Quotes About Form

Through death you find yourself, because you no longer identify with form. You realize you are not the form with which you had identified ­ neither the physical nor the psychological form of "me". That form goes. It dissolves and who you are beyond form emerges through the opening where that form was. One could almost say that every form of life obscures God.

The mistake that people made around 2000 with the emergence of the web was that they thought that people would not read long-form on a screen. Following from that idea, they quit doing long-form on screens. It got shorter and shorter, and then came cats toying with flowers and all of those clichés, but it was wrong. People will read long-form on a device if they want to read long-form.

Prose is an art form, movies and acting in general are art forms, so is music, painting, graphics, sculpture, and so on. Some might even consider classic games like chess to be an art form. Video games use elements of all of these to create something new. Why wouldn't video games be an art form?

Television is what we call the long form of storytelling, where we tell stories over thirteen, twenty-two, or twenty-four hours. Miniseries is an eight-hour form of storytelling, and film is a two-hour form. Each and every one of them are important to me, because they're a different modality of storytelling.

I think that when you do any kind of theatrical form, (you can't really do this in the theater) the task as an artist is to reach some form of catharsis yourself, and express something that allows an audience to have some form of catharsis. If there's no discovery in what you do, if there's no struggle in what you do to have that discovery, then, there's no meaning in what you do.

The critics say that Shostakovich's Fourth Symphony has no form. They are wrong; it has the form of Shostakovich's Fourth Symphony.

The best form to see God in... is in every form

Evolving Culture, Reality, as we perceive it, is largely shaped by the artifacts, both material and symbolic, of thought, thought that leads to creative manifestation in form and color. With that in mind, it might be suggested that the visual artist, - from commercial designer to fine art painter - has much to do with most things that enter your everyday visuals, and thus form a major portion of one's reality and, certainly, how this culture manifests and evolves.

We perceive nature through the senses, which give us images of forms of colour, sounds etc. A form which exists only in relation to another form on its own, it does not exist.

I really like the idea of music when it has form and then sort of loses its form, or becomes noise, and then comes back again... That's how I think of it: structure turning into noise and coming back around again.

I finally understood that by being on a perpetual diet, I had practiced a "disordered" form of eating my whole life. I restricted when I was hungry and in need of nutrition and binged when I was so grotesquely full I couldn't be comfortable in any position by lying down. Diets that tell people what to eat or when to eat are the practices inbetween. And dieting, I discovered, was another form of disordered eating, just as anorexia and bulimia similarly disrupt the natural order of eating.

During President George W. Bush's two terms, you couldn't drive far without seeing a particular bumper sticker: Dissent is the highest form of patriotism. Now that Democrats control the White House and Congress, the left treats dissent as the lowest form of treason.

The subjects in my work appear as unidentified ghosts that can't be said to be of this world. I've decided to call them incarnations. In various religions, myths, and legends, the word "incarnation" refers to the birth or emergence of transcendent beings in the form of humans or other bodies. If "incarnation" denotes the appearance of an abstract being in some concrete form, in a gut ceremony, a shaman could be considered an incarnation of our desires, hopes, and sorrows. The incarnations that appear in my work are always new and I meet them for the first time by drawing them.

Once one is caught up into the material world not one person in ten thousand finds the time to form literary taste, to examine the validity of philosophic concepts for himself, or to form what, for lack of a better phrase, I might call the wise and tragic sense of life.

Just as when water is frozen in to a form as ice and then melts - so at the time of death, there is no death. The spirit simply changes form.

In an age of madness, to expect to be untouched by madness is a form of madness. But the pursuit of sanity can be a form of madness, too

It was not the case that one thing morphed into another, child into woman. You remained the person you were before things happened to you. The person you were when you thought a small cut string could determine the course of a year. You also became the person to whom certain things happened. Who passed into the realm where you no longer questioned the notion of being trapped in one form. You took on that form, that identity, hoped for its recognition from others, hoped someone would love it and you.

I think that both Mill and Sidgwick are great and admirable philosophers, from whom we still have a lot to learn. I would not favor a form of Kantianism (if there is such a form) that treats Mill's or Sidgwick's moral philosophy with disrespect.

I'm more interested in moving toward writing stories - thinking about the graphic novel form, and just something more long-form. I did a lot of literary translation in college. Translation is an art. But for sure writing has always been a part of how I think through my ideas.

Democracy is the worst form of government. It is the most inefficient, the most clumsy, the most unpractical.... It reduces wisdom to impotence and secures the triumph of folly, ignorance, clap-trap, and demagogy.... Yet democracy is the only form of social order that is admissible, because it is the only one consistent with justice.

Every form of strength is also a form of weakness,” he once wrote. “Pretty girls tend to become insufferable because, being pretty, their faults are too much tolerated. Possessions entrap men, and wealth paralyzes them. I learned to write because I am one of those people who somehow cannot manage the common communications of smiles and gestures, but must use words to get across things that other people would never need to say.

That impulse I think is a form of love. Poetry is something that comes to you, rather than your having to work out its form beforehand.

Sonnets are guys writing in English, imitating an Italian song form. It was a form definitely sung as often as it was recited.

I never will let anyone make, maneuver me into making a distinction between the Mississippi form of discrimination and the New York City form of discrimination. It's, it's both discrimination; it's all discrimination.

