Quotes About Hero

The hero wanders, the hero suffers, the hero returns. You are that hero.

Here's the point - and Jonah Goldberg reminds us of this. He wrote a blog post that was titled "The MacGuffinization of American Politics." Do you know what a MacGuffin is? "'In a movie or book, 'The MacGuffin' is the thing the hero wants,' Ace writes." So in the Maltese Falcon, for example, the hero wants the Maltese Falcon, but there's always somebody trying to stop the hero from getting what he wants.

No man is a hero to his valet. This is not because the hero is no hero, but because the valet is a valet.

The anti-hero or hero usually has a journey or quest so they are interesting as you find out what's going to happen, what they are looking for. What are they trying to do? Sometimes what they do is heroic or comes with a price or sacrifice or maybe the way they do things isn't so great and that's when they become anti-heroes. But the journey of an anti-hero combined with a good story done well is always worthwhile.

Hero-worship is the deepest root of all; the tap-root, from which in a great degree all the rest were nourished and grown . . . Worship of a Hero is transcendent admiration of a Great Man. I say great men are still admirable; I say there is, at bottom, nothing else admirable! No nobler feeling than this of admiration for one higher than himself dwells in the breast of men.

One key to the distinction between mystery and suspense writing involves the relative positions of hero and reader. In the ideal mystery novel, the readers is two steps behind the detective.... The ideal suspense reader, on the other hand, is two steps ahead of the hero.

...America has enjoyed the doubtful blessing of a single-track mind. We are able to accommodate, at a time, only one national hero; and we demand that that hero shall be uniform and invincible. As a literate people we are preoccupied, neither with the race nor the individual, but with the type. Yesterday, we romanticized the "tough guy;" today, we are romanticizing the underprivileged, tough or tender; tomorrow, we shall begin to romanticize the pure primitive.

No one was a hero because everyone was a hero.

Then began an experience that turned my life around-working on a book with a black kid as hero. None of the manuscripts I'd been illustrating featured any black kids-except for token blacks in the background. My book would have him there simply because he should have been there all along. Years before I had cut from a magazine a strip of photos of a little black boy. I often put them on my studio walls before I'd begun to illustrate children's books. I just loved looking at him. This was the child who would be the hero of my book.

If you have not been a villain at a certain point in time, you will never be a hero. And the day you are a hero, you may become a villain the next day.

When I wrote the book, I thought that I was the hero of my story. And in writing it, I came to realize over time that my mom was the hero. And I was, you know - I was just her punk-ass sidekick.

I'm not a legend or a hero, I don't slay dragons, I don't do any of the things that a real hero can. But I can make things better, one day at a time, for most of the kingdom.

When I was a child, ladies and gentlemen, I was a dreamer. I read comic books, and I was the hero of the comic book. I saw movies, and I was the hero in the movie. So every dream I ever dreamed, has come true a hundred times... I learned very early in life that "Without a song, the day would never end; without a song, a man ain't got a friend; without a song, the road would never bend - without a song." So I keep singing a song. Goodnight. Thank you.

My heart right now is totally connected to a book called The Servant of the Bones, which is not in any way connected with vampires or witches. It's about a new hero, a ghost, who really doesn't particularly like the job that he's been given. I'm in love with this hero and in love with his dilemma.

I think there was the studio mentality for a long time that women and girls can relate to a male hero, but boys and men can't relate to a female hero.

I'm no hero. Heroes don't come back. Survivors return home. Heroes never come home. If anyone thinks I'm a hero, I'm not.

What makes a hero? Courage, strength, morality, withstanding adversity? Are these the traits that truly show and create a hero? Is the light truly the source of darkness or vice versa? Is the soul a source of hope or despair? Who are these so called heroes and where do they come from? Are their origins in obscurity or in plain sight?

When we see a hero, on the one hand, we applaud them; on the other hand, there is something in a lot of people that wants to tear the hero down.

Growing up, my parents were my heroes in the way they conducted their lives. My dad works in child protection. As kids, our experiences shape our opinions on ourselves and the world around us and that's who we become as adults, because of that experience. He's certainly been my hero. A hero is someone who puts themselves on the line and sacrifices their own safety for the greater good and for others. And I think anyone in any sort of profession where the welfare of other people instead of individual is inspiring and important.

Heroes are necessary in order to enable the citizens to find their own ideals, courage and wisdom in the society. The hero carries our hopes, our aspirations, our ideals, our beliefs. In the deepest sense the hero is created by us; he or she is born collectively as our own myth. This is what makes heroism so important: it reflects our own sense of identity and from this our own heroism is molded.

Dr. Martin Luther King is not a black hero. He is an American hero.

I love the idea of a movie hero in a thriller who is able to get ahead by just his brilliance, and not with a gun or by being an action hero.

