Quotes About Fashion

If we're having a glitzy over-the-top moment, fashion is very glitzy and over-the-top, you know, over-the-top. If we're having a moment where things are, you know, we're in a recession, fashion becomes quiet. So, in terms of popular culture, fashion and especially women's fashion is incredibly interesting, aside from satisfying just a particular need to create and arrange things in a way that one sees as beautiful. And so, in a certain way, it's fulfilling. In another way, it's very fleeting because it doesn't last very long. You know, a beautiful moment in fashion goes away very quickly.

I think fashion is probably one of the most accessible and immediate forms of visual culture. In 1978, when I realized that I wanted to work on fashion, I had gone to Yale to get my Ph.D. in European cultural history. I suddenly realized fashion's part of culture, and I can do fashion history. All my professors thought this was a really bad idea, that fashion was frivolous and unimportant. And, increasingly over time, people have recognized that it provides such a mirror to the way we think, our values and attitudes.

Between food and fashion, there's always a direct correlations - designers have forever done prints with food on them. Vegetables, fruit, apples. There are some beautiful prints that have been made with fruit over time. I think food and restaurants have become more and more fashionable over time. That's become more of a fashion thing than fashion becoming a food thing. I don't think fashion has gotten so food oriented in the reverse aspect, but I think the whole food industry has gotten very design oriented. I think it's a nice way of putting things together.

I think creating the clothes is about creating historical images - and that's about more than fashion. It is about the fashion, the photography, what you are doing in the moment. It's what we call in French rechercher, or the search for that thing. So even though fashion is not scientific, I think being a designer is somewhat like being a scientist.

I love beautiful women. I love to show their personality, their sexuality. There's a fashion side to my erotic pictures: I love beautiful shoes and jewellery. But the erotic work I do is too daring and provocative for a fashion magazine. It's more fun, and if you have the right girl who likes it, more exciting, too. It's fashion photography, but with fewer clothes.

There are many more important things in life than fashion. But fashion, to me, is part of pop culture. And I'm an art collector. I'm obsessed with art and pop culture. And I say that there is fame, fashion, art, music and entertainment, including celebrity, that really moves the needle in society.

I told myself that I would not come back to women's fashion until I felt I had something new to say. I feel that fashion has become too serious and that the actual customer's needs have not really been addressed. Fashion needs to make one happy. It is a luxury and should enhance one's quality of life.

I've never wanted to be in fashion. Because if you're in fashion, you're going to be out of fashion.

You can't just come from Kansas, go into fashion and be all naive. The fashion world is very different to where I'm from.

When I first started to do fashion shows I didn't have the budget to hire top models so I would cast women who inspired me, and ask them to walk how they walked. I was doing a mise en scène, which for me was normal. I love for people to see my clothes, but it was more about the attitude of the girls. The revues of the late 19th century/early 20th century were very much a reflection of what was happening in society and politics, and for me that is also the role of the fashion designer.

No matter how much people in fashion think we're so cool and avant-garde, for most fashion people, creativity is quite taboo.

Fashion is the playing area for individuals that lack interior autonomy and need more support points, but who nonetheless feel the need to stand out, to be paid attention to and be considered apart from the rest Fashion elevates the insignificant by making it in the representative of a totality, the particular incarnation of a common spirit. Its function is to make possible the kind of social obedience which is at the same time individual differentiation It is the mixing of submission and the feeling of domination that is in action here.

Architecture has joined the world of fashion, but fashion is passing and architecture is timeless.

I don't ever think about being a straight man in fashion. It's fine from my perspective. There are a lot of straight men in fashion, believe it or not. But it's fine. Journalists seem to be really interested in it.

For anyone of a rational disposition, fashion is often nearly impossible to fathom. Throughout many periods of history – perhaps most – it can seem as if the whole impulse of fashion has been to look maximally ridiculous. If one could be maximally uncomfortable as well, the triumph was all the greater.

Every age and every nation has certain characteristic vices, which prevail almost universally, which scarcely any person scruples to avow, and which even rigid moralists but faintly censure. Succeeding generations change the fashion of their morals with the fashion of their hats and their coaches; take some other kind of wickedness under their patronage, and wonder at the depravity of their ancestors.

I think Ugg went out of being something that Kate Moss and Sienna Miller were wearing in high fashion circles and then they were embraced by everyone. Once something reaches that tipping point of mass popularity then suddenly the fashion world is a bit like, "Wah." As you say, you see them less kind of everywhere now so maybe it's time to bring them back.

I didn't know I wanted to be a hairdresser. I was always interested in fashion and imagery in a very naive way, but it was always an attraction, like glitter balls. This was in the late '70s, early '80s, so it wasn't like today, where you kind of know all about the industry. Fashion was a very insider industry then - it was very closed. So I didn't really know what I wanted to do.

I see BLK DNM more as a creative project than a traditional fashion brand. The world doesn’t really need more Fashion Houses. I want to create something different – to be able to collaborate with great creative minds and thereby stretch the brand in different directions. I also believe that a brand should offer deeper content in this era. After all, the only reason to do all of this is to create energy and to inspire people.

