Quotes About Cultural

It's very hard to try to be a cultural . . . people who organize cultural things . . . it's very complicated. And more so in a country like Guatemala.

The widespread inability to understand technological artifacts as fabricated entities, as social and cultural phenomena, derives from the fact that in retrospect only those technologies that prove functional for a culture and can be integrated into everyday life are 'left over.' However, the perception of what is functional, successful and useful is itself the product of social and cultural--and last but not least--political and economic processes. Selection processes and abandoned products and product forms are usually not discussed.

You can't write for the cultural environment - if you do that, by the time it comes out, that cultural environment has passed. You have to be aiming for something that's original - that's the only way you can have any kind of impact.

I think that we're making a mistake if we don't see that there is a cultural basis to many illnesses, not just psychiatric ones. Breast cancer would be one prevalent example right now, different kind of cultures surrounding it. If you don't understand the cultural meaning of an illness like that you're going to miss the boat even if you're a great scientist.

Culture has become one of the last elements of our identity. We have to act in favor of cultural diversity abroad as well as at home, we need strong cultural diplomacy but we have to create it.

The Japanese director Tadashi Suzuki once stated, 'International cultural exchange is impossible - therefore we must try.' I agree with all my heart. The impossibility of seeing beyond one's own cultural context is a political act in the world and has the potential to break down the rigid assumptions surrounding us.

Ideologies are cultural memes. They are the most confining of the cultural memes. That's where culture gets real ugly. It is when you rub up against its ideologies.

The real problems are cultural. The problems of the people who take drugs as a cultural trap - I think there's a real problem there, the crack stuff, the hopelessness of the junkie. The urban angst.

It's impossible to say that live art enjoys any single status in the information age--there are versions of live art that are still primarily art-world phenomena, others that appeal to much broader audiences. The Burning Man festival is a case in point--an event featuring performance that is itself a performance, which partakes simultaneously of frontier mythology, a counter-cultural impulse, and popular cultural visibility.

All cultural explorers. . . start off from specific roots which color their vision and define the allegiances of the work of art they produce.

Moreover, as America becomes an increasingly multi-cultural society, it may find it more difficult to fashion a consensus on foreign policy issues, except in the circumstance of a truly massive and widely perceived direct external threat.

Modernity is the ensemble of changes - intellectual, political, economic, social, cultural, technological, aesthetic - that have altered the world drastically since roughly the 17th century, until which time the world was, in the above respects, far less different from the world of any previous epoch of recorded history than it is from the world of today. The modern predicament is the set of problems these changes have bequeathed us.

There's this idea, particularly in pop music and a lot of these pop father/manager types, that you're selling the person instead of the song. You basically want to create something that the fans relate to because it's exactly like them. So there's a lot of art that's made to be in the image of the audience, but then the audience is imitating this version of themselves. It's a really weird cultural feedback loop, and it's kind of strange to watch. It's a new thing since I was a kid, really a different thing.

All of us in the academy and in the culture as a whole are called to renew our minds if we are to transform educational institutions-and society-so that the way we live, teach, and work can reflect our joy in cultural diversity, our passion for justice, and our love of freedom.

At the risk of sounding hopelessly romantic, love is the key element. I really love to play with different musicians who come from different cultural backgrounds.

Cultural legacies are powerful forces. They have deep roots and long lives. They persist, generation after generation, virtually intact, even as the economic and social and demographic conditions that spawned them have vanished, and they play such a role in directing attitudes and behavior that we cannot make sense of our world without them.

The Wright Brothers created the single greatest cultural force since the invention of writing. The airplane became the first World Wide Web, bringing people, languages, ideas, and values together.

There's such cultural rot taking place, such a disintegration throughout our culture. Values, morality, you name it. Standards have been relaxed, and people are not being held to them. People's intentions, if they're said to be good and honorable, that's all that matters.

Chairman Mao creatively applied Marxism-Leninism to every aspect of the Chinese revolution, and he had creative views on philosophy, political science, military science, literature and art, and so on. Unfortunately, in the evening of his life, particularly during the "Cultural Revolution", he made mistakes - and they were not minor ones - which brought many misfortunes upon our Party, our state and our people.

If a harmonious relationship is established amongst societies and religious beliefs in today's multi-ethnic, multi-religious and multi-cultural world, then it will surely set a very good example for others.

The concepts of community and community life, have since the Dreaming, always held special significance for Aboriginal people because both provided the physical, cultural, spiritual and social environments, which supported children, young people, families and the aged.

In Technologized Desire, the cultural pathologies that mark the panic ecstasy and terminal doom of the posthuman condition are powerfully rehearsed in the language of science fiction. Here, images of prosthetic subjects, zombies, cut-ups and armies of the medieval dead actually slip off the pages of literature to become the terminal hauntology of these technologized times. Technologized Desire is nothing less than a brilliant data screen of future memories. Read it well: it's a survival guide for bodies flatlined by the speed of accelerating technology.

Fairy tales and myths are forms of cultural storage for the natural history of life.

