Quotes About History

History is a living horse laughing at a wooden horse. History is a wind blowing where it listeth. History is no sure thing to bet on. History is a box of tricks with a lost key. History is a labyrinth of doors with sliding panels, a book of ciphers with the code in a cave of the Saragossa sea. History says, if it pleases, Excuse me, I beg your pardon, it will never happen again if I can help it.

Liberty has never come from the government. Liberty has always come from the subjects of the government. The history of liberty is a history of resistance. The history of liberty is a history of the limitation of governmental power, not the increase of it.

The uniqueness of the United States in human history is the United States is the first global power in human history which emerged far away from Africa or Asia, which is the main land of human history.

I saw a huge steam roller, It blotted out the sun. The people all lay down, lay down; They did not try to run. My love and I, we looked amazed Upon the gory mystery. "Lie down, lie down!" the people cried. "The great machine is history!" My love and I, we ran away, The engine did not find us. We ran up to a mountain top, Left history far behind us. Perhaps we should have stayed and died, But somehow we don't think so. We went to see where history'd been, And my, the dead did stink so.

They don't really focus on that history here in America. I remember growing up as a kid, history class was very washed-over. They didn't really get into the gritty bits of slavery. It's a very, very small section in the history books. It's not something they really touch on directly with American curriculums.

The best players in the world are playing to make history. There are only four tournaments you can win to make history, and TPC (The Players Championship) is not one of them. And neither are those world events. And you're not going to make history winning some kind of FedEx Cup.

After school, I went to Damascus to study law and history, which I didn't really like. I didn't like history, in particular. In Syria, the regime was trying to present to us a distorted version of the past. Assad was shown as the father of history. So I decided to shift to film, which was something I had always loved as a teenager.

Universal history, the history of what man has accomplished in this world, is at bottom the History of the Great Men who have worked here.

I don't think that my work is actually effectively dealing with history. I think of my work as subsumed by history or consumed by history.

We must create a history of India in living terms. Up to the present that history, as written by the English, practically begins with Warren Hastings, and crams in certain unavoidable preliminaries, which cover a few thousands of years...The history of India has yet to be written for the first time. It has to be humanized, emotionalized, made the trumpet-voice and evangel of the race that inhabit India.

The history of lead is a history of neglect. It's a history of decisions on our part not to address the broad implications of what we did to ourselves during the industrial revolution and in the first part of the century when our cities expanded broadly, when we built our housing and we began to depend upon lead as a mainstay of our new industrial culture. We put this stuff in even though we knew it was dangerous, we knew it was going to hurt kids.

When I was in school, all our history books were American, so we learned American history, not Canadian history.

Imagine it's 1981. You're an artist, in love with art, smitten with art history. You're also a woman, with almost no mentors to look to; art history just isn't that into you. Any woman approaching art history in the early eighties was attempting to enter an almost foreign country, a restricted and exclusionary domain that spoke a private language.

History has never seen Emmitt Smith. I don't care what has come before me. That's why they call it history you create new history.

Think about it: you've already related it down to something that somebody else can understand. If art relates to something - it's like Picasso, it's like Mondrian - it's not. Art's supposed to be what it is. Using a reference of art history might help for some kind of sales, but it doesn't really help anybody. Art is what it is; it cannot be footnoted, until it enters the world. Then it has a history. Then the footnotes are the history, not the explanation.

I think comedy allows people to accept the more difficult parts of history. And history, if it's presented wrong, is just very depressing, particularly the history of slavery. If slavery is presented properly, it's a great story. But I think that within the commercial world of storytelling in which I live, there haven't been many strong works that discuss slavery in ways that are palatable and funny and interesting to the reader.

What are your choices? Whom are your choices for? Not just for yourself. Chose now whom you will serve, and that choice is going to affect the next generation, and the next generation, and the next. Choice never affects just one person alone. It goes on and on and the effect goes out into geography and history. You are part of history and your choices become part of history.

History has to be rewritten because history is the selection of those threads of causes or antecedents that we are interested in.

It's the first time in the history of the world that creatives are also distributors. And that's very profound if you think that up until the recent history, permission was required for us to be able to share work at any sort of scale. We had to get permission from galleries, from ad agencies or photo editors to be able to have our work out there. And now anybody with access to a computer can show their work in 200 countries around the world.

When I started doing improvise music in Europe, in the beginning I thought the way that Europeans were interpreting the reconstruction of deconstruction of this thing that we call jazz - of course it's different than what Americans do, because Europeans have a different history, a different sensibility and so forth - the nature of the creative process itself it's the same; but what comes from that creative process is different, because you have a different history, you have a different society, different language.

Muslims are very keenly aware of the history of their community, of the history of that relationship between their community and the rest of the world. And they have had this all through the centuries and are very much heightened by modern communications. I mean now you have Muslims in the Muslim world who can compare their situations with people elsewhere and they find that very humiliating.

