Quotes About Horror

A good horror movie - it doesn't matter how many comedy horror films there have been before. Doesn't matter how much you think it's going to be funny. A good horror movie will scare the hell out of you... the moment you sit down and you start being exposed to that story, it's going to freeze your blood.

I don't know. I think that horror, in general, is fairly popular. It's definitely popular in film. There's just not a lot of good horror on TV, so whenever there is good horror on TV, people rush to it.

It's not that I'm not a horror fan, it's just that the horror scripts I've been sent have been rubbish and obvious. Because they usually are in horror films - it's just about scare factor. You're always one step ahead, you know who's going to die first, you know who's going to survive, you're going to get a jump every twenty minutes.

I was never a big fan of horror. I got into it making these films, but I don't ever see myself doing slasher movies. The kind of horror film I like is The Shining. I don't really like slashers, but I love thrillers with tension.

I did so many comedies that we've had numerous discussions about horror of film and I've always been really hesitant to do so because the last thing I wanted to make was a horror movie.

I love horror movies. I consider myself a horror author, sometimes.

Rather an end in horror, than horror without end. He could not condemn principles he might need to invoke and apply later. The wolf cannot help having been created by God as he is, but we shoot him all the same if we have to. The great player in diplomacy, as in chess, asks the question,Does this improve me?, not look at the possible fringe benefits If you can't have what you like, you must like what you have.

There are two different stories in horror: internal and external. In external horror films, the evil comes from the outside, the other tribe, this thing in the darkness that we don't understand. Internal is the human heart.

Horror causes men to clench their fists, and in horror men join together.

I think there's been a gigantic shift in the way we talk to each other, and the way that we communicate with each other. So as a filmmaker, the stuff's always been really interesting to me, and I sort of considered a lot of my films horror films, the ones that were relationship dramas, because I feel like it was very easy to look at modern communication and the Internet and cell phones and all that stuff as horror movies, basically.

From an early age I loved horror movies. I read books about horror, cops, firemen and military. Over the course of the years I started to see that there's a reality to this. The first movie I was really conscious of seeing was THE EXORCIST and I don't know if any of you have seen that but it scared the sh*t out of me. It really frightened me.

I never actually wanted to write horror, oddly enough. It was a kind of misnomer, because I didn't ever actually write horror in the sense of the genre known for it. It was more a type of pigeon-holing in bookshops.

I love horror movies in space. I love it when the genre switches over and what was sci-fi becomes horror.

Horror films had died a little bit before Scream came around. That was one of the reasons I wrote it. I wanted to write something that wasn't being made right now and maybe sell if I come up with a new horror film. Because no one is watching those movies. Let's do it. That was my whole goal, and it paid off. I feel like it's never stopped.

I laugh a lot in horror films. If I'm scared in a horror film, I try to think about what's scaring me... particularly, if it's a bad movie, but something they're doing still works. It's the same way I look at comedy. I've always had an intellectual view of comedy, and what makes people laugh, and how does it work.

The single combats of the heroes of history or fable amuse our fancy and engage our affections: the skillful evolutions of war may inform the mind, and improve a necessary, though pernicious, science. But in the uniform and odious pictures of a general assault, all is blood, and horror, and confusion . . .

The horror of our history has purged me of opinions.

I grew up doing musicals. I've done so many musicals in my life, I kind of got them out of my system. But, I certainly would be open to them. Rocky Horror Show is a big favorite of mine.

The reason that I like SF and fantasy and horror is that to me it's the pulp wing of surrealism. That's the aesthetic of undermining and creative alienation that I really go for.

Without music in a horror there is actually such a big part missing.

When you're playing the devil, you're playing the ultimate evil. There are no boundaries. In doing a film in the horror genre or a psychological thriller, you're really pushed as an actress, you're pushed way outside of your comfort zone. Emotionally, mentally, and physically. That's when things really get fun.

I'm a huge baby and horror films just terrify me, they're very effective with me.

