Quotes About Idea

Pictures are the idea in visual or pictorial form; and the idea has to be legible, both in the individual picture and in the collective context - which presupposes, of course, that words are used to convey information about the idea and the context. However, none of this means that pictures function as illustrations of an idea: ultimately, they are the idea. Nor is the verbal formulation of the idea a translation of the visual: it simply bears a certain resemblance to the meaning of the idea. It is an interpretation, literally a reflection.

I've known people who had fantastic ideas, but who couldn't get the idea off the ground because they approached everything weakly. They thought that their ideas would somehow take off by themselves, or that just coming up with an idea was enough. Let me tell you something - it's not enough. It will never be enough. You have to put the idea into action. If you don't have the motivation and the enthusiasm, your great idea will simply sit on top of your desk or inside your head and go nowhere.

I have one very basic rule when it comes to "good ideas". A good idea is not an idea that solves a problem cleanly. A good idea is an idea that solves several things at the same time. The mark of good coding is not that the program does what you want, it's that it also does something that you didn't start out wanting.

Whether or not regime change is a good idea or a bad idea. I don't think because I think the regime change was a bad idea it means that Hussein was necessarily a good idea.

If you have an idea and I have an idea - then we EACH have JUST ONE idea...but if you share your idea with me and I do the same...we EACH have TWO ideas!

If I can convince people that their idea is great, and know inside that their idea was actually a little my idea, then I feel okay. I don't feel too douchey.

I'm more interested in the idea of role-playing in general than the idea of role-playing in art. I like the childlike quality of making pretend or the optimistic idea of pretending something's happening when it's not.

You can make an idea spread for good but you can also make an idea spread for bad and the power to make an idea spread, memetics, you know which now people talk about memes.

We cannot afford to be idle. To act on a bad idea is better than to not act at all. Because the worth of the idea never becomes apparent until you do it. Sometimes this idea can be the smallest thing in the world, a little flame that you hunch over and cup with your hand, and pray will not be extinguished by all the storm that howls about it. If you could hold onto that flame, great things could construct around it, that are massive and powerful and world changing, all held up by the tiniest of ideas.

For each book, there's a back story of where the idea came from. Sometimes it's derived from a current event or topic of discussion. Often it begins with a character. And often, I have NO idea what sparked the idea. It's just there.

[To the cultures of Asia and the continent of Africa] it is the Western impact which has stirred up the winds of change and set the processes of modernization in motion. Education brought not only the idea of equality but also another belief which we used to take for granted in the West-the idea of progress, the idea that science and technology can be used to better human conditions. In ancient society, men tended to believe themselves fortunate if tomorrow was not worse than today and anyway, there was little they could do about it.

The Sophists had this idea: Forget this idea of what's true or not—what you want to do is rhetoric; you want to be able to persuade the audience and have the audience think you're smart and cool. And Socrates and Plato, basically their whole idea is, "Bullshit. There is such a thing as truth, and it's not all just how to say what you say so that you get a good job or get laid, or whatever it is people think they want.

It is not the idea as such which the censor attacks, whether it be heresy or radicalism or obscenity. He attacks the circulation of the idea among the classes which in his judgment are not to be trusted with the idea.

People don't understand this: Ideas are important, but they're not essential. What's essential and important is the execution of the idea. Everyone has had the experience of seeing a movie and saying, "Hey! That was my idea!" Well, it doesn't mean anything that you had that idea. There's no such thing as an original concept. What's original is the way you re-use ancient concepts.

Most people think it's all about the idea. It's not. EVERYONE has ideas. The hard part is doing the homework to know if the idea could work in an industry, then doing the preparation to be able to execute on the idea.

I wonder where you got that idea from? I mean, the idea that it's feeble to change your mind once it's made up. That's a wrong idea, you know. Make up your mind about things, by all means - but if something happens to show that you are wrong, then it is feeble not to change your mind, Elizabeth. Only the strongest people have the pluck to change their minds, and say so, if they see they have been wrong in their ideas.

The idea of going to school to be an art critic is a very crazy idea. I educated myself in public, which is a very painful way to learn - by writing and then discovering that I don't know what the f**k I'm talking about. But you remember the lessons vividly.

The twentieth century saw a professionalization of fiction writing, particularly in its second half and particularly in the Anglo-Saxon world - not so much mainland Europe, for example. This professionalization is a tragedy. Hand in hand with this - and I have no idea what the causal relations are - there has been a rise in the idea of The Author, so that today one often has the impression that what's selling the book is not the book but the author.

What happened was I was invited to meet Tom [Hardy] to discuss a project that he had in his mind about an adventurer who returns to England from Africa with secrets and with a history, and the original idea was set some 80 years later than it is now. But in the conversation I really took to the idea and I'd wanted for a while to set something in 1830 and 1840 in London, so it struck a chord.

I kind of like carbon taxes because we already know how to apply them. We already have apparatus in place. When we talk about these other solutions - like a billion tons of iron filings in the ocean or putting sunshades between us and the sun - they're huge. We have no idea if they will work. We have no idea what their nasty consequences might be. And it's unlikely we can do them anyway.

Once the idea of a supernaturalistic creation is fully overcome, the idea returns that the universe must be self-organizing and therefore composed of self-moving parts. Also, insofar as dualistic assumptions are fully overcome and human experience is accepted as fully natural, it begins to seem probable that something analogous to our experience and self-movement is a feature of every level of nature.

The idea of the peace movement and of people who spent their entire lives trying to have a more egalitarian, just society, suddenly became swamped by the record industry, by the new rock and roll culture, and by the idea of not trusting anyone over thirty.