Fashion is not simply a matter of clothes. Fashion is in the air, born upon the wind. One intuits it. It is in the sky and on the road.

I wasn't a fashion editor. I was the one and only fashion editor.

It is so great that fashion is not a question of price, and it can be more accessible to everyone interested in fashion.

I think fashion is the only thing I'm fully suited to do because I am super impatient, which I think is a good thing for fashion. I could never work on something for two years. I would do 20 things and finish none of them. I always admire people who have that ability to sustain something for that long a period.

I think it's important for kids to express themselves with bad fashion. I struggle a little bit now because I have a daughter and I feel with fashion, like they're sexualizing the kids so young. Little kids in high heels and that kind of thing is really difficult for me to wrap my head around.

I think fashion is fashion: Sometimes you dress people that you don't know, and sometimes you dress people that you actually know.

There's always been a separation between fashion and what I call my 'deeper' work. Fashion is where I make my living. I'm not knocking it. It's a pleasure to make a living that way. It's pleasure and then there's the deeper pleasure of doing my portraits. It's not important what I consider myself to be, but I consider myself to be a portrait photographer.

I had a great fashion season in September so I told my agent that I would really like to walk the 2015 Victoria's Secret fashion show whilst rocking my short Afro hair.

Fashion is fun, and fashion is a form of art and self-expression. And I think it should have a wink-wink nature to it. For me, it's about the way it makes you feel. If you want to feel sexy, you want to feel bright, you want to feel good. That's what people are attracted to - when they see you execute an emotion or an idea clearly and proudly.

I feel like you can't just have fashion for fashion's sake.

I don't like women who follow fashion in the sense of becoming victims of it. I like women who have elegance, who have allure, who use fashion, rather than the other way around.

I was a teacher and an administrator at Parson's School of Design, and as an administrator, I was associate dean. And in that role, I went around fixing things that were broken. And the Parson's fashion program was broken.So fashion chose me. It needed to be developed and evolve. I don't know if it comes naturally to anyone.

Fashion intersects a lot with art and film and music, and that was appealing to me. I read a bunch of fashion blogs and wanted to be part of the community.

I don't care about fashion at all. And I know it's kind of a dodgy thing to be a fashion photographer, a kind of pathetic occupation, but I like it, even though I question it.

Sometimes I feel fashion is not open-minded enough. We need to push the old crowd to believe in what I believe, in the new generation. I remember when I started, my campaigns and and how I connected my love for music with fashion were a tiny bit controversial because they were like, 'How can you bring hip-hop or music into a luxury world?' or 'How you can be so connected to digital and use social media in luxury world?' Now it's changed, obviously, for the best, but I still think that we could push a bit more.

Never,ever confuse what happens on a runway with fashion. A runway is spectacle. It's only fashion when a woman puts it on. Being well dressed hasn't much to do with having good clothes. It's a question of good balance and good common sense.

Things are moving quicker and quicker. The internet age has made everything so immediate that what you're doing can start to feel outdated. That's probably the single thing that will most affect the fashion system in the near future. Time is the biggest subject matter in fashion today.

It is a grand old name, that of gentleman, and has been recognized as a rank and power in all stages of society. To possess this character is a dignity of itself, commanding the instinctive homage of every generous mind, and those who will not bow to titular rank will yet do homage to the gentleman. His qualities depend not upon fashion or manners, but upon moral worth; not on personal possessions, but on personal qualities.

What you wear represents you to the world, especially now, when communication between people is so fast. Fashion is a universal language that everyone understands.

I think the challenge is, in fashion everybody wants to get rich and famous and it's easy to get rich and famous by being a bad person. But the challenge is to achieve your goals-whatever they are-while staying a decent human being. That's where it came from.

My music definitely determines the direction we're gonna move in. It's like music, fashion, hair, makeup.

I never was interested in being part of the fashion world - I just wanted to design shoes. I didn't even know Vogue existed when I was growing up. Vogue, what is that?

Clearly people should meet an acceptable threshold of appropriateness! But I think that for many women in the public eye, it just seems that the burden is so heavy. We're doing a job that is not a celebrity job or an entertainment or fashion job.... In a professional setting, treat us as professionals.... And it takes a lot of time. I've often laughed with my male colleagues, like, "What did you do? You took a shower, you combed your hair, you put your clothes on. I couldn't do that."

The '60s are my favorite decade - with the Cold War, the women's movement. And then there's the music, the fashion, the clothes, the hair.

I believe when your children are born that you are reborn in some fashion.

My passion for fashion borders on insanity.

There is no doubt of the essential nobility of that man who pours into life the honest vigor of his toil, over those who compose the feathery foam of fashion that sweeps along Broadway; who consider the insignia of honor to consist in wealth and indolence; and who, ignoring the family history, paint coats of arms to cover up the leather aprons of their grandfathers.

Fashion and music are the same, because music express its period too.

I guess people would categorize hipster rap just by how people look, skinny jeans and fashion rap. I was never that. In my music I never put the emphasis on clothes.