Quotes About Image

In recent years my understanding of God had evolved into increasingly remote abstractions. I'd come to think of God in terms like Divine Reality, the Absolute, or the One who holds us in being. I do believe that God is beyond any form and image, but it has grown clear to me that I need an image in order to relate. I need an image in order to carry on an intimate conversation with what is so vast, amorphous, mysterious, and holy that it becomes ungraspable. I mean, really, how to you become intimate with Divine Reality? Or the Absolute?

What's quote-unquote a 'good' lawyer, doctor, or whatever the profession is. And if you're a male who grew up professionally in a male-dominated profession then your image of what a good lawyer is is a male image.

A photograph is not only an image (as a painting is an image), an interpretation of the real; it is also a trace, something directly stenciled off the real, like a footprint or a death mask.

As every pool reflects the image of the sun, so every thought and thing restores us an image and creature of the supreme Good. Theuniverse is perforated by a million channels for his activity. All things mount and mount.

... But all the feelings that evoke in us the joy or the misfortune of a real person are only produced in us through the intermediary of an image of that joy or that misfortune; the ingeniousness of the first novelist was in understanding that, in the apparatus of our emotions, since the image is the only essential element, the simplification which consists of purely and simply suppressing the factual characters is a definitive improvement.

You come to the photograph as an aesthetic object with no context... Then you step in and read the text and then out again to revisit the image in a completely different way. I'm interested in that space between text and image. The piece becomes the negative space between the two.

What I tend to do is to wake about five in the morning-this happens quite often-think about the invention, and then image it in my mind in 3D, as a kind of construct. Then I do experiments with the image...sort of rotate it, and say, 'Well what'll happen if one does this?' And by the time I get up for breakfast I can usually go to the bench and make a string and sealing wax model that works straight off, because I've done most of the experiments already.

I'm very old fashioned. I still believe in the image and the pictorial quality of the image. It seems that I'm still busy with a truth in photography.

Woman was merely man's helpmate, a function which pertains to her alone. She is not the image of God but as far as man is concerned, he is by himself the image of God.

The minute you point a camera at something, you are manipulating the image, because you are cropping out whatever is to the left and right of it. The minute you put a light on someone, you are manipulating the image.

I can't always reach the image in my mind... almost never, in fact... so that the abstract image I create is not quite there, but it gets to the point where I can leave it.

The person who has a highly evolved will they think, they build an image and they focus on that image.

Within each of us exists the image of God, however disfigured and corrupted by sin it may presently be. God is able to recover this image through grace as we are conformed to Christ.

The image of Earth from space transformed our view of ourselves. It is maybe the most important image that exists - because we can see ourselves in context in a way that otherwise would be really hard to explain. It should inspire us to wonder about it, to want to know everything we can about it and do everything we can to take care of it.

The image of myself which I try to create in my own mind in order that I may love myself is very different from the image which I try to create in the minds of others in order that they may love me.

It is said that God has created man in his own image. But it may be that humankind has created God in the image of humankind.

If you take text and image and you put them together, the multiple readings that are possible in either poetry or in something visual are reduced to one specific reading. By putting the two together, you limit the possibilities. Text and image don't always work together in the way music and song lyrics become part of each other.

I wanted to jeopardize my own image. With my image I had already produced art pieces such as videos of photographs.

Amazingly, my first project at Granta was the Sex issue. Given my own proclivity for the nuances of hedonistic and sexual exploration, partly through art, it was a perfect way to start. I love to interrogate through image - or pose questions through a subversion of said image - and we came up with a visual that caused quite a stir and went on to pick up a Design and Art Direction award.

Creativity itself is a joyous unlatching. The act of creative imagining, inventing, saying differently, crafting a metaphor or image, then crafting another metaphor or image when you go further or when you revise - all these take whatever you think "is" and make clear that other possibilities exist as well. The sense of possibility, the amplitude and freedom that sense of malleability brings - for me, that cannot help but be joyous.

Maybe the only thing each of us can see is our own shadow. Carl Jung called this his shadow work. He said we never see others. Instead we see only aspects of ourselves that fall over them. Shadows. Projections. Our associations. The same way old painters would sit in a tiny dark room and trace the image of what stood outside a tiny window, in the bright sunlight. The camera obscura. Not the exact image, but everything reversed or upside down.

I would have you imagine, then, that there exists in the mind of man a block of wax... and that we remember and know what is imprinted as long as the image lasts; but when the image is effaced, or cannot be taken, then we forget or do not know.

Perhaps it is even a good idea to stir up a rivalry between conceptual and imaginative activity. In any case, one will encounter nothing but disappointments if he intends to make them cooperate. The image can not provide matter for a concept. By giving stability to the image, the concept would stifle its life.