That the mere matter of a poem, for instance--its subject, its given incidents or situation; that the mere matter of a picture--the actual circumstances of an event, the actual topography of a landscape--should be nothing without the form, the spirit of the handling, that this form, this mode of handling, should become an end in itself, should penetrate every part of the matter;Mthis is what all art constantly strives after, and achieves in different degrees.

I think that the celebrity memoir as a genre is looked upon as a lesser form. One of my missions as a ghostwriter has been to elevate that form. Maybe that sounds pretentious!

As a form of government, imperialism does not seek or require the consent of the governed. It is a pure form of tyranny. The American attempt to combine domestic democracy with such tyrannical control over foreigners is hopelessly contradictory and hypocritical. A country can be democratic or it can be imperialistic, but it cannot be both.

I say that homosexuality is not just a form of sex, it's a form of love, and it deserves our respect for that reason.

For me, form is something I locate in the process of writing the poems. What I mean is, I start scribbling, and then try to form the poem - on a typewriter or on my computer - and, by trial and error, try to find the right shape. I just try to keep forming the poem in different ways until it feels right to me.

Anything that is in space has form. Space itself has form. Either you are in space, or space is in you. The soul is beyond all space. Space is in the soul, not the soul in space.

The parts of a machine work with a maximum of cooperativeness for a common result, but they do not form a community. If, however, they were all cognizant of the common end and all interested in it so that they regulated their specific activity in view of it, then they would form a community. But this would involve communication. Each would have to know what the other was about and would have to have some way of keeping the other informed as to his own purpose and progress.

What is it that we in the theatre give? Instead of images on canvas or in the form of statuary or music, we give our body, voice, feelings, will, imagination — we give a form of pulsating art to life itself; we give it to our characters and we give it to our audiences. Nothing, absolutely nothing remains for us save the pleasure of having given pleasure.

Intricate minglings of different uses in cities are not a form of chaos. On the contrary, they represent a complex and highly developed form of order.

For some people, the beginning is a time of complete chaos. You see bits and pieces of what is before you. You have a sense of what it is you must set out to do. But nothing will form yet. When you sit down to write or paint or form movement, it's like stepping over a cliff or into a dense fog. All you can do is trust that this impending masterpiece is going to somehow manifest itself as you work. But you do know that there is something specific ahead, and you feel the excitement of that.

Some form of gnosis or immediacy is attached to all thinking as its root-form or primitive origination; every act of thinking has this passive derivation, this coming-into-being of thinking not out of nothing (as it likes to imagine) but out of some unthinkable something. But the most self-abstractivist or self-reductivist kind of thinking cannot tolerate even the notion (much less the traumatic experience or confrontation) of an incurable pathos, a weakness or blind-spot, within consciousness. The very idea is an insult to the autonomy or self-determinability of ego/will/reason.

Architecture is not so much a knowledge of form, but a form of knowledge.

Words are a completely different form of expression. The word P-E-N-I-S is an entirely different form of communication than a photograph of the same thing. H

In the world of knowledge, the essential Form of Good is the limit of our inquiries, and can barely be perceived; but, when perceived, we cannot help concluding that it is in every case the source of all that is bright and beautiful -in the visible world giving birth to light and its master, and in the intellectual world dispensing, immediately and with full authority, truth and reason -and that whosoever would act wisely, either in private or in public, must set this Form of Good before his eyes.

I'm in no position to hand down any advice," he said, "but there's a rule I follow when I don't know what to do." "A rule?" "If you have to choose between something that has form and something that doesn't, go for the one without form. That's my rule. Whenever I run into a wall I follow that rule, and it always works out. Even if it's hard going at the time.

Now I'm in nonfiction. To me any given story has its appropriate form. There might be some story I get involved with that's begging to be a graphic novel, so that will have to be that way. There's always that matching of the content and the form, and that means everything to me. I spend years thinking about what that match is going to be before I can really make it work.

All men die. You may say: 'Is that encouraging?' Surely yes, for when a man dies, his blunders, which are of the form, all die with him, but the things in him that are part of the life never die, although the form be broken.

The form is always integral to the expression of the theme or to the sheer telling of the story, and sometimes the right form is apparent to me from the outset and sometimes it isn't.

In this art form, in any art form, generalities are useless.

I believe that the only possible reason for our being here is to serve in some form or another but that the form is not always readily found or recognized. And I've noticed that those who refuse to serve often wind up as slaves.

If enlightenment comes first, before thinking, before practice, your thinking and your practice will not be self-centered. By enlightenment I mean believing in nothing, believing in something which has no form or no color, which is ready to take form or color. This enlightenment is the immutable truth. It is on this orginal truth that our activity, our thinking, and our practice should be based.

Architectural-form equals social-form

But there is yet another form of this hidden heresy, and, paradoxically, it can affect those who are proudest of their long-standing and unimpeachable orthodoxy; heresy in the form of indifference.

I think like almost everything in evolution, the old forms persist. New forms come along - not always, of course; there are species and whole lineages that go extinct - but basically novels and plays, and so on, will continue to exist. Jokes, as the lowest-cost form of narrative, will certainly continue to exist. They're a bit like microbes in the biological world. They're low-cost and they're everywhere. They're the most successful form of life, even though they're not the ones we think about most.