Quotes About Form

I haven't come across any recent new ideas in film that strike me as being particularly important and that have to do with form. I think that a preoccupation with originality of form is more or less a fruitless thing. A truly original person with a truly original mind will not be able to function in the old form and will simply do something different. Others had much better think of the form as being some sort of classical tradition and try to work within it.

Form is all we have to help us cope with fundamentally chaotic facts and assaults. Formulating something is a great start. I trust form, trust my feeling or capacity to find the right form for something. Even if that is only by being well organized. That too is form.

One of the aspects of form that I have been very interested in is stasis - the concept of form which is not so directional in time, not so much climactic form, but rather form which allows time, to stand still.

Julie Taymor. She is my gold standard of stage directors. I think she has a comprehensive knowledge of theatrical form, since she lived in Indonesia, Java, Japan and France. Her knowledge of form is limitless. Whenever I get painted in a corner, I think about what form she would use, because that is what she practices. It's about accessing the theater traditions of the whole world.

Calvinism is an all-embracing system of principles... It is rooted in a form of religion which was peculiarly its own, and form that specific religious consciousness there was developed first a particular theology, then a special church-order, and then a given form for political and social life.

It's enough to have faith in one aspect of God. You have faith in God without form. That is very good. But never get into your head that your faith alone is true and every other is false. Know for certain that God without form is real and that God with form is also real. Then hold fast to whichever faith appeals to you.

Our hearts are not stones. A stone may disintegrate in time and lose its outward form. But hearts never disintegrate. They have no outward form, and whether good or evil, we can always communicate them to one another.

I am not a racist in any form whatsoever. I don't believe in any form of discrimination or segregation.

Regarding some of the super powers that I reference, like walking on water, I haven't seen people do that, but once you get into the science, a lot of it starts to make a lot of sense, for example, like people being able to read your mind. It's very logical, because words are just a grosser form of thought, and thought is just a grosser form of feeling.

Our ideas are the offspring of our senses; we are not more able to create the form of a being we have not seen, without retrospect to one we know, than we are able to create a new sense. He whose fancy has conceived an idea of the most beautiful form must have composed it from actual existence.

It's a kind of liberation to break free in language, if you can break free, but it's also a confinement, because form confines you - whatever the form.

In True Meditation, we're in the body as a means to transcend it. It is paradoxical that the greatest doorway to the transcendence of form is through form itself.

Design and color are not distinct and separate. As one paints, one draws. The more the colors harmonize, the more the design takes form. When color is at it's richest, form is at its fullest.

I am sure that there is no place in the world where your message would not be enhanced by your making the place (whether tiny or large, a hut or a palace) orderly, artistic and beautiful with some form of creativity, some form of ‘art’ (p. 213).

The true Enlightenment thinker, the true rationalist, never wants to talk anyone into anything. No, he does not even want to convince; all the time he is aware that he may be wrong. Above all, he values the intellectual independence of others too highly to want to convince them in important matters. He would much rather invite contradiction, preferably in the form of rational and disciplined criticism. He seeks not to convince but to arouse - to challenge others to form free opinions.

As you've witnessed, Catwoman is the ultimate diva. From the pages of comic books to both small and big screens, Catwoman continues to evolve and mature like a true cat. Catwoman, is a unique breed, never taking the same form twice. But whatever form she takes, she'll always reign supreme. A dog maybe man's best friend, but a cat is everyone's favourite feline fatale.

There is some confusion as to what magic actually is. I think this can be cleared up if you just look at the very earliest descriptions of magic. Magic in its earliest form is often referred to as “the art”. I believe this is completely literal. I believe that magic is art and that art, whether it be writing, music, sculpture, or any other form is literally magic.

To write poetry is to be very alone, but you always have the company of your influences. But you also have the company of the form itself, which has a kind of consciousness. I mean, the sonnet will simply tell you, that's too many syllables or that's too many lines or that's the wrong place. So, instead of being alone, you're in dialogue with the form.

Defense is the stronger form with the negative object, and attack the weaker form with the positive object.

Most people, if you live in a big city, you see some form of schizophrenia every day, and it’s always in the form of someone homeless. “Look at that guy - he’s crazy. He looks dangerous.” Well, he’s on the streets because of mental illness. He probably had a job and a home...

The extreme form of power is All against One, the extreme form of violence is One against All.

I think comedy is an angry art form; it's an outsider art form. Anger and comedy are really connected. If I'm angry about something I will try to think about something funny about it to lighten the load of the anger and cope with the anger.

The soul's first adventure is the fight between two ideas: the wish to return to earth in a human form, and the desire to feel the freedom of having no form.

To die is to go into the Collective Unconscious, to lose oneself in order to be transformed into form, pure form.

