Quotes About Culture

Many teachers of the Sixties generation said "We will steal your children", and they did. A significant part of America has converted to the ideas of the 1960s - hedonism, self-indulgence and consumerism. For half of all Americans today, the Woodstock culture of the Sixties is the culture they grew up with - their traditional culture. For them, Judeo-Christian culture is outside the mainstream now. The counter-culture has become the dominant culture, and the former culture a dissident culture - something that is far out, and 'extreme'.

...culture is useless unless it is constantly challenged by counter culture. People create culture; culture creates people. It is a two-way street. When people hide behind a culture, you know that's a dead culture.

We should never denigrate any other culture but rather help people to understand the relationship between their own culture and the dominant culture. When you understand another culture or language, it does not mean that you have to lose your own culture.

A culture-bearing book, like a mule, bears the culture on its back. No one should sit down to write one deliberately. Culture-bearing books appear almost accidentally, like a sudden surge in the stock market. There are books of high quality that are a part of the culture, but that is not the same. They are a part of it. They aren't carrying it anywhere. They may talk about insanity sympathetically, for example, because that's the standard cultural attitude. But they don't carry any suggestion that insanity might be something other than sickness or degeneracy.

My childhood was pretty colorful; I like to use the word turbulent. But it was a great time to grow up, the '70s and '80s in Brooklyn, East Flatbush. It was culturally diverse: You had Italian culture, American culture, the Caribbean West Indian culture, the Hasidic Jewish culture. Everything was kind of like right there in your face. A lot of violence, you know, especially toward the '80s the neighborhood got really violent, but it made me who I am, it made me strong.

Is it our task to force the biblical doctrine of God to answer to modern culture, or (is it our task) to address modern culture with the biblical doctrine of God? If modern culture-or any culture-establishes the baseline for the doctrine of God, such a doctrine will certainly bear little resemblance to the God of the Bible.

We look for evidence of the divine and we find it in nature, in art, in literature, in music in film, so, rather than fear the surrounding culture, and the surrounding cities which predictably results in a bunker mentality the emerging congregation embraces the culture and expects to find God in it" the emerging congregation embraces the culture recognizing that its not all pretty but it embraces the culture and even then expects to find god in it because there is nowhere god isn't. there are many places where the church isn't but I don't think that means there are places where god isn't.

Man is a culture, nothing but a culture! Question your culture! Just like monkeys picking lice from their skin, get rid of the stupidities in your culture!

I see The Gap ads as being a great example of how branding has changed. Those Gap campaigns are pop culture. They've been incredibly powerful. They have had the kind of effect on culture that a hit band has. Just look at The Gap's Khaki swing ads, which were music videos. They had this tremendous impact on the industry - suddenly everything started looking like Gap ads and it became difficult to know who was co-opting whom and who was creating culture.

Have you ever thought about why, all over the world, in every culture, in every society, there are a few days in the year for celebration? These few days for celebration are just a compensation - because these societies have taken away all celebration in your life, and if nothing is given to you in compensation, your life can become a danger to the culture. Every culture has to give some compensation to you so that you don't feel completely lost in misery, in sadness. But these compensations are false.

An observer will see the bizarre developments of behavior only in alien cultures, not his own. Nevertheless this is obviously a local and temporary bias. There is no reason to suppose that any one culture has seized upon an eternal sanity and will stand in history as a solitary solution of the human problem. Even the next generation knows better. Our only scientific course is to consider our own culture, so far as we are able, as one example among innumerable others of the variant configurations of human culture.

If someone says: "I don't want to have a cochlear implant, because I want my child to grow up with a rich sense of deaf culture," he must acknowledge that the deaf culture that exists in the world today has a different scale than the deaf culture that's likely to exist in the world 50 years from now.

We need to define what culture is. Every human being lives within a culture, and culture means "To grow in." It means to literally fall, and this is exactly what I believe is happening all around us right now.

This is a culture of female display. And the reason it's a culture of female display is that on the Upper East Side women far outnumber men, if you do the sex ratios. I can't say exactly what they are, but you could google it. People have said two to one. So, it's a female display culture because sex ratios are skewed toward men, and they sort of have their choice, even if they're married.... Also, women are economically dependent on men, and so there's that aspect of needing to perform your beauty and your scarcity.

It may seem sometimes as if a culture of peace does not stand a chance against the culture of war, the culture of violence and the cultures of impunity and intolerance. Peace may indeed be a complex challenge, dependent on action in many fields and even a bit of luck from time to time. It may be a painfully slow process, and fragile and imperfect when it is achieved. But peace is in our hands. We can do it.

Chauvet Cave is rather like the awakening of the modern human soul or I would say the awakening of modern human culture. Because Neanderthal men who still rode the landscape parallel to the people who did these paintings didn't have culture. There's no evidence of culture, no symbolic depiction, no evidence of music, no evidence of sculptures, no evidence of religious beliefs.

I think one of the reasons anti-immigration state laws start to happen is they happen in states where there is an enormous influx. In these places, the dominant culture, the Anglo culture has held sway for such a very, very long time. Now, they are living in another culture, another language. They fear losing dominance and control. It is sadly human nature to find a group to scapegoat. This happens throughout man's history.

Fame is fun, money is useful, celebrity can be exciting, but finally life is about optimal well-being and how we achieve that in dominator culture, in a greedy culture, in a culture that uses so much of the world’s resources. How do men and women, boys and girls, live lives of compassion, justice and love? And I think that’s the visionary challenge for feminism and all other progressive movements for social change.

