Quotes About Horror

With The Exorcist we said what we wanted to say. Neither one of us view it as a horror film. We view it as a film about the mysteries of faith. It's easier for people to call it a horror film. Or a great horror film. Or the greatest horror film ever made. Whenever I see that, I feel a great distance from it.

I love horror comedies, and I love horror movies. In particular, I love horror movies from the '80s that have practical monsters in them. They're not just slasher movies with people going to kill people in people's houses. I do like these ridiculous monster movies. They're scary, but they're absurd. I had a lot of fun in my 20's, watching a lot of these movies late at night.

I have a really hard time watching gory stuff and horror movies. I have said no to some horror movie things. I wouldn't rule it out; I could probably be convinced to do one. But sometimes, I just get ill.

I'm not a fan of horror. I don't think a proper horror movie has been done since The Shining.

In a world of monotonous horror there could be no salvation in wild dreaming. Horror he had adjusted to. But monotony was the greater obstacle, and he realized it now, understood it at long last. And understanding it seemed to give him a sort of quiet peace, a sense of having spread all the cards on his mental table, examined them, and settled conclusively on the desired hand.

Asian horror is really setting a trend. The Pang brothers are from Hong Kong, so they just bring a whole different sensibility to a horror movie. In Hong Kong, they're actually doing stuff that's very artistic and pushing boundaries.

What I enjoy the most is portraying villains like a vampire, a serial killer, a supernatural creature, etc... That's when I have the most fun, creating those roles. I also love playing the hero in horror movies, because then I get to really be believable, truthful to feel the terror, the scariness, the horror, and be able to really transmit that to the audiences watching the movie or that TV series.

I love Child's Play 2! That movie has a great theme: You better listen to children. That's why I wanted to do it. I was scared to do a horror movie - a blatant, studio horror movie - but I liked the script, and I thought that was such an important theme, because I don't think adults listen to children enough.

Because I am known in the horror genre now, I try and do at least one horror movie a year for my fans, my fans have been so good to me.

In junior high I read a lot of Stephen King, whose Americana approach to writing was often about "the terror next door" and at the same time I was reading a lot of Clive Barker, who was on the other end of the horror pendulum: insidious and disturbingly psychological. I found it fascinating how these two authors came at horror from two totally different perspectives.

I don't believe in evil; I believe only in horror. In nature there is no evil, only an abundance of horror: the plagues and the blights and the ants and the maggots.

The horror of the Holocaust is not that it deviated from human norms; the horror is that it didn't. What happened may happen again, to others not necessarily Jews, perpetrated by others, not necessarily Germans. We are all possible victims, possible perpetrators, possible bystanders.

People would always say horror movies always thrive during times of war; that's just what people would say. And I don't know if they thrived during World War II or Vietnam, but I thought that's kind of strange, why would that happen. I don't know if people rearrange their priorities; in good times, they freak out and start pointing the fingers at video games and TV, but when horrible things are happening in the world, a horror movie just seems a little ridiculous.

You have to take the horror seriously but there's gags aplenty. Most people, when they do horror it's just grim.

If you focus on the humanity of your stories, your characters, then the horror will be stronger, scarier. Without the humanity, the horror becomes nothing more than a tawdry parlor trick. All flash and no magic, and worst of all, no heart.

And another thing about German symphonic development. I tell you, our cold kvass soup is a horror to the Germans, and yet we eat it with pleasure. And their cold cherry soup is a horror to us, and yet it sends a German into ecstacy. In short, symphonic development is just like German philosophy and soup-all worked out and systematized. When a German thinks, he reasons his way to a conclusion. Our Russian brother, on the other hand, starts with a conclusion and then might amuse himself with some reasoning.

I make unpopular versions of popular things. I make a horror film and it's not a horror film. None of my genre movies function as genre movies.

I have always felt a little bit uncomfortable with question [why I'm write these stories]. It's not a question that you would ask a guy that writes detective stories or the guy that writes mystery stories, or westerns, or whatever. But it is asked of the writer of horror stories because it seems that there is something nasty about our love for horror stories, or boogies, ghosts and goblins, demons and devils.

Horror movies are here to stay, you know? It's not a fad. Even the musical has gone in and out of style from time to time. Horror movies have always been around.

No culture has yet solved the dilemma each has faced with the growth of a conscious mind: how to live a moral and compassionate existence when one is fully aware of the blood, the horror inherent in all life, when one finds darkness not only in one’s own culture but within oneself.

It's a convention, but in horror movies the female characters usually tend to believe easier in a supernatural event.

Horror was rooted in sympathy . . . in understanding what it would be like to suffer the worst.

