Quotes About Imagination

Science begins with the world we have to live in, accepting its data and trying to explain its laws. From there, it moves toward the imagination: it becomes a mental construct, a model of a possible way of interpreting experience. The further it goes in this direction, the more it tends to speak the language of mathematics, which is really one of the languages of the imagination, along with literature and music. Art, on the other hand, begins with the world we construct, not with the world we see. It starts with the imagination, and then works toward ordinary experience.

For the writer, the serial killer is, abstractly, an analogue of the imagination's caprices and amorality; the sense that, no matter the dictates and even the wishes of the conscious social self, the life or will or purpose of the imagination is incomprehensible, unpredictable.

Imagination is actually a form of computation. Imagination gives calculated and instinctive solutions for the future.

The imagination is fertile. From seeds of the imagination, much is made manifest.

There is no such thing as experience here. You seem to know, you imagine. Imagination must come to an end...I don't know how to put it. The absence of imagination, the absence of will, the absence of effort, the absence of all movement in any direction, on any level, in any dimension - THAT is the thing. That is a thing that cannot be experienced at all. It is not an experience.

If ever Shakespeare rants, it is not when his imagination is hurrying him along, but when he is hurrying his imagination along.

I think the arts has great potential to create citizens. Citizenship is about the direction your imagination travels. We can't plan or calculate or examine citizenship; it's an imagined thing. Community is an imagined thing. And if your imagination isn't working - and, of course, in oppressed people that's the first thing that goes - you can't imagine anything better. Once you can imagine something different, something better, then you're on your way.

We have been led to imagine all sorts of things infinitely more marvelous than the imagining of poets and dreamers of the past. It shows that the imagination of nature is far, far greater than the imagination of man. For instance, how much more remarkable it is for us all to be stuck-half of us upside down-by a mysterious attraction, to a spinning ball that has been swinging in space for billions of years, than to be carried on the back of an elephant supported on a tortoise swimming in a bottomless sea.

I just can't afford to get bored, because if you've been blessed with a generous imagination, which a lot of actors have, to be engaged, to be stimulated, is to liberate your imagination.

Is it my imagination, or is there some kind of jealousy thing going on here?"-Inuyasha (gives Inuyasha a really bad look)"It's your imagination."-Sango (Inuyasha tries to hide behind Kagome) "Whatever you say."-Kagome

Do you realize that people don't know how to read Kafka simply because they want to decipher him? Instead of letting themselves be carried away by his unequaled imagination, they look for allegories - and come up with nothing but clichés: life is absurd (or it is not absurd), God is beyond reach (or within reach), etc. You can understand nothing about art, particularly modern art, if you do not understand that imagination is a value in itself.

There is almost no limit to the possibilities of the imagination, but to get the full power of it, one must trust one's imagination. If you say to yourself constantly, as the mother says to the child, 'But this is only play; this is not real,' you never can make real the things you have created in thought.

Some imaginations help to break the bondage of the rest. The whole universe is imagination, but one set of imaginations will cure another set. Those that tell us that there is sin and sorrow and death in the world are terrible. But the other set - thou art holy, there is God, there is no pain - these are good, and help to break the bondage of the others. The highest imagination that can break all the links of the chain is that of the Personal God.

Besides, Rose Bradwardine, beautiful and amiable as we have described her, had not precisely the sort of beauty or merit which captivates a romantic imagination in early youth. She was too frank, too confiding, too kind; amiable qualities, undoubtedly, but destructive of the marvellous, with which a youth of imagination delights to dress the empress of his affections.

I believe in intuition and inspiration. Imagination is more important than knowledge. For knowledge is limited, whereas imagination embraces the entire world, stimulating progress, giving birth to evolution. It is, strictly speaking, a real factor in scientific research.

Music is made of what we do when we move, and we can only move in certain ways, in certain ranges of tempo because of the inherent constraints that our bodies offer, or you can call them 'affordances' - that's another word for me. It's a little more positive; doesn't make it seem like a limitation, but rather, a set of opportunities. You can say that that's part of music making, but there's also the imagination. The power of the imagination is kind of trumping - sorry to have to use that word.

That's grossing money for other people that has a multiplying factor, but the government doesn't see that. It doesn't see that making a film or culture or art is part of our economy. But the main reason is this, it's part of our identity. I think cinema is the memory and the imagination of the country. Take the memory and imagination out of an individual and he's stops being an individual.

There are people a lot smarter than me investigating nature versus nurture who would have a lot to say about that, but I think it's an enormous privilege to be born into a family where my parents had enough time to read to me and listen to my stories and foster my imagination. It's a privilege to have time to investigate your imagination. And not to have, like, an amount of stress on you as a kid that prevents you from maturing creatively.

Though progress starts with the imagination, only work can make things happen. And work itself works best when fueled, again by the imagination.

One of the things that's awesome about being an actor is that you get to do stories, live lives and have experiences that you never could have even conceived of, and that's because you're living in another writer's imagination and another director's imagination.