No one is an unjust villain in his own mind. Even - perhaps even especially those who are the worst of us. Some of the cruelest tyrants in history were motivated by noble ideals, or made choices they would call "hard but necessary" for the good of their nation. We're all the hero of our own story.

He would still see it as his duty to shut up and get on with it, not cause any trouble. In our own time we've made a hero of the rebel, and it's more heroic to speak up.

Such exceptional suffering and calamity, then, affecting the hero, and-we must now add-generally extending far and wide beyond him, so as to make the whole scene a scene of woe, are an essential ingredient in tragedy and a chief source of the tragic emotions, and especially of pity. But the proportions of this ingredient, and the direction taken by tragic pity, will naturally vary greatly.

Even the Westerns that I grew up with, the Sergio Leone's and all that, there was always a sort of anti-hero, a guy reluctant to shame even, to pick up the gun again because he wants to help other people, and he does, he uses his skills for that.

Respect your characters, even the ­minor ones. In art, as in life, everyone is the hero of their own particular story; it is worth thinking about what your minor characters' stories are, even though they may intersect only slightly with your protagonist's.

You never have to wait long, or look far, to be reminded of how thin the line is between being a hero or a goat.

Some would assert that Providence was at work shaking out its pockets in Humanity's lap. Other would argue for that mindless choreographer, Chance. Either way it was a simple thing: a lost diary fell into the hands of a soul-sick war hero on a train from Bombay to Jaipur just when he'd grown tired of the scenery and needed something to keep his thoughts from the minefield of his wretched thoughts. In such mild ways is the groundwork laid for first kisses and ruined lives.

I’m not particularly keen on writing which exhaustively describes the physical characteristics of the people in the story and what they’re wearing… I can always get a J. Crew catalogue… …So spare me, if you please, the hero’s ‘sharply intelligent blue eyes’ and ‘outthrust determined chin’.

You know, a friend of mine asked me before I got here... it was when we were all shipping out. He asked me, 'Why are you going to fight somebody else's war? What, do y'all think you're heroes?' I didn't know what to say at the time, but if he asked me again, I'd say no. I'd say there's no way in hell. Nobody asks to be a hero. It just sometimes turns out that way.

Every man has a coward and hero in his soul.

The hero, the mythical subject, is constructed as human being and as male; he is the active principle of culture, the establisher of distinction, the creator of differences.

You need a wisecracking buddy standing next to you? That's the role for me. You got the guys who are knock-down, drag-out handsome. That's what people want to see. Let that guy be the hero. But there's always a role for the Everyman.

This lack of imagination gives his heroism to the hero.

One blob of red in the wrong place and the audience isn't looking at the hero, they're looking at a patch of curtain (or something similar) and your whole effect is lost.

I sometimes feel like I'm caught in a vise. Some people feel like I'm some kind of hero. Others hate me.

All the "not readies," all the "I need time," are understandable, but only for a short while. The truth is that there is never a "completely ready," there is never a really "right time." As with any descent to the unconscious, there comes a time when one simply hopes for the best, pinches one's nose, and jumps into the abyss. If this were not so, we would not have needed to create the words heroine, hero, or courage.

On playing Batman and his daughter: If I was doing the sequel to Frozen I would be a hero. My two older daughters could give a sh-t about Batman and they've now passed that affection onto my son. He's always like, 'Papa, can I watch Frozen?' And I'm like, 'No, dude, it's not on again!'.

When you struggle hard and lose money, you're a hero. When you start making money you become a capitalist swine.

If you do it right 51 percent of the time you will end up a hero.

In any story, the villain is the catalyst. The hero's not a person who will bend the rules or show the cracks in his armor. He's one-dimensional intentionally, but the villain is the person who owns up to what he is and stands by it.

The hero is suffered to be himself.

The closest modern equivalent to the Homeric hero is the ace fighter pilot.

Every show that sells out is like a hero's welcome for me.

The hero surviving his own murder, his own suicide, his own addiction, surviving his own disappearance from the scene

Ralph Fiennes was a big hero of mine acting-wise growing up and while I was training. I just find him so watchable. He was playing this very intimidating character when we worked together and it certainly felt like he was in character off set as well! He was very cool. Before a scene, he'd be like, "Come on. Let's improvise. Let's just do stuff." But Jesus Christ. He's Ralph Fiennes!

It's funny that Chairman Mao's great hero was Napoleon, because Napoleon started out as a revolutionary for the underdogs and then made himself an emperor. In fact, a lot of revolutionary leaders do that, and you think, "Well, that's spoiling your argument. What are you doing?" But on the other hand, the people themselves are enjoying trying out all these different ways to be. I hope that, like the Japanese, the Chinese hang on to their own traditions as well as try out Western ones. I hate it when people just lose so much confidence in who they are that they abandon their own culture.