Quotes About Image

Woman does not possess the image of God in herself but only when taken together with the male who is her head, so that the whole substance is one image. But when she is assigned the role as helpmate, a function that pertains to her alone, then she is not the image of God. But as far as the man is concerned, he is by himself alone the image of God just as fully and completely as when he and the woman are joined together into one.

People are constantly trying to make an image for you. They`ll dress you up and tell you to pose a certain way and take all these pictures... they want a certain image, so they create that. And unless you`re spending a lot of time to create another image to counteract that image, theirs will win. So right now, I`m kind of dealing with a lot of false ideas of what I`m about.

We go to sea repeatedly from Melville's time on - and the image of men at sea, like the image of men in the wilderness, seems to me to be almost an archetypal image of human beings on their own, human beings making their own way, guiding themselves by the stars they can see - rather than by faith or prayer or invisible forces.

A majority of the successful women on the pop scene conform to what a woman is supposed to be. Some have tried to get things moving. They have tried to modify the image. But sometimes the image has a hard time changing the eye - to change the relationship between the image and the eye takes longer.

If you've noticed that I don't use long takes, it's not because I don't like them, but because no one gives me the necessary means to treat myself to them. It's more economical to make one image, then this image and then that image, and try to control them later, in the editing studio.

I can understand how people would despise my image and my father's persona. My father's image amongst the poorest of people, those forgotten by the state, still remains a respected image. Whether we like it or not, my father was an important figure who filled a vacuum left by the state amongst the lower social classes.

God never gives dominion to any creature which has not received his image. His image is love. Other things belong to God; but God is love. No creature that has not love will be allowed to have a permanent empire. The Father of mercy will not put the reigns of government into a hand that has no heart. Dominion is a very solemn thing; it may oppress, crush, destroy. The Father must have a guarantee for its gentleness. What guarantee can there be but his image - the possession of a nature tender as the Divine?

The test of faith is whether I can make space for difference. Can I recognize God's image in someone who is not in my image, who language, faith, ideal, are different from mine? If I cannot, then I have made God in my image instead of allowing him to remake me in his.

To make the child in your own image is a capital crime, for your image is not worth repeating. The child knows this and you know it. Consequently you hate each other.

All of my early images were really visual experiments to me. They were attempts to answer unasked questions like, what happens if you put images of six men and six women together, or if we combined a monkey's image with a human, would the result approximate an image of early man?

[Ronald Reagan] called the image of [George] Washington praying on his knees in Valley Forge "the most sublime image in American history."

An image that is unseen can't sell anything. It is pure, therefore true, beautiful, in one word: innocent. As long as no eye contaminates it, it is in perfect unison with the world. If it is not seen, the image and the object it represents belong together.

... But all the feelings that evoke in us the joy or the misfortune of a real person are only produced in us through the intermediary of an image of that joy or that misfortune; the ingeniousness of the first novelist was in understanding that, in the apparatus of our emotions, since the image is the only essential element, the simplification which consists of purely and simply suppressing the factual characters is a definitive improvement.

If modern design moved the stage picture away from the specific, tangible, illusionistic world of Romanticism and Realism into a generalized, theatrical, and poetic realm in which the pictorial image functioned as an extension of the playwright's themes and structures (a metanarrative), then postmodern design is a dissonant reminder that no single point of view can predominate, even within a single image.

We are one of many appearances of the thing called Life; we are not its perfect image, for it has no perfect image except Life, and life is multitudinous and emergent in the stream of time.

I'm very old fashioned. I still believe in the image and the pictorial quality of the image. It seems that I'm still busy with a truth in photography.

A century and a half after its birth, the modern business corporation, an artificial person made in the image of a human psychopath, now is seeking to remake real people in its image.

People thought I was a really raw rapper that hated everything - a really sour person - but really I'm just a good, all-around music-making kid and I'm really happy. That really, I feel, painted my image to a lot of people. My music now, some people get sour over it because it's really happy, it's poppy, but I'm just telling them that that image from way back then was me feeling uncomfortable and now I'm comfortable.

Today I live on an island, in a house that is sad, hard, severe, that I built for myself, solitary on a sheer rock over the sea: a house that is the spectre, the secret image of prison. The image of my nostalgia. Maybe I never desired, not even then, to escape from jail. Man is not meant to live freely in freedom, but to be free inside a prison.

The Catholic novelist in the South will see many distorted images of Christ, but he will certainly feel that a distorted image of Christ is better than no image at all. I think he will feel a good deal more kinship with backwoods prophets and shouting fundamentalists than he will with those politer elements for whom the supernatural is an embarrassment and for whom religion has become a department of sociology or culture or personality development.

We can see from the experience of Odin that the image of the tree was the template within which all of the sacred world could be apprehended. The tree was the framework within which one "flew" to these Otherworlds. And since the exploration of sacred space was also a quest into the nature of human consciousness, the tree was regarded as an image of the ways in which we, humans, are constructed psychically. It was a natural model for our deepest wisdom, our highest aspirations.

Within each of us exists the image of God, however disfigured and corrupted by sin it may presently be. God is able to recover this image through grace as we are conformed to Christ.

