Quotes About Cultural

I'm not sure I'm going to be that type of artist but I do love cultural icons. Like Solange has been really great at that. Releasing her album end of last year and being really strong in their sound, bands like Little Dragon, artists like James Blake. You know their music when you hear them. They have a really particular sound and it's really cultural and people copy that sound. You hear it in other songs and you're like 'That's a James Blake tune'.

Much of the world today, including the United States, is still living in the social, cultural, and political aftermath of Britain's cultural achievements, its industrial revolution, its government of checks and balances, and its conquests around the world.

Citizenship has not delivered Indigenous Australians the same quality of life other Australians expect. Basic human rights involve health, housing, education, employment, economic opportunity, and equality before the law, and respect for cultural identity and cultural diversity. These human rights must be capable of being enjoyed otherwise they are empty gestures.

On a certain level, the film retains a cultural memory. It may be meaningless to some kids, but it doesn't matter. A lot of the '90s references will be meaningless, but do some of these kids really understand what they're wearing when they wear a Led Zeppelin shirt? No. But, it looks cool and it seems to have some sort of cultural cache.

Artists are looking for a new modernity that would be based on translation: What matters today is to translate the cultural values of cultural groups and to connect them to the world network. This “reloading process” of modernism according to the twenty-first-century issues could be called altermodernism, a movement connected to the creolisation of cultures and the fight for autonomy, but also the possibility of producing singularities in a more and more standardized world.

I want people to leave the theater with a greater understanding of the rich cultural heritage of Pakistan. "Song of Lahore" moves beyond headlines and stereotypes and shows that a vast majority of Pakistanis are not perpetrators of religious violence - they are victims of it. The beautiful cultural heritage of the region belies its image in the West as monolithically religious, intolerant, and violent.

The current information revolution is a cultural revolution, a social revolution, a thoroughgoing technological revolution that involves not just information, but labor, leisure, entertainment, communication, education, culture and thus is part of a major cultural and social shift.

Soil is not usually lost in slabs or heaps of magnificent tonnage. It is lost a little at a time over millions of acres by the careless acts of millions of people. It cannot be saved by heroic feats of gigantic technology, but only by millions of small acts and restraints, conditioned by small fidelities, skills, and desires. Soil loss is ultimately a cultural problem; it will be corrected only by cultural solutions.

Cultural differences should not separate us from each other, but rather cultural diversity brings a collective strength that can benefit all of humanity." Also: "Intercultural dialogue is the best guarantee of a more peaceful, just and sustainable world.

In the last couple of years before Chairman Mao's death he said that the "Cultural Revolution" had been wrong on two counts: one was "overthrowing all", and the other was waging a "full-scale civil war". These two counts alone show that the "Cultural Revolution" cannot be called correct. Chairman Mao's mistake was a political mistake, and not a small one.

You cannot build a cultural identity without the images and sounds of your culture. Most countries in the third world - poor countries - they've lost their memories. Because everyday, films and cultural artifacts disappear. Film is also a memory - of the character and imagination of a culture.

I think there should be some way to find some kind of reasonable accommodation that allows the state to continue to say, you know, that women's rights supersede any kind of a cultural custom that's oppressive to women, but also potentially allows a woman to take the oath, I don't know, in a separate room. It would be up to the court to find some kind of cultural accommodation.

If we are to believe or accept that buildings are cultural markers, if architects work in a vacuum with their own preconceptions about society, then we won't be creating appropriate cultural markers.

The cultural influences in our country are like the floo floo bird. I am referring to the peculiar and especial bird who always flew backward. To keep the wind out of its eyes? No. Just because it didn't give a darn where it was going, but just had to see where it had been.

To understand my feelings — and my conception of the role of Secretary General — the nature of my religious and cultural background must first be understood. I should therefore like to outline not only my beliefs but also my conception of human institutions and of the human situation itself.

The world is poised on the cusp of an economic and cultural shift as dramatic as that of the Industrial Revolution.

It's fairly obvious that American education is a cultural flop. Americans are not a well-educated people culturally, and their vocational education often has to be learned all over again after they leave school and college. On the other hand, they have open quick minds and if their education has little sharp positive value, it has not the stultifying effects of a more rigid training.

A culture-bearing book, like a mule, bears the culture on its back. No one should sit down to write one deliberately. Culture-bearing books appear almost accidentally, like a sudden surge in the stock market. There are books of high quality that are a part of the culture, but that is not the same. They are a part of it. They aren't carrying it anywhere. They may talk about insanity sympathetically, for example, because that's the standard cultural attitude. But they don't carry any suggestion that insanity might be something other than sickness or degeneracy.

Most countries want to bring their people together and tear down physical, commercial and cultural barriers. Anyone who proposes separating them is out of line.

I make films as a business, not as a cultural endeavor.

If a harmonious relationship is established amongst societies and religious beliefs in today's multi-ethnic, multi-religious and multi-cultural world, then it will surely set a very good example for others.

We're born into a certain family, nation, class. But if we have no connection whatsoever with the worlds beyond the one we take for granted, then we too run the risk of drying up inside. Our imagination might shrink; our hearts might dwindle, and our humanness might wither if we stay for too long inside our cultural cocoons. Our friends, neighbors, colleagues, family - if all the people in our inner circle resemble us, it means we are surrounded with our mirror image.

