Quotes About Image

There is no God separate from you, no God higher than you, the real "you." All the gods are little beings to you, all the ideas of God and Father in heaven are but your own reflection. God Himself is your image. “God created man after His own image." That is wrong. Man creates God after his own image. That is right. Throughout the universe we are creating gods after our own image. We create the god and fall down at his feet and worship him; and when this dream comes, we love it !

The image cannot be dispossessed of a primordial freshness, which idea can never claim. An idea is derivative and tamed. The imageis in the natural or wild state, and it has to be discovered there, not put there, obeying its own law and none of ours. We think we can lay hold of image and take it captive, but the docile captive is not the real image but only the idea, which is the image with its character beaten out of it.

Spaces may or may not invite the image - if they do, they mostly do it with their spatial layers of time... It is then the image that takes the place of the space; the image in its own right.

Within each of us exists the image of God, however disfigured and corrupted by sin it may presently be. God is able to recover this image through grace as we are conformed to Christ. Just as the figure of David lay hidden within the marble, discernible only to the eye of its creator, so the image of God (however tarnished by sin) lies within us, see and known by God Himself. Yet God loves us while we are still sinners. He doesn't have to wait until we stop sinning. Acceptance of His love is a major step along the road that leads to our liberation from the tyranny of sin.

When you put an image on the newsstand, you have literally two seconds to get somebody's attention. Often, with many of the subscriber covers, they're far away and the thing that catches your attention more than anything on the newsstand is eye contact.Because you've got a smaller image, and sometimes a darker image, often it doesn't stand out, as much as a traditional newsstand cover, which is why we continue to do right for newsstand.

Sometimes I just think of an image. Basically, I see an image in front of me. My eyes are open, but I visualize an image, very truthfully. It happened with all my movies the same way.

A Christian woman's true freedom lies on the other side of a very small gate...humble obedience...but that gate leads out into a largeness of life undreamed of by the liberators of the world, to a place where the God-given differentiation between the sexes is not obfuscated but celebrated, where our inequalities are seen as essential to the image of God, for it is in male and female, in male as male and female as female, not as two identical and interchangeable halves, that the image is manifested.

I played with the image, because I think image is temporary. It's a projection. It's illusory.

You pray best when the mirror of your soul is empty of every image except the Image of the Invisible Father.

I wanted to emphasize the fact that I'd matured. I wanted to break away from the image of being the youngest member of Big Bang, as well as the image I gave off on variety shows.

I argue that science would be much richer if it were multisensory. The problem with instrumentation is that instruments, unlike our senses, can be monosensory. Since the discovery of the electromagnetic spectrum - which is really the discovery that all energy coming from something has a wave form - in theory we could image anything along that spectrum. In fact, we don't, because only certain parts of the spectrum have been instrumentalized. But the new thing is computerization. You can take all the data, the measurement of the frequencies, and transform it into an image.

We are one of many appearances of the thing called Life; we are not its perfect image, for it has no perfect image except Life, and life is multitudinous and emergent in the stream of time.

The image isn't just created with the camera. That's just part one. The editor gets an imprint. The colorist does something to it. Visual effects does something to it. It's not just what you capture that people are going to see. The image gets made in many ways. In production and then in post.

Christ is the most perfect image of God, into which we are so renewed as to bear the image of God, in knowledge, purity, righteousness, and true holiness.

When I was in the US, I felt that the discourse there surrounding Muslims as the other, problematising Muslims and Islam as the other was very similar to what we find in Australia, which is that the image of Islam is a constructed image in the West. We are starting from a point of view that Islam and Muslims - well Islam is a violent, misogynistic, hateful religion and that is where the debate always starts from - that presumption underlies the discourse.

Give the public the 'image' of what it thinks it ought to be, or what television commercials or glossy magazine ads have convinced us we ought to be, and we will buy more of the product, become closer to the image, and further from reality.

Mars and Venus and Jupiter, all of the handiwork of God was now placed in the authority of the God of the earth. And here's what He told him. He said I want you to guard it and keep out all intruders. Now that gives us a little insight on why When God made Adam all he did was made an exact imprint of himself. He duplicated himself, he was the image and from his image came himself.

We may worship a picture as God, but not God as the picture. God in the picture is right, but the picture as God is wrong. God in the image is perfectly right. There is no danger there. This is the real worship of God. But the image-God is a mere Pratika.

The Catholic novelist in the South will see many distorted images of Christ, but he will certainly feel that a distorted image of Christ is better than no image at all. I think he will feel a good deal more kinship with backwoods prophets and shouting fundamentalists than he will with those politer elements for whom the supernatural is an embarrassment and for whom religion has become a department of sociology or culture or personality development.

if networks of women are formed, they should be job related and task related rather than female-concerns related. Personal networks for sociability in the context of a work organization would tend to promote the image of women contained in the temperamental model - that companies must compensate for women's deficiencies and bring them together for support because they could not make it on their own. But job-related task forces serve the social-psychological functions while reinforcing a more positive image of women.

The fact that we have not had a terrorist attack in this country in the last six years is not a cause for complacency or a time to celebrate the end of the struggle. The threat is not going away. The enemy has not lost interest. ...Fundamentally, we're in a struggle about ideology. Terrorists want to remake the world in their own image and it is the image that is intolerant of the kinds of institutions that we cherish.