The reason that I like SF and fantasy and horror is that to me it's the pulp wing of surrealism. That's the aesthetic of undermining and creative alienation that I really go for.

I realize that people fly with small children all the time, and that babies are easier in some ways because all they do is sit/lie around anyway, but damn it's hard to keep a baby comfortable on any flight, much less a long one, particularly amid the looks of horror they will get from fellow passengers as it dawns on them that their 10- to 13-hour flight might come with a soundtrack of screaming baby.

I woke up one day and I realized I wasn't born beautiful, but my wife was, so I decided to make a horror film about it: what it would be like to be born beautiful.

Men born in hot countries love the night because it refreshes them and have a horror of light because it burns them.

Executing a murderer is the only way to adequately express our horror at the taking of an innocent life. Nothing else suffices. To equate the lives of killers with those of victims is the worst kind of moral equivalency. If capital punishment is state murder, then imprisonment is state kidnapping and restitution is state theft.

If I wrote at all, I must throw myself headlong into the great political maelstrom, and would of course be swallowed up like a fishing-boat in the great Norway horror which decorated our school geographies; for no woman had ever done such a thing, and I could never again hold up my head under the burden of shame and disgrace which would be heaped upon me. But what matter? I had no children to dishonor; all save one who had ever loved me were dead, and she no longer needed me, and if the Lord wanted some one to throw into that gulf, no one could be better spared than I.

I'm stuck struggling in the cold water, and all I can do is grieve, grieve, in the hoar necessitous horror of the morning, bitterly I hate myself, bitterly it's too late yet while I feel better I still feel ephemeral and unreal and unable to straighten my thoughts or even really grieve, in fact I feel too stupid to be really bitter, in short I don't know what I'm doing and I'm being told what to do.

I love horror movies because they're really fun. They tap into those wonderful primal emotions.

People who sleep around to get roles are frail and scared and most likely without talent. It's their own little horror show that only they can deal with.

After all, he did say you were the issue of an encounter between your father and a traeling hatcha-hatcha dancer." There was a gasp of horror from the crowd. Duncan, smiling thinly, said through gritted teeth: "Thank you so much for reminding us all, Anthony.

In the face of horror ... there is no other answer than the cross of Christ: Love that descends to the abyss of evil.

Fear has disappeared. No more fear. In Asia, it is different. They've discovered again the fear and the psychology of the characters. Without psychology, the horror film doesn't exist.

One could make money and get a career going with a low-budget horror film about killers attacking on holidays. It is always flattering to have somebody copy you.

Horror is a feeling that cannot last long; human nature is incapable of supporting it. Sadness, whether it be from bereavement, or disappointment, or misfortune of any kind may linger on through life

The idea for me is that if the movie connects with you the way I want it to connect with you, you should be experiencing both the horror and the wonder as a child would. From a child's point of view. When we're kids, brutality registers differently than when we are adults. Because as adults, we get too used to violence.

It definitely could have been a horror story [Valley of Violence], oh my God, if the dog was impossible. So could the horses.

I know what I miss as a cinemagoer is that balance of films that actually scare me, they're so few and far between. I loved ghost stories, I love horror stories, I love all of that stuff, but I really yearn for something to actually frighten me.

I use as high SPF as I can get, and I live under a hat like a mushroom all the time. Someone said they're worried about their kids getting older and doing drugs, and I got this look of horror on my face and thought, 'What if my girls don't wear hats?' But at 13 months old, they could say 'hat.

Horror films do not prepare us for the hours lost in searching after one clear thought.

Dying away from home, away from the soil of your birth - and to do so unseen and unmourned - is a profound horror.

A lot of times you'll hear horror stories about actors being incredibly selfish and only wanting themselves to shine, but for me, it's not about just one person. It's about the whole team. That's the way I look at acting. That's the way I look at everything I do.

You know, in the horror movie you kill the monster, and the hand re-emerges. And if you're not looking, the hand grows back and then the monster's there again. That cannot be allowed to happen.

Weakness ever sympathizes with vice, because vice is a weakness which assumes the mask of strength. Madness holds reason in horror, and on all subjects it delights in the exaggerations of falsehood. The cause of all bewitchments, the poison of all philtres, the power of all sorcerers are there.

I'm having fun with what I'm doing but I'd never categorically say no to something because it's not horror. I'm keeping an open mind.

My fear, as a writer, is that I am a curiosity. That I can only bring you this peculiar condition from far away, from outside, and if you look at it then it will mean nothing. So, I have to pretend it's more than that. Horror writing lets me do that.

The stabbing horror of life is not contained in calamities and disasters, because these things wake one up and one gets very familiar and intimate with them and finally they become tame again. No, it is more like being in a hotel room in Hoboken let us say, and just enough money in one's pocket for another meal.