I don't think history will ever be a science because history will never be reduced to law-like behavior. People are to unpredictable.

And if you're going to criticize me for not finishing the whole thing and tying it up in a bow for you, why, do us both a favor and write your own damn book, only have the decency to call it a romance instead of a history, because history's got no bows on it, only frayed ends of ribbons and knots that can't be untied. It ain't a pretty package, but then it's not your birthday that I know of so I'm under no obligation to give you a gift.

History is the fiction we invent to persuade ourselves that events are knowable and that life has order and direction. That's why events are always reinterpreted when values change. We need new versions of history to allow for our current prejudices.

You can learn as much about the history from reading about the present as you can vice versa, that is learning about the present through history, which is what I do for a living.

We are in a very critical and sensitive time in this nation. We need our president to sit down with folks who have a personal experience, a deep connection to the horror and the pain of this country`s provocative racial history. If the president wants to have a better understanding and appreciation for what he should do next, he needs to hear something from folks who have gone through this painful history. Without that personal connection to the painful past, it will be hard for him to regain that moral authority from my perspective.

History is not life, but since only life makes history, the union of the two is obvious.

The most important history is the history we make today.

I actually think history doesn't repeat itself. There are recurrent themes, but they're repeated with variations. Each time there's an immigration crisis, a threat from outside which is met with inhospitable wall building, it's different. And I think it's helpful to notice the big patterns in history, but it's also important to pay attention to the details, which makes each situation distinct from another.

The history of a battle, is not unlike the history of a ball. Some individuals may recollect all the little events of which the great result is the battle won or lost, but no individual can recollect the order in which, or the exact moment at which, they occurred, which makes all the difference as to their value or importance.

The cosmic calendar compresses the local history of the universe into a single year. If the universe began on January 1st it was not until May that the Milky Way formed. Other planetary systems may have appeared in June, July and August, but our Sun and Earth not until mid-September. Life arose soon after. We humans appear on the cosmic calendar so recently that our recorded history occupies only the last few seconds of the last minute of December 31st.

The moment you make a photograph you consign whatever you photograph to the past as that specific moment no longer exists, it is history. The photography that I practice takes place in a specific time and place, depicting real moments in people's lives. In some ways I think of myself as a historian, but not of the word. History is most often written from a distance, and rarely from the viewpoint of those who endured it.

History comes and history goes, but principles endure, and ensure future generations will defend liberty not as a gift from government but as a blessing from our Creator.

In high school, I loved history. I also loved cosmography, algebra. Mexico is so rich in culture and history, and I have always enjoyed that.

The individual's life is of importance to none besides himself: the point is whether he wishes to escape from history or give his life for it. History recks nothing of human logic

If you don't understand weapons you don't understand fighting. If you don't understand fighting you don't understand war. If you don't understand war you don't understand history. And if you don't understand history you might as well live with your head in a sack.

There's this unspoken history that exists between any mother and daughter, no matter how deep and loving the bond is, twenty-five years of being raised by someone, there's a kind of deep history which means that there are shortcuts to getting on each other's nerves.

It's interesting to think about the history of Israel in relation to the history of the U.S.. There were Native Americans living here that U.S. settlers totally displaced, and that narrative is not connected with the Isreal-Palestinian struggle at all.

History is a string full of knots, the best you can do is admire it, and maybe tie it up a bit more. History is a hammock for swinging and a game for playing.

The question I'm always asking myself is: are we masters or victims? Do we make history, or does history make us? Do we shape the world, or are we just shaped by it? The question of do we have agency in our lives or whether we are just passive victims of events is, I think, a great question, and one that I have always tried to ask.

History, as an entirety, could only exist in the eyes of an observer outside it and outside the world. History only exists, in the final analysis, for God.

China's culture and history are closely related to my living environment. This country is my birthplace. It is also where I grew up. Its culture and history shape my relations with family, friends, society, and daily life.

When history calls, history calls.

President Obama is the most successful food stamp president in American history. I would like to be the most successful paycheck president in American history.

There is no American history. There is no French history. There is no John Wideman. There are all these dreams that are floating around. People construct them and fight with them and criticize them, and the world goes on. I don't think the stars pay much attention.

The Bible has a human history as well as a divine inspiration. It is a history full of interest, and it is one which all those who value their Bible should know, at least in outline, if only that they may be able to meet the criticisms of sceptics and the ignorant.

Art is the suitcase of history, carrying the essentials. Art is the life buoy of history. Art is seed, art is memory, art is vaccine.

Did any great genius ever enter the world in the wake of commonplace pre-natal conditions? Was a maker of history ever born amidst the pleasant harmonies of a satisfied domesticity? Of a mother who was less than remarkable, although she may have escaped being great? Did a woman with no wildness in her blood ever inform a brain with electric fire? The students of history know that while many mothers of great men have been virtuous, none have been commonplace, and few have been happy.