That the mere matter of a poem, for instance--its subject, its given incidents or situation; that the mere matter of a picture--the actual circumstances of an event, the actual topography of a landscape--should be nothing without the form, the spirit of the handling, that this form, this mode of handling, should become an end in itself, should penetrate every part of the matter;Mthis is what all art constantly strives after, and achieves in different degrees.

To me, form is not about scoring runs but how you feel about your game. Sometimes the runs are not there, but you know you are batting well, and that is good form for me.

I've been writing as long as I've been able to form words. I never wrote with an idea of publishing anything until I began working on '[To Kill a] Mockingbird'. I think that what went before may have been a rather subconscious form of learning how to write, of training myself.

I do believe motion pictures are the significant art form of our time. And I think the main reason is, they're an art form of movement, as opposed to static art forms of previous times.

I can't marry myself to one idea or one form of doing politics or one form of understanding politics. I believe that we have to play the game of strategy, and understand how to move the pieces because this is how the political spectrum functions.

Our surroundings are not contained by name and form. You are neither the body nor the mind, these are limits you identify with through a lack of clear-sightedness. When you are attentive to a tree or flower, the perception, shape, name and concept are not the only things present. There is also the All-presence that you share with them and that you are both part of. The very name and form spring forth from this eternal background, the All-presence. This is instantaneous awareness that cannot be reached by thought.

Also, since art is a vehicle for the transmission of ideas through form, the reproduction of the form only reinforces the concept. It is the idea that is being reproduced. Anyone who understands the work of art owns it. We all own the Mona Lisa.

I think musicals are a lowbrow, populist art form. And I don't mean lowbrow in a condescending way at all - they are designed to create delight, wonder, joy, surprise. And what becomes really interesting is when innovative or challenging or smart people take it and use the easy runway that the form allows to take people to another planet, or another place. Or subvert it in some way.

Imitation is not just the sincerest form of flattery - it's the sincerest form of learning.

By failing to read or listen to poets, society dooms itself to inferior modes of articulation, those of the politician, the salesman, or the charlatan. In other words, it forfeits its own evolutionary potential. For what distinguishes us from the rest of the animal kingdom is precisely the gift of speech. Poetry is not a form of entertainment and in a certain sense not even a form of art, but it is our anthropological, genetic goal. Our evolutionary, linguistic beacon.

I believe in any kid's ability to read any book and form their own judgements. It's the job of a parent to guide his/her child through the reading of every book imaginable. Censorship of any form punishes curiosity.

it came to me, as we sat there, glumly ordering lunch, that for extremely stupid people anti-Semitism was a form of intellectuality, the sole form of intellectuality of which they were capable. It represented, in a rudimentary way, the ability to make categories, to generalize.

It is not possible for form to do without matter because it is not separable, nor can matter itself be purged of form.

Most musicals are informed by very rigid archetypes. If you get a very sophisticated mind writing them, you sense something else, but it's a folk-art form, really, at its best. At different times I've tried to push against it as much as I possibly could, but ultimately it is a folk-art form.

The temple is a place of worship. Reverence is a supernal form of worship. It is the form of worship found in the celestial kingdom.

Architecture is not so much a knowledge of form, but a form of knowledge.

A CAUSE is an object precedent and contiguous to another, and so united with it that the idea of the one determines the mind to form the idea of the other, and the impression of the one to form a more lively idea of the other.

Our hearts are the shrine; that is where God should be installed. Our good thoughts are the flowers to worship Him. Good deeds form the worship, good words form the hymns and love forms the offering.

Presumptuous Man! the reason wouldst thou find,Why form'd so weak, so little, and so blind?First, if thou canst, the harder reason guess,Why form'd no weaker, blinder, and no less!Ask of thy mother earth, why oaks are madeTaller or stronger than the weeds they shade?Or ask of yonder argent fields above,Why Jove's Satellites are less than Jove?

I believe that the only possible reason for our being here is to serve in some form or another but that the form is not always readily found or recognized. And I've noticed that those who refuse to serve often wind up as slaves.

If enlightenment comes first, before thinking, before practice, your thinking and your practice will not be self-centered. By enlightenment I mean believing in nothing, believing in something which has no form or no color, which is ready to take form or color. This enlightenment is the immutable truth. It is on this orginal truth that our activity, our thinking, and our practice should be based.

The dance in which the men form one row, the women another, and dance with and opposite each other in a form of love play, is widely diffused and may be confidentally assigned to a Protoneolithic culture level.

This one life has no form and is empty by nature. If you become attached by any form, you should reject it. If you see an ego, a soul, a birth, or a death, reject them all.

I think like almost everything in evolution, the old forms persist. New forms come along - not always, of course; there are species and whole lineages that go extinct - but basically novels and plays, and so on, will continue to exist. Jokes, as the lowest-cost form of narrative, will certainly continue to exist. They're a bit like microbes in the biological world. They're low-cost and they're everywhere. They're the most successful form of life, even though they're not the ones we think about most.