The world of imagination is the world of eternity. It is the divine bosom into which we shall all go after the death of the vegetated [i.e. mortal] body. This world of imagination is infinite and eternal, whereas the world of generation is finite and temporal. There exist in that eternal world the eternal realities of everything which we see reflected in this vegetable glass of nature.

Stunt dwarf or destroy the imagination of a child and you have taken away its chances of success in life. Imagination transforms the commonplace into the great and creates the new out of the old.

I have fallen in love with the imagination. And if you fall in love with the imagination, you understand that it is a free spirit. It will go anywhere, and it can do anything.

Some say that it is lack of imagination which makes men and women brutes. May it not be power of imagination? The interest of torturing is lessened, is almost lost, if we can not be the tortured as well as the torturer.

I think anything that opens my mind and triggers my imagination I'm reading. I like to read science fiction and imagine the character. Anything that keeps my imagination flowing.

"Le génie n'est qu'une longue patience", a dit Buffon. Cela est bien incomplet. Le génie, c'est l'impatience dans les idées et la patience dans les faits : une imagination vive et un jugement calme; quelque chose comme un liquide en ébullition dans un vase qui reste toujours froid. "Genius is just enduring patience," said Buffon. This is far from complete. Genius is impatience in ideas and patience with the facts: a lively imagination and a calm judgment, rather like a liquid boiling in a cup that remains cold.

I think my imagination dictates the technologies I use. But at the same time, my imagination can be technologic. Sometimes I see a tool and I know immediately how to use it, but most of the time I use the tool for an idea I already have.

Imagination Is More Powerful Than Knowledge Because Knowledhe Is Limited But Imagination Is Without Boundaries

The key to life is imagination. If you don't have that, no mater what you have, it's meaningless. If you do have imagination...you can make feast of straw.

The failure of modern living is the failure of the imagination...Literature is the royal road that enables us to enter the realm of the imagination.

Creative arts, new inventions, and new ideas spring from those blessed with imagination, and magic stimulates imagination. It is no coincidence that many artists, writers, and dancers are interested in magic.

The only moment ever available to you is the present moment. Everything else is memory or imagination.

What you contemplate, you touch. What you enter into in imagination, you make yourself one with.

The heart changes...but we learn of it only from reading or by imagination; for in reality its alteration, like that of certain natural phenomena, is so gradual that, even if we are able to distinguish, successively, each of its different states, we are still spared the actual sensation of change.

If I could put my hand on the north star, would it be as beautiful? The sea is lovely, but when we bathe in it the beauty forsakesall the near water. For the imagination and senses cannot be gratified at the same time.

Love requires imagination more than experience.

But it's hard for me to pinpoint where all my characters and dialogue come from - imagination or real life. My memoir, of course, was all about my past, and many of the short stories cleave very closely to my life, but the more stories I wrote in the collection, the more that seemed to be invented, but who knows... I think I'm writing about a young woman with acne who shoplifts, but I'm really writing about myself.

On 'Into The Wild' I spent months risking my life and on 'Speed Racer' I spent 60 days acting in front of a green screen. No danger to my physical self, but I sure had to use my imagination.

Comedy is immediate. Comedy is a solo mission. You're all by yourself, up there. And when you're in a film, on a set, it's a collaborative effort. It's about me being a tool for somebody else to create a story and a character from nothing, from their imagination.

In a world where billions believe their deity conceived a mortal child with a virgin human, it's stunning how little imagination most people display.

I came to believe it not true that "the coward dies a thousand deaths, the brave man only one." I think it is the other way around: It is the brave who die a thousand deaths. For it is imagination, and not just conscience, which doth make cowards of us all. Those who do not know fear are not truly brave.

I love being involved in all of the creative stuff; I love talking ideas with directors. Anyone with an imagination can create something fun.

The book is even quirkier, but it's hard to bring all of that stuff to a movie. With a book, you use your imagination more and create your own way to make it all make sense.

The so-called ‘crank’ may be quite original in his ideas. … Invention, however, in the engineering sense involves originality; but not that alone, if the results are to be of value. There is imagination more or less fertile, but with it a knowledge of what has been done before, carried perhaps by the memory, together with a sense of the present or prospective needs in art or industry. Necessity is not always the mother of invention. It may be prevision.

Such self-transformation is the most difficult and dangerous challenge to the imagination, and it is the most rewarding. Meeting it is only possible for the person whose mind is open to contradictions and well-practiced in free conjecture.

Of all the major religions, or lack thereof, the atheist's is one of the best pretenders: his foundation for all existences, as well as moral behaviors for the permanent good of mankind, begins at science but ends at himself, the Napoleon complex of both intelligence and imagination. On the other hand the anti-theist wouldn't survive without a deity beyond himself to hunt. He doesn't pretend, he simply nullifies his own position.

Reading a hard copy book, and reading a book on an iPad are slightly different experiences. What they both have in common though is that you must engage your imagination in the process.

I don't really know what Americans are like. I've no idea. I know a few things about them. In my imagination, they have warm peachy hearts, whereas the English have horrible spiteful withered hearts - success in England inspires envy - in America, it inspires hope.