An idea you have might not be original. But by creating a novel out of that idea you can make it original.

Beauty means a lot of different things to a lot of different people. A lot of different ways in which things can be beautiful. But this really has a very specific meaning and which is more along the lines of elegance which is that we say an idea is beautiful or elegant in mathematics or physics if a very simple principle or a very simple idea, or simple set of ideas, turns out to be very powerful and leads to all sort of unexpected structure and unexpected predictions.

I mean, just because you're a musician doesn't mean all your ideas are about music. So every once in a while I get an idea about plumbing, I get an idea about city government, and they come the way they come.

An average idea enthusiastically embraced will go farther than a genius idea no one gets.

It means abandoning being a poet, abandoning your careerism, abandoning even the idea of writing any poetry, really abandoning, giving up as hopeless - abandoning the possibility of really expressing yourself to the nations of the world. Abandoning the idea of being a prophet with honor and dignity, and abandoning the glory of poetry and just settling down in the muck of your own mindYou really have to make a resolution to write for yourself, in the sense of not writing to impress yourself, but just writing what your self is saying.

What we have to do is strike a balance between the idea that government should do everything and the idea, the belief, that government ought to do nothing. Strike a balance.

Fairy tales do not give the child his first idea of bogey. What fairy tales give the child is his first clear idea of the possible defeat of bogey. The baby has known the dragon intimately ever since he had an imagination. What the fairy tale provides for him is a St. George to kill the dragon.

Most of the time we like the idea of our own freedom. There are times when we do not at all like the idea of the freedom of others. If we suffer because of their freedom, let us remember that they suffer because of ours.

be yourself- not your idea of what you think somebody else's idea of yourself should be.

So many Americans, for one reason or another, they watch the news and it doesn't really give them the idea of the world. Or they don't read or travel. They have no idea that America is part of the world and not the world itself.

Expectations are usually predicated on the idea that the everyday things that happen to ordinary people shouldn't happen to you. People hold the idea of being ordinary in absolute contempt, so when they face an illness, poverty, or any kind of catastrophe, they say, 'I can't believe this happened to me.' And who did you think it was going to happen to - the woman across the street?

In the particular dwells the tawdry. In the conceptual dwells the grand, the transcendent, the everlasting. Earthly countries and single malignant boys can go to hell; the idea of countries and the idea of sons triumph for eternity.

An idea is a light turned on in a man's soul. Comic-strip artists are in the habit of representing it by means of a light bulb flashing on, above the head of a character who has suddenly grasped an idea. In simple, primitive terms, this is an appropriate symbol.

I try to help founders as much as I can, but so many of us we won't even take meetings with people who still just have an idea, because everyone has an idea.

I like the idea of having more of a fun convention during the election campaign, if it's showbiz, if it's entertainment, whatever the case may be. I like that idea, but with every suggestion comes millions of dollars in money. So, the suggestions are great, but there has to be, you know, a pretty big influx of cash to do something like that.

The planet is populated by human beings, of which there are only two sexes, and the role of the writer is to explore otherness, other realities. So the idea of a man exploring what it's like to be a woman doesn't strike me as being that wild or crazy an idea.

I have no idea how I do anything. I never have. You know I just started playing guitar and started singing and started working on this act that I would call "Don McLean" when I was probably in high school. And I have been doing this for 40 years, adding songs and writing things, cobbling together albums, doing live things, you know, albums and tours. And then I have records on the charts. I have no idea how this happened.

My argument against God was that the universe seemed so cruel and unjust. But how had I got this idea of just and unjust? A man does not call a line crooked unless he has some idea of a straight line. What was I comparing this universe with when I called it unjust?

I went through a period when I was about 19 where I'd go tanning with my boyfriend in tanning beds. Yes, this was actually a thing we used to do together. They were not my friend. I had no idea what I was doing. We all went in the early 2000s. Needless to say, I don't go anymore. If I need a quick fix, I get a spray tan - though it's never a good idea for me with my fair skin.

So fashion was, in a way, an accident. But this world opens you up to a lot of different avenues that interested me. I loved the idea of working in different countries. And I loved the idea of construction and working with imagery. But, yes, I fell into fashion a bit by mistake.

The idea that somebody who has done something horrible in a war is not willing to talk about it for 32 years is hardly a shocking idea. Quite the contrary.

People often say that aesthetics is a branch of psychology. The idea is that once we are more advanced-all the mysteries of art-will be understood by psychological experiments. Exceedingly stupid at this idea is, this is roughly it.

The idea of "human rights," for example - sometimes it bothers me. Not in itself, but because the concept of human rights has replaced the much grander idea of justice.

An idea is like a play. It needs a good producer and a good promoter even if it is a masterpiece. Otherwise the play may never open; or it may open but, for a lack of an audience, close after a week. Similarly, an idea will not move from the fringes to the mainstream simply because it is good; it must be skillfully marketed before it will actually shift people's perceptions and behavior.

You have to put the idea into action. If you don’t have the motivation and the enthusiasm, your great idea will simply sit on top of your desk or inside your head and go nowhere.

If you go back to Adam Smith, you find the idea that markets and market forces operate as an invisible hand. This is the traditional laissez-faire market idea. But today, when economics is increasingly defined as the science of incentive, it becomes clear that the use of incentives involves quite active intervention, either by an economist or a policy maker, in using financial inducements to motivate behavior. In fact, so much though that we now almost take for granted that incentives are central to the subject of economics.