Quotes About Critics

The Intelligentsia (scientists apart) are losing all touch with, and all influence over, nearly the whole human race. Our most esteemed poets and critics are read by our most esteemed critics and poets (who don't usually like them much) and nobody else takes any notice. An increasing number of highly literate people simply ignore what the 'Highbrows' are doing. It says nothing to them. The Highbrows in return ignore and insult them.

Because Fox News is allegedly biased in favor of conservatives, critics whine like children whose lunch money got snatched. Conservatives have been pummeled for decades. Now that Fox News and conservative talk radio give people alternatives, critics squeal as if being sodomized.

Does he have a double standard for black critics as opposed to white critics?

Have you ever noticed how most critics disagree with the public? That should tell you a lot about critics.

As for critics, one mediocre writer is more valuable than ten good critics. They are like haughty, barren spinsters lodged in a maternity ward.

I've been pretty well treated by the critics, but the critics who didn't like my comedies hated them with an unbridled passion, and then I would see these same people writing very respectfully about ordinary naturalistic plays.

Ron Paul warned everyone that the Patriot Act could be used against innocent American citizens. His critics said he was siding with terrorists. Now, either A. Ron Paul was right. Or B. All Verizon users are terrorists.

I have learned not to read reviews. Period. And I hate reviewers. All of them, or at least all but two or three. Life is much simpler ignoring reviews and the nasty people who write them. Critics should find meaningful work.

Toni Morrison said, "The function of freedom is to free someone else," and if you are no longer wracked or in bondage to a person or a way of life, tell your story. Risk freeing someone else. Not everyone will be glad that you did. Members of your family and other critics may wish you had kept your secrets. Oh, well, what are you going to do?

If we are any good we must always be working towards the moment at which our Pupils are fit to become our Critics & Rivals

What shall I say about poetry? What shall I say about those clouds, or about the sky? Look; look at them; look at it! And nothing more. Don't you understand anything about poetry? Leave that to the critics and the professors. For neither you, nor I, nor any poet knows what poetry is.

What bothers most critics of my work is the goofiness. One reviewer said I need to make up my mind if want to be funny or serious. My response is that I will make up my mind when God does, because life is a commingling of the sacred and the profane, good and evil. To try and separate them is fallacy.

Most men I know adore women, and I am including gay men. I think studies on jury selection show that the biggest critics of women - people less likely to trust their character or judgment - are women.

The critics say that Shostakovich's Fourth Symphony has no form. They are wrong; it has the form of Shostakovich's Fourth Symphony.

It's a culture shock to go from obscurity to notoriety in a flash. Its more to it than talent and money; its pressure, stress, enemies, critics; you have to develop relationships and a team. There are all of these things that go along with taking a leap and following your dreams.

When it comes to sitting down and composing, there is no hesitation, no concern, no critics breathing fire down my neck. For me, writing a song is the purest part of all. No one can mess with that.

Every time you start a project, you're hopeful that the critics receive it warmly.

Critics should stick to their convictions.

Listen carefully to first criticisms made of your work. Note just what it is about your work that critics don't like - then cultivate it. That's the only part of your work that's individual and worth keeping.

Does it take a blanket presupposition for a historian to discount some miracle stories as legendary? No, because, as even Bultmann recognized, there is no problem accepting reports even of extraordinary things that we can still verify as occurring today, like faith healings and exorcisms. However you may wish to account for them, you can go to certain meetings and see scenes somewhat resembling those in the gospels. So it is by no means a matter of rejecting all miracle stories on principle. Biblical critics are not like the Committee for Scientific Investigation of Claims of the Paranormal.

Critics say Internet advertising suffers from limitless inventory, which depresses prices. These exclusive front-page sponsorships are not limitless. If HBO doesn't move quickly enough, Showtime can buy out Gawker and Jezebel for the key fall TV season. On any individual day, there isn't room for both of them; and that's healthy.

