Quotes About Historical

Like sex, poverty and power, suicide may always be with us. But like them again, the actual form is takes is essentially time-specific and culture-bound, not only in the past but in the present too. The people who took their lives, the paths which led them to that end, and the experience of dying in this way were deeply influenced by specific historical circumstances. Only by making a greater effort at historical understanding can this most secret house of death be made to yield up more of its confidences.

it is not the inferiority of women that has caused their historical insignificance; it is rather their historical insignificance that has doomed them to inferiority.

If you write a post and put it on a blog, that's a historical document. If you change your template, then that entry looks completely different. It's the same words, but not the same meaning. This all depends on what historical questions that people will be asking and we can't know what they will want.

Historical novels are about costumery. I think that's the magic and mystery of fiction. I don't want to write historical fiction but I do want the story to have the feel of history. There's a difference.

The Bible is an ancient text from an ancient context. We live thousands of miles and thousands of years away from that context, which also represents different cultures. Archaeology is a modern means of revealing both the lost record of the ancient world, and the historical and social world of the Bible. While the purpose of archaeology is not to prove the historicity of the people and events recorded in Scripture, it can help immeasurably to confirm the historical reality and accuracy of the Bible and to demonstrate that faith has a factual foundation.

With the historical fictions, I was already doing so much research, and so much of the stories was anchored by historical truth that the move to nonfiction didn't feel all that dramatic - just another half-step to the right.

Through its imperialist system Britain brought about untold suffering of millions of people. And this is an historical fact. To be able to admit this would increase the respect, you know, which we have for British institutions.

And I'm the first one to tell people to break the rules. But you can only break the rules once you know what the rules are. The other thing is, fashion is the last design discipline to actually have academic texts and historical analysis.

It's a historical fact that the Stasi did horrible things and that they monitored a lot of people in East Germany, but I find it very interesting to think about the importance of the Western secret services back then and still working today.

I don't think the British carry a historical consciousness either.

Nothing's new since Genesis. And so everybody in their life thinks history began when they were born. Most people's historical perspective happened when they were born in the sense that nothing has ever been this bad. "We've never gone before this before," and of course we have. Things have been worse in many ways in the country.

Historical explanation is not identical with moral judgment.

In India there was a sense of time that does not tick with modern clocks, just as there is a knowledge that is not gained through science and empirical experiments. In the modern West knowledge is of objective, finite particulars in historical time. India recognizes that kind of useful information: it calls it "lower knowledge." Higher knowledge (paravidya) proceeds differently, or rather it doesn't proceed at all but enters history full-blown on the morning of a new creation.

If the Holocaust didn't take place, why then did this regime of occupation come about? Why do the European countries commit themselves to defending this regime? Permit me to make one more point. We are of the opinion that, if an historical occurrence conforms to the truth, this truth will be revealed all the more clearly if there is more research into it and more discussion about it.

You can't write the same book twice. Though I've been in historical musical situations, I can't go back and do that again. And though I run into artistic crises, they keep my life interesting.

On the basis of biological, sociological, and historical knowledge, we should recognize that the individual self is subject to death or decay, but the sum total of individual achievement, for better or worse, lives on in the immortality of The Larger.

The highest historical probability can be adduced in support of the proposition that, if it were possible to annihilate the Bible, and with it all its influences, we should destroy with it the whole spiritual system of the moral world.

The dogma of woman's complete historical subjection to men must be rated as one of the most fantastic myths ever created by the human mind.

I believe that the visit of the Queen to the United States is an admirable occasion to produce an historical, truthful, sincere, genuine analysis of how the British Monarchy evolved into its present situation.

If a source gives us material that is of political, diplomatic, ethical or historical significance that has not been published before and is comprised of official documents or recordings, then we will publish it.

The butchering may continue as it will, it shall remain the historical guilt of the Western powers that they did not promptly provide the sharpest preventative measures against the continued attack-politics Germany undertook. Possibilities existed for this, but no measures were seized upon.

I'm less influenced by any of [Karl] Marx's ideas today than I've ever been in my life, and most significantly Marx's theory of historical materialism, which I think is virtually a debris of despotism.

All historical experience demonstrates the following: Our earth cannot be changed unless in the not too distant future an alteration in the consciousness of individuals is achieved.

Our yearning for democracy is accompanied by a no less profound yearning for peace. And the media also faced the task of historical engineering to establish this required truth. We therefore have phenomena called 'peace missions' and the 'peace process'. These are terms that apply to whatever the United States happens to be doing or advocating at some moment... in short, 'War is Peace'.

The novel since its origins has been the privatization of history... the history of private life ... and in that sense every novel is an historical novel.

We repeat today that we are with the establishment of a Palestinian state on any liberated part of Palestinian land that is agreed upon by the Palestinian people, without recognizing Israel or conceding any inch of historical Palestine.

The historical orthodox Christian faith is extremely wide and diverse.

