Quotes About Cultural

We also have a cultural phenomenon: the emergence of a global culture, or of cultural globalization

I know of no civilization that tolerates or justifies violence, terrorism, or injustice. There is no civilization that justifies the killing of innocent people. Those who are invoking cultural relativism are really using that as an excuse for violating human rights and to put a cultural mask on the face of what they're doing.

Where neoliberalism thrives is in having done something that we haven't seen before. There is a merging of culture, politics, and power under neoliberalism that's unprecedented. They control the cultural apparatuses. And what I mean by "cultural apparatuses" is all those institutions that are about the production of knowledge, values, dispositions, and subjectivities. They control them.

UNESCO provides protection for the great cultural institutions. There is something called the intangible cultural heritage list. And the Italians want to put Neapolitan pizza on it. But in order to do that, you have to show that whatever it is that you're trying to protect is under threat. And pizza is totally under threat from Pizza Hut and Domino's...

I am all for cultural diversity and would be willing to see each recognizable group value its cultural heritage. I am a New York patriot, for instance, and if I lived in Los Angeles, I would love to get together with other New York expatriates and sing "Give My Regards to Broadway".

I want people to leave the theater with a greater understanding of the rich cultural heritage of Pakistan. "Song of Lahore" moves beyond headlines and stereotypes and shows that a vast majority of Pakistanis are not perpetrators of religious violence - they are victims of it. The beautiful cultural heritage of the region belies its image in the West as monolithically religious, intolerant, and violent.

Christian adults need to think about talking to our own children as a form of cross-cultural missions. Cultural change happens so quickly that teens are exposed to ideas and worldviews very different from those of previous generations.

Culture has become one of the last elements of our identity. We have to act in favor of cultural diversity abroad as well as at home, we need strong cultural diplomacy but we have to create it.

I don't think it is wrong, racist, immoral or anything, for a country to say 'we will decide what the cultural identity and the cultural destiny of this country will be and nobody else'.

Every colonized people-in other words, every people in whose soul an inferiority complex has been created by the death and burial of its local cultural originality-finds itself face to face with the language of the civilizing nation; that is, with the culture of the mother country. The colonized is elevated above his jungle status in proportion to his adoption of the mother country's cultural standards.

Since the notion that we should all forsake attachment to race and/or cultural identity and be “just humans” within the framework of white supremacy has usually meant that subordinate groups must surrender their identities, beliefs, values, and assimilate by adopting the values and beliefs of privileged-class whites, rather than promoting racial harmony this thinking has created a fierce cultural protectionism.

You cannot build a cultural identity without the images and sounds of your culture. Most countries in the third world - poor countries - they've lost their memories. Because everyday, films and cultural artifacts disappear. Film is also a memory - of the character and imagination of a culture.

We have cultural depth. We get all kinds of stuff to chew on, to live on.

I spent the first years working in Jordan trying to learn as much as I could about what was taking place in the country, about where there were gaps in the development process that needed attention. Inevitably, there were certain common denominators which are fairly common to all developing societies, perhaps to all societies: that quality education be accessible to everyone, not just a limited elite few; the sustainable conservation of natural resources; the full engagement of women in national development; and the value of cross-cultural exchange and understanding to international relations.

I'd thought sexuality was instinctive or natural, but it's profoundly linked to inner security and cultural context.

With full responsibility for my words as a professional biologist, I do not hesitate to say that all existing and genuine knowledge about the way in which the physical characteristics of human communities are related to their cultural capabilities can be written on the back of a postage stamp.

If you care about this country, if you want to take part in a citizen’s movement that helps heal the deep racial, economic, and cultural divides tearing us apart, you must read Eric Deggans’ Race-Baiter. No book of recent vintage so thoroughly dissects the media’s monetized appetite for division. Provocative, honest, and smart, Race-Baiter is a supremely important book. Read it and let the conversation begin.

All of us in the academy and in the culture as a whole are called to renew our minds if we are to transform educational institutions-and society-so that the way we live, teach, and work can reflect our joy in cultural diversity, our passion for justice, and our love of freedom.

Most Christian 'believers' tend to echo the cultural prejudices and worldviews of the dominant group in their country, with only a minority revealing any real transformation of attitudes or consciousness. It has been true of slavery and racism, classism and consumerism and issues of immigration and health care for the poor.

Cultural identity is of course connected to this issue. When I was younger, it was inspiring to write about the people that raised me, especially their near-insane struggle to live between America and Middle East. But like many writers, I want to paint on as broad a canvas as possible.

It had been only through books-at best, no more than vicarious cultural transfusions-that I had managaed to keep myself alive in a negatively vital way. Whenever my environment had failed to support or nourish me, I had clutched at books.

What little wilderness remains displays the patterns we must return to, if our species and as many others as now remain are to persist here a while. Ideally this would call for a broad cultural rapprochment with the wild, a long overdue armistice in civilization's war upon it.

Cultural differences - they are definitely vast in some ways. But I think that Europeans in general have a more global view of the world because they are in such proximity to other countries that it enables them to travel and see other parts of the world.

For me, writing stories set, well, wherever they're best set, is a form of cultural curiosity that is uniquely Scottish - we're famous for travelling in search of adventure.

The cultural contrast I saw between religions... Catholics have a lot of mediators, going through saints and Mary or whatever. Protestants in general say things to God directly.