The indigenous peoples of the great tourist spots seem to lose their souls. All cultural, religious, and political efforts and ideals are crippled since the culture is engaged only in luring ever more tourists. It is not the contact with an essentially foreign population that corrupts the inhabitants of the great foreign resorts. It is the contact with great masses of people who are seeking fir the moment only well-being and not salvation that weakens and devalues the indigenous population.

It had been only through books-at best, no more than vicarious cultural transfusions-that I had managaed to keep myself alive in a negatively vital way. Whenever my environment had failed to support or nourish me, I had clutched at books.

Reggae, oh man. It's the ultimate music. The positivity. The musicality. The whole cultural expressionism of it. The danceability. Just the cool factor. The melody factor. Some of it comes from a religious place. If there were a competition of who makes the best religious music, it would definitely be the Rastafarian reggae.

Often, these downplay the power of cultural imperialism - in that sense, playing the game of US interests - by reassuring us that the global success of American mass culture is not as bad as all that.

Several Southeastern tribes have long said that their ancestors received immigrants from Mesoamerica and that these immigrants introduced many cultural changes. Far too few anthropologists were listening.

The concepts of community and community life, have since the Dreaming, always held special significance for Aboriginal people because both provided the physical, cultural, spiritual and social environments, which supported children, young people, families and the aged.

In Technologized Desire, the cultural pathologies that mark the panic ecstasy and terminal doom of the posthuman condition are powerfully rehearsed in the language of science fiction. Here, images of prosthetic subjects, zombies, cut-ups and armies of the medieval dead actually slip off the pages of literature to become the terminal hauntology of these technologized times. Technologized Desire is nothing less than a brilliant data screen of future memories. Read it well: it's a survival guide for bodies flatlined by the speed of accelerating technology.

In most of my photographic pieces I have manipulated the quality of the evidence that people assign to photography, in order to subvert it, or to show that photography lies - that what it conveys is not reality but a set of cultural codes.

University, as institutions, pre-date the information economy by many centuries and are not for-profit cultural entities, whose reason of existence (purportedly) is to discover truth, codify it through techniques of scholarship, and then teach it. Universities are meant to pass the torch of civilization not just download data into student skulls.

For me fashion is an expression of art that is very closely related both to me and to my body. I see it as an expression of identity combined with desire, moods and a cultural setting.

Here's an easy way to see if a war movie is being truthful: If you see an explosion on a faraway hillside and the sound of the explosion and the detonation of the bomb happen at the same time - if they're putting the sound and the vision together in the same moment - they're going toward our cultural understanding of war, not the reality of war.

We live fragmented, compartmentalized lives in which contradictions are carefully sealed off from each other. We have been taught to think linearly rather than comprehensively, and we do this not through conscious design or because we are not intelligent or capable, but because of the way in which deep cultural undercurrents structure life in subtle but highly consistent ways that are not consciously formulated.

I think of art as a glue, a cultural and social glue. It's one of the means that has served to show us the things we believe in and the things we celebrate; it has served to reinforce our relationship to each other.

Scientists and artists are both living in the cultural milieu that they come up in. They're always responding to what is happening culturally.

A homeless man once told me that dancing to rap music is the cultural equivalent of masturbating, and I'd sort of fell the same way about playing John Madden Football immediately after filing my income tax: It's fun, but - somehow - vaguely pathetic.

My experiences have been, from the very beginning, cultural and creative. And my business has been a way of exposing the culture, exposing the artists so that the world could hear and see them.

Without metaphor the handling of general concepts such as culture and civilization becomes impossible, and that of disease and disorder is the obvious one for the case in point. Is not crisis itself a concept we owe to Hippocrates? In the social and cultural domain no metaphor is more apt than the pathological one.

If people knew how badly animals were treated in today's factory farms, if people knew how completely confined and immobilized these creatures are for their entire lives, if people knew how severe and unrelenting is the cruelty these animals are forced to endure, there would be change. If people knew. But too many of us choose to look the other way, to keep the veil in place, to remain unconscious and caught in the cultural trance. That way we are more comfortable. That way is convenient. That way we don' t have to risk too much. This is how we keep ourselves asleep.

It ain't this big I, little You. Music is to be shared. Music is not a hustle. [Hip hop's become] cultural stripmining [by the major labels]. Some people get into this music to make a killing but music is a way to make a living.

The imbalance between developed and underdeveloped countries - caused by the relationships of dependence - becomes more acute if the cultural point of view is taken into consideration.

In south west Lancashire, babies don't toddle, they side-step. Queuing women talk of 'nipping round the blindside'. Rugby league provides our cultural adrenalin. It's a physical manifestation of our rules of life, comradeship, honest endeavour, and a staunch, often ponderous allegiance to fair play.

Intellectual and cultural freedom is the most important single precondition for the breakdown of the kinds of tyrannical and totalitarian systems that periodically threaten us.

One difference with the political writings, whether about feminism or class, is that the intent is to change how people think of a certain political reality; whereas with cultural criticism, the goal is to illuminate something that is already there.

Into the cultural and technological system of the modern world, the patriotic spirit fits like dust in the eyes and sand in the bearings. Its net contribution to the outcome is obscuration, distrust, and retardation at every point where it touches the fortunes of modern mankind.

There is a simple maxim that I use to express this situation, 'when tolerance becomes a one way street, it leads to cultural suicide.'

We need to invest in clean energy technologies. We need to rush them to market while rebuilding our energy networks intelligently. And it's imperative that we push toward a cultural shift away from energy waste to respectful conservation with fierce commitment that will carry us to the other side.