The ruthless economic exploitation and political oppression of the peasants by the landlord class forced them into numerous uprisings against its rule.... It was the class struggles of the peasants, the peasant uprisings and peasant wars that constituted the real motive force of historical development in Chinese feudal society.

"Contemporary art" for me is a kind of historical term that describes the 40 years between the Berlin Wall going up and then coming down. I'm not sure who will come up with a better term to describe art, but I think contemporary art is actually done for.

Maya Jasanoff's Liberty's Exiles places the loyalist experience and the aftermath of the American Revolution in an entirely new light. Alongside the Spirit of 1776, Jasanoff gives us the Spirit of 1783, dedicated to remaking the mighty British Empire, and then offers a stunning reinterpretation of the Loyalists' complicated role in that remaking. Her meticulously researched and superbly written account is historical revision at its finest, and it affirms her place as one of the very finest historians of the rising generation.

Because of their historical theory of the "alienation of labor" (that the worker must become less and less in control of the work of his hands) the Marxist parties never fought for the man-worthy job itself.

The alienation effect in German epic theater is achieved not only through the actors, but also through music (chorus and song) andsets (transparencies, film strips, etc.). Its main purpose is to place the staged events in their historical context.

In the first few pages, Kundera discusses several abstract historical figures: Robespierre, Nietzsche, Hitler. For Eunice's sake, I wanted him to get to the plot, to introduce actual "living" characters - I recalled this was a love story - and to leave the world of ideas behind. Here we were, two people lying in bed, Eunice's worried head propped on my collarbone, and I wanted us to feel something in common. I wanted this complex language, this surge of intellect, to be processed into love. Isn't that how they used to do it a century ago, people reading poetry to one another?

Historical analogy is the last refuge of people who can't grasp the current situation.

There's the historical part of The Beach Boys' music; it's pretty incredible, pretty vast and pretty varied too.

I don't separate my books into historical novels and the rest. To me, they're all made-up worlds, and both kinds are borne out of curiosity, some investigation into the past.

I accept the resurrection of Easter Sunday not as an invention of the community of disciples, but as a historical event.

What dazzles us in Stacy Schiff's Cleopatra are not the alluring mythologies about the evasive queen, but the astonishing if rare historical facts that Schiff has meticulously and lovingly excavated. Schiff offers not just Cleopatra's story but the story of an amazing era, one that has vanished but still affects us, questioning the way we look at myth, history, and ourselves.

As for the meaning of gardens, particular gardens may have, of course, all sorts of different meanings - emotive, historical, emblematic, religious, commemorative, and so on. But I think that good gardens all signify or exemplify an important truth about the relationship of culture and nature - their inseparability.

We're at a historical juncture: A growing number of people are declaring what has been achieved over the past decades in Europe to be wrong. They want to return to the nation-state. Sometimes there is even a blood and soil rhetoric that for me is starkly reminiscent of the interwar years of the past century, whose demons we are still all too familiar with.

The idea of a method that contains firm, unchanging, and absolutely binding principles for conducting the business of science meets considerable difficulty when confronted with the results of historical research. We find, then, that there is not a single rule, however plausible, and however firmly grounded in epistemology, that is not violated at some time or another.

Before we can build a stable civilization worthy of humanity as a whole, it is necessary that each historical civilization should become conscious of its limitations and it's unworthiness to become the ideal civilization of the world.

There is a profound hypocrisy - and deep historical ignorance - when Europeans complain about the problems posed by the ethnic and religious minorities in their midst, for that is exactly what European colonial rule meant for peoples around the world.

I had serious training of painting styles from different historical periods... But to have all this training is not enough to be an artist. You have to add a new page to history; otherwise you are not making a contribution. But making history is not easy.

Moreover, they [the Central Asian Republics] are of importance from the standpoint of security and historical ambitions to at least three of their most immediate and more powerful neighbors, namely Russia, Turkey and Iran, with China also signaling an increasing political interest in the region. But the Eurasian Balkans are infinitely more important as a potential economic prize: an enormous concentration of natural gas and oil reserves is located in the region, in addition to important minerals, including gold.

I have found on Alpha that those from an essentially enlightened background feel at home with the parts of the course which appeal to the mind, but often have difficulty in experiencing the Holy Spirit. Others coming from the New Age movement find that rational and historical explanations leave them cold, but at the weekend away they are on more familiar territory in experiencing the Holy Spirit

When a spectator approaches a painting with his own particular set of filters or theories, be they historical, political, intellectual or whatever - he either finds what he is looking for or dismisses the work as irrelevant. He has deprived himself of the possibility of any fresh experience or revelation by looking only for confirmation of that which he already 'knows.

As for whether genre considerations influence what I write, they don't at all, but I might sell more books if they did. The Night Journal is a hodge-podge of historical fiction, western, mystery, and contemporary domestic drama. It doesn't settle into a specific market, reviewers have a hard time describing it, and sometimes it gets classified weirdly in bookstores. But from a writer's standpoint, I like that it's hard to categorize.