We know what hair smells like when a hot comb hits it. That's a cultural thing. We know what that smells like on Sunday mornings, usually church-related or something. In my house, it was getting ready for church and your sister was getting her hair fried.

It is not OK for anyone to be obese. There needs to be a cultural shift.

Dante can be understood only within the context of Italian thought, and Faust would be unthinkable if divorced from its German background; but both are part of our common cultural heritage.

I think of art as a glue, a cultural and social glue. It's one of the means that has served to show us the things we believe in and the things we celebrate; it has served to reinforce our relationship to each other.

Elvis is the greatest cultural force in the twentieth century. He introduced the beat to everything, music, language, clothes, it's a whole new social revolution - the 60's comes from it.

When considering the Islamic world, Turkey is the best example of a country where democracy irreversibly gained a foothold despite religious and cultural traditions still respected today. With some reservation, this can be said about Pakistan, too, where we can observe dynamic political processes going on [and] governments change as a result of elections. In my opinion, it is up to the ruling elite to initiate cardinal changes.

In the gospel message, the beginning of change occurs in the heart of each individual. This heart change makes a difference in the home, then in the community, and ultimately in the nation- and in turn it shapes the future of a cultural ethos.

Somehow we have been taught to believe that the experiences of girls and women are not important in the study and understanding ofhuman behavior. If we know men, then we know all of humankind. These prevalent cultural attitudes totally deny the uniqueness of the female experience, limiting the development of girls and women and depriving a needy world of the gifts, talents, and resources our daughters have to offer.

The reason ... our pervasive cultural irony is at once so powerful and so unsatisfying is that an ironist is impossible to pin down.

There are clearly people for whom Stoicism immediately "clicks," it comes natural, and others for whom it doesn't. Then again, Stoicism isn't the only positive philosophy of life. Buddhism is an excellent alternative, if it speaks more clearly to one's personality or cultural background.

I am religious by nature, I'm not a nihilist. I don't follow, I don't even know what the tenets of things like deconstructionism are, and all those schools that come up and their way of looking at things that people strive to incorporate into what they write. I don't even know what they are. Because I sense from a distance that I don't want to know. And therefore even if I had no politics, actual politics, my cultural point of view is hopelessly out of date with the modern literary sensibility. Which is nihilistic, and ironic, detached, cool, and cowardly.

Power is global and politics is local. That must change. We need a new language for understanding new global power formations as well as new international modes of politics to fight them. Social movements must move outside of national boundaries and join with others across the globe to fight the savagery of neoliberal global politics and central to such a task is the work of intellectuals, artists, cultural workers, and others who can fashion new tools and social movements in the fight against the current anti-democratic threats being imposed all over the globe.

Those cultural wars, Sexual Revolution issues are fading from the scene, and the coming generation has basically settled them.

Surely people can now see that it is no accident that he, Obama, sat at the feet of the Rev. Jeremiah Wright for 20 years, that he is mother was a leftist activist and cultural Marxist, that his main early mentor was radical Frank Marshall Davis, that he was a member of the far-left New Party in Chicago, that his main vocation in life has been street organizing and agitation and that he didn't think the revolutionarily, transformative Warren court was liberal enough.

In cultural history, the civil rights movement came before the women's movement.

Sam Walton was a master storyteller who used illustrative stories to reinforce his cultural standards.

The rushed existence into which industrialized, commercialized man has precipitated himself is actually a good example of an inexpedient development caused entirely by competition between members of the same species. Human beings of today are attacked by so-called manager diseases, high blood pressure, renal atrophy, gastric ulcers, and torturing neuroses: they succumb to barbarism because they have no more time for cultural interests.

The great works belong to no one nation, no one cultural tradition even. They are universal.I want an Australian vision of arts policy that is expansive, is embracing, is not narrow, is not parochial. For example, that Australians can do Shakespeare just as well as Englishmen can because we, like every civilised nation, partake of the great canonical works. It's not about Australian nationalism; it's about our identity as a culturally ambitious, culturally sophisticated nation.

Rebecca Eaton has made an enormous contribution to the cultural life of America, and, more than that, she is one of the most fun people I know.

We don't want to be wounds ("No, you're the wound!") but we should be allowed to have them, to speak about having them, to be something more than just another girl who has one. We should be able to do these things without failing the feminism of our mothers, and we should be able to represent women who hurt without walking backward into a voyeuristic rehashing of the old cultural models.

The cultural ban on having sex with your friends is an inevitable offshoot of a societal belief that the only acceptable reason to have sex is to lead to a monogamous marriagelike relationship.

Does religious conviction provide a powerful reason for killing? Undeniably it often does. It also often provides the sole compelling reason for refusing to kill, or for being merciful, or for seeking peace; only the profoundest ignorance of history could prevent one from recognizing this. For the truth is that religion and irreligion are cultural variables, but killing is a human constant.

We need a name for the new replicator, a noun that conveys the idea of a unit of cultural transmission, or a unit of imitation. 'Mimeme' comes from a suitable Greek root, but I want a monosyllable that sounds a bit like 'gene'. I hope my classicist friends will forgive me if I abbreviate mimeme to meme. If it is any consolation, it could alternatively be thought of as being related to 'memory', or to the French word même. It should be pronounced to rhyme with 'cream'.