I think I realised, at teachers' training school, that I felt that the culture that I came from, the Sámi culture, was not good enough, so I wanted to be Norwegian or European, I wanted to forget the culture. And then this music started to... in a way I had to ask myself "why is this, and what does all this come from?

Culture is sustained in our synapses...It's more than what can be reduced to binary code and uploaded onto the Net. To remain vital, culture must be renewed in the minds of the members of every generation. Outsource memory, and culture withers.

Indian culture is essentially much more of a we culture. It's a communal culture where you do what's best for the community - you procreate.

Good culture is born of a good disposition; and since the cause is more to be praised than the effect, I will rather praise a good disposition without culture, than good culture without the disposition.

A weird theory I have is we come from a suppressed culture. Ireland is one of the most invaded countries ever. I think the British started it very early, it could be like 800 that decided to come and show us out; and the Danes in the north. We've had a tough time and pretty much a similar culture would be the Jewish culture; they had a pretty hard time. They were being kicked around for a long, long time.

American culture is kind of an international culture, isn't it? British culture is a bit more unique. I think funny things are sort of funny around the world, really.

Culture is the most potent method of adaptation that has emerged in the evolutionary history of the living world. - Theodosius Dobzhanksky...the 'facts' of culture history are interpretations based upon assumed culture process.

The assumption that the larger culture agrees with Christians on values issues led to evangelicals' minimizing the theologically distinctive aspects of Christian witness. It also set up evangelicals to be disappointed when the culture did not turn out the way many expected it to turn out. So our response ought to be that we are always, in every culture, strangers in exile.

The rise and fall of images of the future precedes or accompanies the rise and fall of cultures. As long as a society's image is positive and flourishing, the flower of culture is in full bloom. Once the image begins to decay and lose its vitality, however, the culture does not long survive.

As Colin Wilson has written, "modern civilisation, with its mechanised rigidity is producing more outsiders than ever before-people who are too intelligent to do some repetitive job, but not intelligent enough to make their own terms with society." Those "intelligent enough" to make their own terms with society are what we will later refer to as artists of life. The outsider views himself as a product of a culture he rejects-the artist views himself as a culture-builder.

These days I'm mostly familiar with two parts of L.A.: one is movie culture, and the other is Asian culture. The Westside is work, and the Eastside is Chinese - which means my friends.

Culture is everything. Culture is the way we dress, the way we carry our heads, the way we walk, the way we tie our ties - it is not only the fact of writing books or building houses.

As a culture, we turn away from people just when they are in times of change. That's when most communities used to embrace people, so the individual and the culture both benefited.

Creativity is an innate function in a human being, as we see in tribal peoples, who spent their considerable leisure time making religious artifacts and sacred art. That is what I would call a direct culture, in that everybody in it is directly in touch with all the elements, both of the culture and of the environment.

I'm interested in thinking about how are we contributing to the culture, what we can write that might help us deepen the culture, make us more reflective, make us more empathetic, make us feel our connectedness in other ways.

I am flawed, deeply flawed. I didn't invent the [doping] culture but I didn't try to stop the culture and that's my mistake, and that's what I have to be sorry for.

Culture (science) is the form of religion; Religion is the substance of culture (science).

In this land of the Ganga (Varanasi), there was education of culture. But, more importantly, there was a culture of education.

In times of totalitarian or autocratic rule, music (indeed culture in general) is often the only avenue of independent thought. It is the only way people can meet as equals, and exchange ideas. Culture then becomes primarily the voice of the oppressed and it takes over from politics as a driving force for change.

Television is the first truly democratic culture - the first culture available to everybody and entirely governed by what the people want. The most terrifying thing is what people do want.

As a child of West Texas, I identify with Hispanic culture every bit as much as I do North American culture.

But one of the most fantastic things about Ireland and Dublin is that the pubs are like Paris and the cafe culture. And Dublin, in many ways, is a pub culture.

It's no doubt that there's a connection (between the blues and hip-hop). Hip-hop is definitely a child of the blues. And I think you gotta know the roots to really grow. It's like knowing your parents, it's like knowing your culture, so you could be proud of that culture and take it to the world.

Anyone should be able to express themselves in any context. Obviously, there are arguments against appropriation, but it's one thing when someone is doing something for satire or making fun of a culture, but if they respects the tenets of the culture and they want to be a part of that, what could be more beautiful than that?

Like commercial stuff is sort of cheap and disposable and fun and can be sort of interesting in many ways. I love being in popular culture and existing in the evolution of popular culture. But it's so different from painting, and it's so different from that sort of slow, contemplative, gradual process that painting is.

America is the only country capable of producing national movies: its culture has become a global culture.

How did we lose our culture? Black people used to all do the same thing on Saturdays. We all watched "Soul Train" and "American Bandstand", got our fashion and dance tips, and then we emulated it and bought those records that we heard. Now it seems like there is no culture. The school of fish are all separate. Everybody's just randomized, listening to their own thing in their earbuds, and there's no uniformity. That bothers me.

People are only mean when they're threatened… and that's what our culture does. That's what our economy does. Even people who have jobs in our economy are threatened, because they worry about losing them. And when you get threatened, you start looking out only for yourself. You start making money a god. It is all part of this culture.

There are things that I am passionate about, whether it's the season or just kind sort of what is necessary for culture. I like the idea that I can shape the culture in any shape or form that I can in whatever topic. But a lot of times, for me, it is about representing "the other," whoever "the other" is.

Like all people, we perceive the version of reality that our culture communicates. Like others having or living in more than one culture, we get multiple, often opposing messages. The coming together of two self-consistent but habitually incomparable frames of reference causes un choque, a cultural collision.