Born to an age where horror has become commonplace, where tragedy has, by its monotonous repetition, become a parody of sorrow, we need to fence off a few parks where humans try to be fair, where skill has some hope of reward, where absurdity has a harder time than usual getting a ticket.

What's inspiring me the most [is] injustice. My own growth as a member of the human race, in terms of the veils being lifted, seeing more of the beauty and also the horror. A sense of my own purpose in this life. Love...

It is well for his peace that the saint goes to his martyrdom. He is spared the sight of the horror of his harvest.

I have a hard time with extreme imagery. Like I can't watch horror movies or anything like that.

I think that some laughter comes from escaped horror, doesn't it?

The rules are very important in a horror movie.

Most of my horror inspiration is really older stuff and really new stuff.

It'll die down like every other genre, but horror has always been one of the four or five main genres that will never go away.

One phrase summarizes the horror of hell. "God isn't there."

Oh dear, is that a skunk?" Leonora asked. "No," Alessandro gasped in horror. "No the smelly cat!" "I've told you, Alessandro darling, they aren't cats." "They look like cats. Like the big fluffy cat she's been stepped on and flattened to a big fluffy pancake cat," Alessandro argued.

Metal guys are huge nerds. A good percentage of them are either horror or sci-fi or comic book or fantasy nerds.

I had to get used to wearing a mask and wearing a prosthetic and performing with those things while singing and expressing myself through stylized movement, while keeping it as human as possible so the audience could be closer to the horror of the Phantom.

I think because mothers usually are the people who take care of us when we're little, and when we're little those mothers are omnipotent, perhaps men even more than women don't like to think about that dependency. That dependency is horror.

I dreamed of being a part of the stories—even terrifying one, even horror stories—because at least the girls in stories were alive before they died.

It is interesting to note that the best periods of Italian Horror films came out of the Sixties, when Italy was enjoying a carnival period of phenomenal optimism, and the shadowy side surfaced with all of its attendant dark, beautiful, baroque, catholic symbolism.

France at the dinner table in faraway places; but here, among ourselves, in the family, let us face the facts: France is not poetic; to tell the truth, she even feels a congenital horror of poetry. Among the writers who use verse, those whom she will always prefer are the most prosaic.

I read a lot of articles about young women in the resistance. All of a sudden, I felt that if I go too much into this horror, then I won't be able to start as a fresh character.

And I guess I'm a kid at heart in that when I go for entertainment, I want to be totally transported. I want to go somewhere else; I want to encounter different things, different beings, different universes. And so I love that aspect of being able to play those things in both 'True Blood' and in 'American Horror Story.'

I felt for my crime a just terror; I looked on my life with hate, and my passion with horror.

But once a dead God, always a dead God, even resurrected. The Son must have the taste of death forever in his mouth. The Trinity must be tainted by it; there must be a certain stench at the right hand of God the Father. The horror must be real. Why would God wish that upon Himself? Why not leave death to mortals? Why make dirty what is beautiful, spoil what is perfect? -- Love. That was his answer.

L.A is a huge place, literally and metaphorically. Its beauty and horror. Its unconventional history. Its draw and allure. Its diversity and segregation.

So when things start going badly, you're invested in the characters in a way I think amplifies the horror and the fear because you're invested.

When I try to write love, it only turns into horror. Thinking about it with a clear head, feeling such deep emotions to some other person you don't even know is truly a terrifying thingI wonder if love isn't a manifestation of madness in some way.

Documentary is a little like horror movies, putting a face on fear and transforming threat into fantasy, into imagery. One can handle imagery by leaving it behind. (It is them, not us.)

For the best part of my childhood I visited the local library three or four times a week, hunching in the stacks on a foam rubber stool and devouring children's fiction, classics, salacious thrillers, horror and sci-fi, books about cinema and origami and natural history, to the point where my parents encouraged me to read a little less.

I love horror movies, so it's a real treat to be able to work on a television show of that genre, and have it actually be really, really good.