Quotes About Cultural

The family is both a biological and a cultural group. It is biologic in sense that it is the best arrangement for begetting children and protecting them while they are dependent. It is a cultural group because it brings into intimate association persons of different age and sex who renew and reshape the folkways of the society into which they are born. The household serves as a "cultural workshop" for the transmission of old traditions and for the creation of new social values.

Cultural diversity and cultural change are desirable and inevitable. We are cultural animals, someone without a culture is not human. But the cultures we possess vary enormously. Indeed, the variability, over time and space is the great evolutionary advantage of humanity. Instead of changing biologically over millennia, human beings can change culturally over decades

Citizenship has not delivered Indigenous Australians the same quality of life other Australians expect. Basic human rights involve health, housing, education, employment, economic opportunity, and equality before the law, and respect for cultural identity and cultural diversity. These human rights must be capable of being enjoyed otherwise they are empty gestures.

The tragedy is that in the name of resisting the internal deterioration of faith and the corruption of the world around them, many Christians - and Christian conservatives most significantly -unwittingly embrace some of the most corrosive aspects of the cultural disintegration they decry. By nurturing its resentments, sustaining them through a discourse of negation toward outsiders, and in cases, pursuing their will to power, they become functional Nietzscheans, participating in the very cultural breakdown they so ardently strive resist.

We saw, then, journalists and researchers being arrested. And so this is sort of the latest expansion they say - cultural targets where young people gather, where they exchange cultural and political ideas. So that may be one of the reasons, although the government hasn't made any public comments on these raids.

I have a fairly unwieldy set of concerns that go into determining what I do in the paintings, such as the history of the decorative, patterns of cultural migration, Islamic art and design, Byzantine architecture, the annals of natural history, as well as contemporary painting. All of these things are filtered through my own sense of cultural urgency. How I proceed with the work has to do with how I respond to this instinctively chosen mass of materials. I'm weighing many things and making many decisions before I even get started on a painting.

With the rise of new technologies, media, and other cultural apparatuses as powerful forms of public pedagogy, students need to understand and address how these pedagogical cultural apparatuses work to diffuse learning from any vestige of critical thought. This is a form of public pedagogy that needs to be addressed both for how it deforms and for how it can create important new spaces for emancipatory forms of pedagogy.

I'm always trying to ask myself both "Who am I as an individual?" and "What are the cultural forces that have made me the person that I am?" How can I understand myself as a cultural creature as well as an individual? I'm really obsessed with that question, and always asking my students to consider it.

Artists are looking for a new modernity that would be based on translation: What matters today is to translate the cultural values of cultural groups and to connect them to the world network. This “reloading process” of modernism according to the twenty-first-century issues could be called altermodernism, a movement connected to the creolisation of cultures and the fight for autonomy, but also the possibility of producing singularities in a more and more standardized world.

There are cultural issues everywhere - in Bangladesh, Latin America, Africa, wherever you go. But somehow when we talk about cultural differences, we magnify those differences.

Sponsors, corporate endowments, and the heritage of the big fortunes would take care of financing cultural projects when American society was homogeneous. Now it's too complex, it's a mix. Different cultures in collision. I think it starts to be necessary to have a government institution to deal with cultural affairs.

We have cultural depth. We get all kinds of stuff to chew on, to live on.

It's hard to make a cultural phenomenon every time.

I think that the sheer fact that music can raise certain questions or put topics on the agenda has in itself already an effect. Just like any other art of cultural expression can do that - books, films, photos, painting - it can bring people together who share certain ideals, who don't find their ideas expressed properly, or even expressed at all, in the mainstream media.

Folk music has a sort of a bubbling-under quality. The stream runs through the cultural consciousness, and whether or not it's on the radio is not the issue. Folk music is always there.

It's fairly obvious that American education is a cultural flop. Americans are not a well-educated people culturally, and their vocational education often has to be learned all over again after they leave school and college. On the other hand, they have open quick minds and if their education has little sharp positive value, it has not the stultifying effects of a more rigid training.

At the risk of sounding hopelessly romantic, love is the key element. I really love to play with different musicians who come from different cultural backgrounds.

Cultural legacies are powerful forces. They have deep roots and long lives. They persist, generation after generation, virtually intact, even as the economic and social and demographic conditions that spawned them have vanished, and they play such a role in directing attitudes and behavior that we cannot make sense of our world without them.

..Acts of appropriation are part of the process by which we make ourselves. Appropriating - taking something for one’s own use - need not be synonymous with exploitation. This is especially true of cultural appropriation. The “use” one makes of what is appropriated is the crucial factor.

I believe we all have different ways we came to the gay community and we can't and shouldn't be pigeon-holed into one cultural narrative which can be uninclusive and disempowering.

I do fear that global capitalism is making us more like each other in regrettable ways, e.g., more people are increasingly captivated by spectacles of violence and aggression or of conspicuous consumption that are the subjects of the most commercially viable films across countries precisely because they don't depend for their appeal on cultural fine points; and more people are prone to deal with others on a purely instrumental and impersonal basis.

Colonialism has completed the destruction of the American Indian in the United States - the cultural destruction.

What little wilderness remains displays the patterns we must return to, if our species and as many others as now remain are to persist here a while. Ideally this would call for a broad cultural rapprochment with the wild, a long overdue armistice in civilization's war upon it.

