Quotes About Criticism

I'm always very careful to make the distinction between music criticism and music journalism. A lot of people don't. But criticism doesn't require reporting. You can write criticism at home in your underwear. On the other hand, journalism takes legwork - you have to get out there and see things and talk to people.

You see an artist, a creative person, can accept criticism or can live with the criticism much more easily than with being ignored. Criticism makes you feel alive. If somebody is bothered enough to speak vituperatively about it, you feel you have touched a nerve and you are at least 'in touch.' You are not happy that he doesn't like it, but you feel you are in contact with life.

Therefore, criticism has to direct itself against itself, and against the mysterious Substance in which it has up to now hid itself. In this way criticism must resolve things such that the development of this Substance drives itself forward to the Universality and Certainty of the Idea of its actual existence, the Eternal Self-consciousness.

I think the whole emphasis in England, in universities, on practical criticism (but not that so much as on historical criticism, knowing what period a line comes from) this is almost paralysing. In America, in University, we read - what? - T. S. Eliot, Dylan Thomas, Yeats, that is where we began. Shakespeare flaunted in the background. I'm not sure I agree with this, but I think that' for the young poet, the writing poet, it is not quite so frightening to go to university in America as it is in England, for these reasons.

I've had trouble with criticism, I guess. It's hard to know what role criticism plays in either encouraging poets or in getting other people to read them.

I made some changes, I didn't go around telling everybody I was ready to make changes, I just remained me. I may get more criticism today in putting this book out than I have. You know, maybe this is my time, but I'm ready to take the criticism and answer anybody's questions.

But what is criticism? Criticism is purely destructive; anyone can destroy, but not everyone can build up.

The success of the Inklings also helps us to see criticism in a positive light. There are, unfortunately, people who boost their own sense of importance by criticizing others as a matter of principle. Yet within this community, criticism was a mark of respect and commitment.

The abolition of religion as the illusory happiness of the people is the demand for their real happiness. To call on them to give up their illusions about their condition is to call on them to give up a condition that requires illusions. The criticism of religion is, therefore, in embryo, the criticism of that vale of tears of which religion is the halo.

I don't think theory adds to criticism. (Methodology does, for better or worse.) Theory's function is to make criticism self-conscious, maybe even a little sheepish, about its ex cathedra pronouncements.

How do I respond to criticism? Critically. I listen to all criticism critically.

I suspect that most authors don't really want criticism, not even constructive criticism. They want straight-out, unabashed, unashamed, fulsome, informed, naked praise, arriving by the shipload every fifteen minutes or so.

It is peculiar to “ressentiment criticism” that it does not seriously desire that its demands be fulfilled. It does not want to cure the evil. The evil is merely the pretext for the criticism.

A lot of what I've written in criticism of my lust for virtue - my discovery that I've committed idolatry, making of the good an idol - is open to the charge of being still caught within the dialectic of idolatry. I've made a moral criticism of my moral consciousness. Meta-idolatry.

Failing once doesn't make you a failure. One difference between a successful person and an average person is how much criticism they can take, the average person cannot take much criticism and that's why they fail to be leaders and they do remain average all their lives

When I decided to go into politics I weighed the costs. I would get criticism. But I went ahead. So when virulent criticism came I wasn't surprised. I was better able to handle it.

A public that tries to do without criticism, and asserts that it knows what it wants or likes, brutalizes the arts and loses its cultural memory. Art for art's sake is a retreat from criticism which ends in an impoverishment of civilized life itself.

I think the biggest hole is in criticism. I think there should be more informed criticism. Part of the problem is that in the '90s, the newspapers started losing their A-section and department-store advertising, and that paid for fashion writers and for the big feature space.

I don't have to hear that criticism, that idotic criticism anymore.

I'm not angry. As an athlete ... you should be open to criticism, and you're allowed to be criticized, because not everybody has the same opinion, not everybody likes the same players. The rankings are quite volatile: Today you're 'great,' tomorrow you're 'not,' but then you're 'great' again. It makes for great stories. Now, I always look at the long term and by doing that, obviously, I can stay calm through the storm.

I, with other Americans, have perhaps unduly resented the stream of criticism of American life... more particularly have I resented the sneers at Main Street. For I have known that in the cottages that lay behind the street rested the strength of our national character.

Congress suffers a great deal of criticism for its partisan acrimony. But while we may disagree politically, and air our opposition in this chamber, it is the conversation behind the scenes that cements and defines our relationships.

If I were white, I'd get less criticism.

RoboCop the first movie was fantastic. But even if there was no movie, the concept of RoboCop is brilliant, first because it lends itself to a lot of social criticism, but also because it poses a question, 'When do you lose your humanity?

It is triple ultra forbidden to respond to criticism with violence. There are a very few injunctions in the human art of rationality that have no ifs, ands, buts, or escape clauses. This is one of them. Bad argument gets counterargument. Does not get bullet. Never. Never ever never for ever.