... what is faked [by the computerization of image-making], of course, is not reality, but photographic reality, reality as seen by the camera lens. In other words, what computer graphics have (almost) achieved is not realism, but rather only photorealism - the ability to fake not our perceptual and bodily experience of reality but only its photographic image.

The image of Earth from space transformed our view of ourselves. It is maybe the most important image that exists - because we can see ourselves in context in a way that otherwise would be really hard to explain. It should inspire us to wonder about it, to want to know everything we can about it and do everything we can to take care of it.

We never see a tree except through the image that we have of it, the concept of that tree; but the concept, the knowledge, the experience, is entirely different from the actual tree. Look at a tree and you will find how extraordinarily difficult it is to see it completely, so that no image, no screen, comes between the seeing and the actual fact. By completely I mean with the totality of your mind and heart, not a fragment of it.

In Los Angeles there's, like, this awful image because the girls are so skinny. I don't think it's attractive whatsoever, and I also think that it gives a bad image to kids that are in their early teens. It's not healthy.

In 1966, while working on a feature about a Picasso exhibition at the Tel Aviv Museum of Art, I recorded the pre-opening preparations and observed a moment: One of the cleaners stopped, puzzled, in front of the Picassos. I think that this is an image that can be universally understood, but with a grain of salt. I never chose this image in edits before because it seemed to me that it felt posed-the composition was a little too perfect. But, believe me, it was a lucky moment.

The image of myself which I try to create in my own mind in order that I may love myself is very different from the image which I try to create in the minds of others in order that they may love me.

I sell architecture better and more directly and more vividly than the architect does... The average architect is stupid. He doesn't know how to sell. He's not a merchandiser. He doesn't know how to express his own image. He doesn't know how to create a design of his image... And I do it. I've done it all my career over half a century, and it gets better.

For me, the key image is the boat coming through the fog at the beginning. It's something I imagined and liked and I guess there are other references in other films I make - the similar type of image. But I think it's interesting, it's breaking through the mystery, or maybe it stays in the fog... we don't really know. Where is he at the beginning of the film, who is he?

That's the nature of representation; every time we represent something we alter it and slightly change it. And so with that as my foundation, understanding that it's always fictional to some degree, I give myself a certain freedom to really explore and ask myself questions. What might not have been understood at that time? What might have been hidden at that time? What narrative in this particular image wasn't the primary image, but is really important? That is really interesting to me, and then I try to tease that out as much as I can.

Amazingly, my first project at Granta was the Sex issue. Given my own proclivity for the nuances of hedonistic and sexual exploration, partly through art, it was a perfect way to start. I love to interrogate through image - or pose questions through a subversion of said image - and we came up with a visual that caused quite a stir and went on to pick up a Design and Art Direction award.

In the wake of newly-alleged prisoner abuse this week, Senator John McCain said that continued mistreatment of Iraqi prisoners is hurting the nation's image. Also hurting the nation's image: letting people drown when it rains.

The image that the public gets is whatever they perceive it to be. Everybody has an opinion, everybody has their own vision, so I don't know what my public image is. I have no idea.

All men bear the image of God. They have value not because they are redeemed, but because they are God's creation in God's image.

Relationship between human beings is based on the image-forming, defensive mechanism. In our relationships each of us builds an image about the other, and these two images have relationship, not the human beings themselves.

You have to record as many details as possible and achieve an order, without taking away the complexity of the real. To voice the real and at the same time to create an image that is a world in itself, with its own coherence, its autonomy and sovereignty; an image that thinks

He loved, beneath all this summer transiency, to feel the earth's spine beneath him; for such he took the hard root of the oak tree to be; or, for image followed image, it was the back of a great horse that he was riding, or the deck of a tumbling ship -- it was anything indeed, so long as it was hard, for he felt the need of something which he could attach his floating heart to; the heart that tugged at his side; the heart that seemed filled with spiced and amorous gales every evening about this time when he walked out.

God made us in His own image so that His image would be shown.

You get an image after you act in a film, but it is not necessary that you last long because of that image.

You go on reacting to the image not to the person, and hence there is no relationship. When there is no image, then there is relationship.

An image is not a picture, but a picture can correspond to it.

Before a painter puts a brush to his canvas, he sees his picture mentally.... If you think of yourself in terms of a painting, what do you see?... Is the picture one you think worth painting?... You create yourself in the image you hold in your mind.

I had learnt to seek intensity rather than happiness, not joys and prosperity but more of life, a concentrated sense of life, a strengthened feeling of existence, fullness and concentration of pulse, energy, growth, flowering, beyond the image of happiness or unhappiness.

Anyway, my office is small - one room, but on the corner, with a couple of windows. The sign on the door reads, simply, HARRY DRESDEN, WIZARD. Just inside the door is a table, covered with pamphlets with titles like: Magic and You, and Why Witches Don't Sink Any Faster Than Anyone Else - a Wizard's Perspective. I wrote most of them. I think it's important for we practitioners of the Art to keep up a good public image. Anything to avoid another Inquisition.

Very unfairly, there's a negative image of the kid, which really stems from the greed and selfishness of the NBA and NCAA. They're forcing these kids to go to school.

The artistic image is not intended to represent the thing itself, but, rather, the reality of the force the thing contains.

Strive to make every person feel special. After all, every person you meet is made in the image of God.

The camera has an uncanny ability to capture the world as it is, to seize events as they happen, and also to conjure visions of the future. But by the time the image reaches the eyes of the viewer, it belongs to the past, taking on the status of something retrieved.