The strongest statement ever made about women's rights appears on page one of the Bible. God's first words about his daughters established an indestructible foundation for women's rights because God anchored those rights in himself. By creating his daughters along with his sons in his image and likeness, God elevated every human being to the highest possible rank. Which means any mistreatment - verbal, emotional, or physical - of any woman or girl amounts to defacement of God himself, for she bears his image.

The "female culture" has shifted more rapidly than the "male culture"; the image of the go-get 'em woman has yet to be fully matched by the image of the let's take-care-of-the-kids- together man. More important, over the last thirty years, men's underlying feelings about taking responsibility at home have changed much less than women's feelings have changed about forging some kind of identity at work.

And yet on the other hand unless warinesse be us'd, as good almost kill a Man as kill a good Book; who kills a Man kills a reasonable creature, Gods Image, but hee who destroyes a good Booke, kills reason it selfe, kills the Image of God, as it were in the eye.

God made us in His own image so that His image would be shown.

I writhe when I see myself on the screen. I'm such a dreadfully clumsy hulking image. I say to myself, "Why doesn't he get off? Why doesn't he get off?" I mean, I look like such an idiot. Some fat awkward thing dredged up from some third-rate drama company. I must stop thinking about it, otherwise I shan't be able to go on working.

...There are issues worth advancing in images worth admiring; and the truth is never "plain," nor appearances ever "sincere." To try to make them so is to neutralize the primary, gorgeous eccentricity of imagery in Western culture since the Reformation: the fact that it cannot be trusted, that imagery is always presumed to be proposing something contestable and controversial. This is the sheer, ebullient, slithering, dangerous fun of it. No image is presumed inviolable in our dance hall of visual politics, and all images are potentially powerful.

Comics are a "young" art form, and there is much confusion as to how to treat them. Images have more immediate impact than words, and it is not every reader who can be convinced to relax into experiencing the work for what it is - not words and pictures, but a different form, where the narrative is propelled by the blending of image, word and sequence, and where no element can be extricated and have the same meaning by itself. When this art is shown in a gallery, its "thingness" is called to attention, it is no longer experienced as "story," but rather as an artifact of the artist's process.

The moral absolutes rest upon God's character. The moral commands He has given to men are an expression of His character. Men as created in His image are to live by choice on the basis of what God is. The standards of morality are determined by what conforms to His character, while those things which do not conform are immoral.

When women make their image about youth and sexuality, and not about intellect, that's kind of a dead-end road. So I think it's a combination of self-entrapment and entrapment by society.

I would not trade the difficult years for all the prosperity in the world. God knows what each one of us must suffer in order to be conformed to the image of Christ.

Many young girls are constantly consumed by controlling and managing their body image to the extent that they are much more involved in the production of the self than in living.

The style of an author should be the image of his mind, but the choice and command of language is the fruit of exercise.

Rule number one of the wizarding business. Never let them see you sweat. People expect us to know things. It can be a big advantage. Don’t screw it up by looking like you’re as confused as everyone else. Bad for the image.

Strive to make every person feel special. After all, every person you meet is made in the image of God.

You can't really say what is beautiful about a place, but the image of the place will remain vividly with you.

People love buying into a lifestyle and an overall concept. So when they buy a shell-colored lip gloss, they can also buy shells for their house, as well as sunglasses and [items in] other categories [in that shade] to create one consistent image.

I've seen Leonardo Da Vinci notebooks which are filled with tiny, messy scrawls written in mirror image across the page. I'd love to know how he kept all his projects going at once.

Let men tremble to win the hand of woman, unless they win along with it the utmost passion of her heart! Else it may be their miserable fortune, when some mightier touch than their own may have awakened all her sensibilities, to be reproached even for the calm content, the marble image of happiness, which they will have imposed upon her as the warm reality.

A golden rule: to leave an incomplete image of oneself.

The image of all the cars leaving pastel-colored people at the same time has never really left me as an anti-ambition for life!

When something in a sequence is edited, if you repeat an image, but in a different place, the effect is different. Because the brain is remembering, and the different juxtaposition triggers other memories, thoughts, ideas, and so on.

I know that for me personally, a lot of people feel threatened by me and my stance. I'm an Indian woman, I'm a woman of colour, I have a turban, I have a beard, and I think because my voice is so powerful, people forget that I have this image [and] still feel threatened by it. I'm very outspoken, I speak about anything and everything and I don't shy away.

Very few people are ambitious in the sense of having a specific image of what they want to achieve. Most people's sights are only toward the next run, the next increment of money.

The rule of life for a perfect person is to be in the image and likeness of God.

The question occurred to me: Well, if that's so, if the Divine is ultimately formless and genderless, what's the big deal? Why all this bother? The bother is because we have no other way of speaking about the Absolute. We need forms and images. Without them we have no way of relating to the Divine. Symbol and image create a universal spiritual language. It's the language the soul understands.