One of my constant reminders was, "End practice on a happy note." I wanted the boys to want to come out to practice, and I wanted them to get a certain amount of pleasure out of basketball. It's a game. It should be fun. So I always tried to counterbalance any criticism in practice with a bit of praise. I wanted my players to feel that the worst punishment I could give them was to deny them the privilege of practicing. If they did not want to practice, I did not want them there.

The whole point of free expression is not to make ideas exempt from criticism but to expose them to it.

Lulled into somnolence by five hundred years of print, literary studies have been slow to wake up to the importance of MSA (media-specific analysis). Literary criticism and theory are shot through with unrecognized assumptions specific to print. Only now, as the new medium of electronic textuality vibrantly asserts its presence, are these assumptions clearly coming into view.

I like criticism, but it must be my way.

Their [BBC] idea of bipartisanship is to try not to offend the Conservative party, try not to offend the Labour party.There is no analysis of anything beyond that, and these two parties are exactly identical, following the same Neoliberal policies for thirty years. And it's no criticism outside of that, it's just that there's basically sectarian pandering to these two individual parties, these two individual organisations. They still make a lot of great programmes and do a lot of great things, but there's not much political analysis happening broader to that.

I have seen that there are a number of people who benefit from doing loving kindness meditation, either prior to or along with mindfulness meditation. It varies from person to person of course, but for many, their practice of mindfulness will bring along old habits of self-judgment and ruthless criticism, so it is not actually mindfulness.

I would like to see more control and more criticism coming from Europe. The constant expressions of friendship for former President Eduard Shevardnadze, who made some contribution to German unity, were counterproductive for our country.

When people ask what kind of nonfiction I write, I say 'all kinds,' but really I mean I don’t write any kind at all: I’m trying to dissolve the borders between memoir and journalism and criticism by weaving them together.

I totally accept that it's a legitimate criticism that when you are involved in the day-to-day scrum of government that what can get lost is the narrative, the hymn sheet the song that inspires and lifts people's sights.

Faith can cut in so many ways. If you're penitent and not triumphal, it can move us to repentance and accountability and help us reach for something higher than ourselves. That can be a powerful thing, a thing that moves us beyond politics as usual, like Martin Luther King did. But when it's designed to certify our righteousness - that can be a dangerous thing. Then it pushes self criticism aside. There's no reflection.

Conventional people are roused to fury by departure from convention, largely because they regard such departure as a criticism of themselves.

The writer's role is to menace the public's conscience. He must have a position, a point of view. He must see the arts as a vehicle of social criticism and he must focus on the issues of his time.

Criticism occupies the lowest place in the literary hierarchy: as regards form, almost always; and as regards moral value, incontestably. It comes after rhyming games and acrostics, which at least require a certain inventiveness.

England has been praised for turning out intelligent, adult pictures whereas Hollywood has been severely censured for turning out junk. I don't think criticism is a valid one because, in defense of Hollywood, we have censorship problems England doesn't have. I'm not speaking of the license to do sexy stuff. I'm speaking of the license to present adult ideas and viewpoints, which we lack and which means in turn that many of our pictures lack intelligent content.

If we are to have such a discipline we must have standards, and to get our standards under existing conditions we must have criticism.

The values learned on the playing field-how to set goals, endure, take criticism and risks, become team players, use our beliefs, stay healthy and deal with stress-prepare us for life.

I thought, if I write a book that is not a retelling of Pride and Prejudice, it's not going to mean that I will not get any criticism. I might as well write the book that I want to write.

I don't judge people. I don't even judge people on 'The Voice.' I'm a coach. I'm there for constructive criticism and to aid and abet and discover new talent.

I read reviews every time. I read them all. Sometimes they can be very constructive, sometimes not, but it's always interesting to see the opinion of others on what you are doing. Sometimes I am very furious, but I will never say to a journalist, "Please don't come back to the next show." Never. Because I think that's a very stupid attitude. I am very happy when I see the results of the company and when I see people wearing my clothes or my accessories. I think this is the best answer to criticism.

Each one of us, in his timidity, has a limit beyond which he is outraged. It is inevitable that he who by concentrated application has extended this limit for himself, should arouse the resentment of those who have accepted conventions which, since accepted by all, require no initiative of application. And this resentment generally takes the form of meaningless laughter or of criticism, if not persecution.

It would be very easy for us to do a collection that everybody would like and not criticize. But criticism is a part of life. You have to take it.

Criticism and rejection are not personal insults, but your artistic component will not know that. It will quiver and wince and run to cover, and you will have trouble in luring it out again to observe and weave tales and find words for all the thousand shades of feeling that go to make up a story.

I can't deal with criticism very well. I've already got it from one angle. I don't need it from anything else.