Film has become a marketed commodity, and the opportunities and audiences for art cinema have grown smaller. There is a general downturn in cultural literacy, perhaps because of television.

Science is the most durable and nondivisive way of thinking about the human circumstance. It transcends cultural, national, and political boundaries. You don't have American science versus Canadian science versus Japanese science.

New Orleans invented the brown paper bag party - usually at a gathering in a home - where anyone darker than the bag attached to the door was denied entrance. The brown bag criterion survives as a metaphor for how the black cultural elite quite literally establishes caste along color lines within black life.

Culture is more often a source of conflict than of synergy. Cultural differences are a nuisance at best and often a disaster.

I think worldwide, the movement has been towards accepting and respecting the individuality and the rights of gay people, lesbians and transgender people. Here, however, age-old cultural mindsets - which also comes from Victorian times, affect the thinking of people.

No country has a perfect report card. While some countries have strong points in specific areas, they may have serious lacunae in other areas. For instance, some countries have made enormous progress on civil and political rights, but lag in the implementation of economic, social and cultural rights.

Underground electronic music is art - fundamentally it's based on contemporary art, culture, dance, and real music. If you look at EDM, how many of those cultural standpoints are the same?

I think of art as a glue, a cultural and social glue. It's one of the means that has served to show us the things we believe in and the things we celebrate; it has served to reinforce our relationship to each other.

I'm completely uninterested in the origins of Stonehenge. I don't care about the real story behind it or whether it should be saved or not. What I'm interested in is this: in the Victorian era, you could go there as an early cultural tourist and you were given a chisel to chip off a bit of the stones and take it with you. That's what you did in Victorian times.

The genius of rock music is that it matched the cultural hysteria around it.

African American music can't happen in Germany or in Italy or in Mumbai. If America disappeared off the face of the Earth today, the greatest single cultural loss would be blues, jazz, hip-hop, R&B, rock-and-roll.

My father is a cultural anthropologist and my mother ran an outpatient clinic and treated a lot of people who had been institutionalised. I was very fascinated with behaviour and criminology and why people do things that don't make any sense. I would probe my mother: "Why? Why would somebody do this?" And look for some causality between someone's mental state and their behaviour. I think it had a lot of influence on me.

There is an undeniable economic and cultural disconnect between many of those who volunteer to serve and those who choose to remain civilians. But what is more concerning to me is the disconnect between our political leadership that applauds our soldiers and veterans, but then won't provide funding to properly armored vehicles or health care when our servicemen and women come home. You can't send men and women to war without being prepared to take care of them abroad and give them the services they need when they return home.

Sport is cultural. What the star athlete does helps to define the culture. What the star athlete does on a Canadian team, especially if he or she is Canadian, helps define Canadian-ness.

... despite the limitations and problems inherent to photographic representation (and especially the representation of politics), it remains for me the most powerful and engaging medium today - one central to the development of cultural dialogue.

Apple has struck a cultural nerve, especially with Generation X and Gen Y, while Windows and PC are viewed in essence as 'My parents' computer'.

I guess both Nabokov and Popper had, in different ways, immunized me against the fashion for French-influenced literary theory in the '70s, '80s, and '90s - "immunized" in the sense that they made me no longer susceptible to this epidemic cultural virus. I looked into Derrida and found that he rarely seemed to be interested in truth; he was more interested in making a splash.

In every domain of art, a work that corresponds to the need of its day carries a message of social and cultural value. It is the artist who crystallizes his age ... who fixes his time in history.

I came to accept during my freshman year that many of the gaps in my knowledge and understanding were simply limits of class and cultural background, not lack of aptitude or application as I'd feared.

Though the poorest Americans voted for Hillary Clinton, many relatively wealthy people voted for Trump and generally it's a mistake to think that economics explains Trump. The US is doing relatively well, the economy has significantly recovered since 2008, unemployment rates are low. I would say rather that his appeal to the working class was cultural: "I'll bring back the kinds of jobs your fathers had," and, by implication, the whiter, simpler post-war world when America had no real economic competition.

Words also are filters. They have to be translated. Even in the original language, there is interpretation and some ambiguity. If there's a cultural difference between the writer and the reader, that might come out in words. But with pictures, there's more efficiency.

Kenya is rapidly developing its industry and manufacturing, and its cultural identity as a new country. We had a humongous history pre-British, and when we were colonized and violently reshuffled, we had to decide who we were again. We couldn't rest on the stories and the cultures of our great-grandparents.

A human life is defined by its relationship with others: by its duty to its species. In the face of this duty, life, liberty, and the pursuit of happiness are meaningless. What you call individual rights are merely the cultural fantasy of a failed civilization.

A more detailed world is a more complicated and complex one, and therefore a more empathetic one. I feel Gord's Downie lyrics are exceptionally empathetic, or that's what they accomplish. The fact that they can cross all those cultural cliques and boundaries really amplifies that, to me.

In TV, film, and music there's a lot of snobbery, and I don't like it. I've never been a cultural snob.