The core of creation is to summon an image and the power to work with the image.

When you rest in quietness and your image of yourself fades, and your image of the world fades, and your ideas of others fade, what's left? A brightness, a radiant emptiness that is simply what you are.

In the 1920s, everyone wanted to be a celebrity. Everyone wanted to be like Babe Ruth or Charles Lindbergh. ... Businessmen, in particular, in the '20s really believed that to be a success, an entrepreneur needed to have a personality, a sense that you were a success. That's why I think Capone dressed the way he did. And that's why he entertained the press — because he wanted to be perceived as a successful American. Dale Carnegie ... would later cite Capone as a model for creating the public image. Obviously, it went bad in many ways for Capone, but that's the image he was going for.

For me, the key image is the boat coming through the fog at the beginning. It's something I imagined and liked and I guess there are other references in other films I make - the similar type of image. But I think it's interesting, it's breaking through the mystery, or maybe it stays in the fog... we don't really know. Where is he at the beginning of the film, who is he?

I tend to think having that extreme of color, that kind of black, is amazingly beautiful...and powerful. What I was thinking to do with my image was to reclaim the image of blackness as an emblem of power.

The image that the public gets is whatever they perceive it to be. Everybody has an opinion, everybody has their own vision, so I don't know what my public image is. I have no idea.

In reality, everything is within; the outer is just a projection. Fear is within you; it is projected as a hell. Hell is just a projected image on the screen - of the fear that is within you, of the anger, of the jealousy, of all that is poisonous in you, of all that is evil in you. Heaven is, again, a projected image on the screen - of all that is good and beautiful, of all that is blissful within you.

When we can see the image of God where we don't want to see the image of God, then we see with eyes not our own.

Half the battle is selling music, not singing it. It's the image, not what you sing.

Why is it surprising that scientists might have long hair and wear cowboy boots? In fields like neuroscience, where the events you are recording are so minute, I suspect scientists cultivate a boring, reliable image. A scientist with a reputation for flamboyance might be suspect.

May we, as image makers, shapers of the culture, set our sights on things we value, rituals we engage in that heal and serve. May our images honor the ordinary endeavors of common people, and may they make their way to the eyes of the weary - light to the dark, fire to the chill.

James says, "You desire and do not have; so you kill" (Jas. 4:2). We kill marriages and we kill unborn babies because they cut across our desires; they stand in the way of our unencumbered self-enhancement. And we live in a culture where self-enhancement and self-advancement is god. And if self-enhancement is god, then the One who is at work in the womb shaping a person in His own image is not God and the assault on His work is not sacrilegious, but obedience to the god of self.

Fashion is a reflection of our times. Fashion can tell you everything that's going on in the world with a strong fashion image.

Art does not organize parties, nor is it the servant or colleague of power. Rather, the work of art becomes a political force simply through the faithful representation of the spirit. It is a political act to create an image of the self or of the collective.

The personality of the artist, at first a cry or a cadence or a mood and then a fluid, and lambent narrative, finally refines itself out of existence, impersonalises itself, so to speak. The aesthetic image in the dramatic form is life purified in and reprojected from the human imagination. The mystery of aesthetic like that of material creation is accomplished. The artist, like the God of the creation, remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails.

Every single work of art is the fulfillment of a prophecy; for every work of art is the conversion of an idea into an image.

Here is another miserable mental image I will have to catalog and make room for.

I don't particularly like to go see 3D movies, but when I'm doing it I kind of do enjoy it. I enjoy seeing the image in 3D, there's a childhood fun about being able to see those dimensions.

The camera has an uncanny ability to capture the world as it is, to seize events as they happen, and also to conjure visions of the future. But by the time the image reaches the eyes of the viewer, it belongs to the past, taking on the status of something retrieved.

To some, the image of a pale body glimmering on a dark night whispers of defeat. What good is a God who does not control his Son's suffering? But another sound can be heard: the shout of a God crying out to human beings, "I LOVE YOU." Love was compressed for all history in that lonely figure on the cross, who said that he could call down angels at any moment on a rescue mission, but chose not to - because of us. At Calvary, God accepted his own unbreakable terms of justice. Any discussion of how pain and suffering fit into God's scheme ultimately leads back to the cross.

All our language about the future ... is like a set of signposts pointing into a bright mist ... the New Testament image of the future hope of the whole cosmos, grounded in the resurrection of Jesus, gives as coherent a picture as we need or could have of the future that is promised to the whole world, a future in which, under the sovereign and wise rule of the creator God, decay and death will be done away with and a new creation born, to which the present one will stand as mother to child.

There is perhaps no better a demonstration of the folly of human conceits than this distant image of our tiny world.

I splash my head with ice-cold water and turn to face the mirror. When my image appears I instinctively look away. Is there a truth on the other side that we do not want to see?

There are certain nights you and your image just aren't in the same bed.

Fiction is an elemental force, which has the power to shape reality in its own image - or images, I should say - because reality, like light, exists not only as a single point or particle, but also as an array of possibilities.

God made in the image of Man is an imperfect master.