love to do more of that. I've done a lot of TV, but my heart is really in film. I really look forward to the film possibilities. I would love to dance in a movie again. I love all those creative aspects, like playing an instrument or dancing. I look forward to all that stuff, in future roles.

Good design today requires more vision (a larger point of view versus the single brilliant idea), more consistency (a deeper underlying structure of language and form versus the simple, uniform application of visual elements) and more patience (persistence over time versus creative authoritarianism).

I never get myself in a situation where I don't have creative freedom.

I've never met a truly creative person who was happy and satisfied with life.

I look for the essence of a story and a human angle that I think audiences can relate to. I also look at how the dialogues flow in the film as a whole and between the characters, and most importantly I always consider what I can bring to the character from a creative point of view.

A thousand restaurants close every month. They re-open, and that's good for America. Nobody's rescuing them. They employ people, too. If we let them go bankrupt, the factories don't go away, the creative people don't go away. They get employed more productively by others.

Art is evidence of our most creative moment.

... woman is frequently praised as the more "creative" sex. She does not need to make poems, it is argued; she has no drive to make poems, because she is privileged to make babies. A pregnancy is as fulfilling as, say, Yeats' Sailing to Byzantium.... To call a child a poem may be a pretty metaphor, but it is a slur on the labor of art.

At the end of the day, filmmaking is a sheer act of creative will. You have to be prepared to stick with your art no matter what comes your way.

Pain is a part of life. It's certainly part of my creative process.

You need space to try things and create. It takes a long time to recalibrate if you let people pull at you all the time. A lot of stress comes from reacting to stuff. You have to keep a certain guard [up], if you're a creative person.