There are conversations going on about the Church constantly. Those conversations will continue whether or not we choose to participate in them. But we cannot stand on the sidelines while others, including our critics, attempt to define what our Church teaches... We are living in a world saturated with all kinds of voices. Perhaps now, more than ever, we have a major responsibility as Latter-day Saints to define ourselves, instead of letting others define us.

As I look back, I understand what [the record company] was getting at. They were trying to market a record and make it as commercially acceptable as possible. It hurt me and my credibility with critics.

Getting the economy back on its feet is properly viewed as an investment in future prosperity. When businesses and consumers confront attractive investment opportunities, often the only way to seize them is by borrowing. The same is true for government. Contrary to the pronouncements of critics of economic stimulus, these investments will not impoverish our grandchildren. Continuing to allow the economy to languish in recession is the surest way to impoverish them.

Critics write out of intellectual exercise, not poets. Poets write straight from the heart.

I know all the critics.

I'm too rich to care what the critics say.

Computer and video games represent one of the most important new media developments of this generation. Unlike many other forms of entertainment they offer players the opportunity to explore, be creative, learn through interaction and express themselves to others. It is vitally important that we protect and nurture this new art form so that it can reach its full potential. Like most new forms of artistic expression that have come before (music, novels, movies), the primary critics of video games are the people that do not play them.

I've got the public. I don't care about the critics. I did at one time. I don't any more. I did when I needed compliments. But if you get a lot of compliments, you don't need a critic to tell you, 'This should be done another way.'

I haven't seen the show, but when it was finished I felt good about what we had done. I don't know how it will stack up with Survival, but that'll be up to the critics.

But I remember the morning after The Mask of Virtue-which is the first play I did at the West End-that some critics saw fit to be as foolish as to say that I was a great actress. And I thought, that was a foolish, wicked thing to say, because it put such an onus and such a responsibility onto me, which I simply wasn't able to carry. And it took me years to learn enough to live up to what they said-for those first notices. I find it so stupid. I remember the critic very well, and have never forgiven him.

I will prove by my life that my critics are liars.

As far as I'm concerned, the 20th century was performance-driven, but for some reason, the critics and historians didn't know how to integrate that.

Critics have done the wine industry a lot of good overall.

I just didn't want to get out there anymore; I didn't want to get back into what I call 'the swamp.' And the other reason why is I don't think it's good for the presidency for a former president to be opining about his successor. President Obama's got plenty of critics - and I'm just not gonna be one.

A baby is such a blank slate, like training the understudy for a role you're planning to leave. You truly hope your replacement will do the play justice, but in secret you want future critics to say you played the character better.

It's over. The franchise is dead. The press killed it. Your magazine f**king killed it. New York Magazine. It's like all the critics got together and said, 'This franchise must die.' Because they all had the exact same review. It's like they didn't see the movie. Got any more gum?

How a big majority of book critics and authors have come to believe and to teach that no book is true to life unless it is true to the worst in life, God knows.

If I miss one day of practice, I notice it. If I miss two days, the critics notice it. If I miss three days, the audience notices it.

Take heed of critics even when they are not fair; resist them even when they are.

I'm the guy who reputedly denies that people experience colors or pains, and thinks that thermostats think — just ask my critics.

I have always been very fond of them (drama critics) . . . I think it is so frightfully clever of them to go night after night to the theatre and know so little about it.

The thing about living in New York is that there are other artists; that is the most difficult, I think they are the hardest critics.

The vehemence with which certain critics have chosen not simply to criticize what I've written, but to challenge my writing this story at all, speaks of what the book is about: fear of disapproval.

The critics tend to forget their own answers after a while

Honey, I am the chief of my train. If critics want to hop on board, fantastic. There's plenty of room. The KP train is fun.

Don't let fear of failure discourage you. Don't let the voice of critics paralyze you - whether that voice comes from the outside or the inside.

Silence is often the most eloquent answer to our critics.