For me, writing stories set, well, wherever they're best set, is a form of cultural curiosity that is uniquely Scottish - we're famous for travelling in search of adventure.

The most active period of the witchcraft trials coincides with a period of lower than average temperature known to climatologists as the "little ice age"...In a time period when the reasons for changes in weather were largely a mystery, people would have searched for a scapegoat in the face of deadly changes in weather patterns. 'Witches' became target for blame because there was an existing cultural framework that both allowed their persecution and suggested that they could control the weather.

When I began writing science fiction in the middle 60s, it seemed very easy to find ideas that took decades to percolate into the cultural consciousness; now the lead time seems more like eighteen months.

I like to mix the real and the imaginary. Sometimes it is characters inspired by real people I know or know of. Sometimes it is a named person from the common cultural dreamscape. And it is tricky, because they have a lot of associated ideas that come with them, and a lot of actual facts.

The foreign audiences are somewhat surprised and happy to find an American film that asks questions about American culture. There's a certain kind of cultural imperialism that we practice. Our films penetrate every market in the world. I have seen and have had people reflect to me, maybe not in so many words or specifically, but I get the subtext of it - they're somewhat charmed and surprised and happy to see an American film reflect on our culture. Because they see other cultures reflect on our culture but they don't see US culture reflecting on itself in quite the same way.

It is not OK for anyone to be obese. There needs to be a cultural shift.

Certainly our cultural fallback position seems to be that our technologies will get us out of everything they have got us into. That looks like a magical thinking to me, but we don't really have a better idea.

The danger of censorship in cultural media increases in proportion to the degree to which one approaches the winning of a mass audience.

A transition from material want to meaning want is in progress on an historically unprecedented scale-involving hundreds of millions of people-and may eventually be recognized as the principal cultural development of our age.

Many people don’t realize the extent to which stories influence our behavior and even shape our culture. Think about how Bible stories teach the fundamentals of religion and rules of conduct. Think of the fables and parables that molded your values. Think of how stories about your national, cultural or family history have shaped your attitudes about yourself and others.

I'm completely uninterested in the origins of Stonehenge. I don't care about the real story behind it or whether it should be saved or not. What I'm interested in is this: in the Victorian era, you could go there as an early cultural tourist and you were given a chisel to chip off a bit of the stones and take it with you. That's what you did in Victorian times.

The only way to stop it [terrorism] is to work with the leaders of Islamic nations to insure that tolerance of other religions is taught again, that their people believe they have fair opportunities to participate in government and the economy, and that the social and cultural conditions that breed hatred are bred out.

You have to define how much of a cultural politician you are as a performer. There are times where I just want to remain a civilian.

There is an undeniable economic and cultural disconnect between many of those who volunteer to serve and those who choose to remain civilians. But what is more concerning to me is the disconnect between our political leadership that applauds our soldiers and veterans, but then won't provide funding to properly armored vehicles or health care when our servicemen and women come home. You can't send men and women to war without being prepared to take care of them abroad and give them the services they need when they return home.

Marijuana is effective at relieving nausea and vomiting, spasticity, appetite loss, certain types of pain, and other debilitating symptoms. And it is extraordinarily safe - safer than most medicines prescribed every day. If marijuana were a new discovery rather than a well-known substance carrying cultural and political baggage, it would be hailed as a wonder drug.

Surely people can now see that it is no accident that he, Obama, sat at the feet of the Rev. Jeremiah Wright for 20 years, that he is mother was a leftist activist and cultural Marxist, that his main early mentor was radical Frank Marshall Davis, that he was a member of the far-left New Party in Chicago, that his main vocation in life has been street organizing and agitation and that he didn't think the revolutionarily, transformative Warren court was liberal enough.

I know one day I'll be irrelevant. No matter how hard you try there is a cultural moment, but eventually that window's gone, your time on Earth is finished, and you might as well leave. I could absolutely die tomorrow - I would not care. I feel like I've lived, I feel like I've had a great life.

People differ in where they direct their empathy and their compassion. Many people are intensely concerned about the suffering of non-human animals, and some do not care at all. There are cultural differences.

A cultural snob is someone who claims to be familiar with the incomprehensible.

New York City is just one node on the global cultural scene. Social media reflects the state of the world, so I've become more devoted to that. To be a NYC artist feels local and small. Social media feels now.

Unless you are building a new company from the ground up and can install caring as your businesses' cornerstone, you have to be willing to embark on a completely cultural overhaul so that, like a local mom and pop shop, every employee is comfortable engaging in customer service, and does it authentically.

Yes I can list all sorts of organizational forms and cultural issues that can get in the way of our accessing our inner creativity and bringing it out in our world. And we can use all kinds of approaches that can transform the organization. But unless we have developed a sense of our Self (who we are at core, at our highest) and our Work (the purpose of our existence, the gift that we have to give to the world) and use that to deal with the inner obstacle, we can't sustain creativity in the face of the chaos of the world.

Transience is what is normal. The problem is that we are busily trying to create political structures and cultural expressions that deny that and to deny that is to deny the basic idea of what is human.

Perhaps only when people can enjoy their differences as a resource of cultural enrichment do they become truly civilized.

Elizabeth Taylor is one of the great cultural icons. She is a part of our history and should be celebrated.… This presentation is very special for the community, there are so many people who want to understand this side of Elizabeth Taylor.