Quotes About Interested

You've probably heard about the theory of steam-engine time - that even after the steam engine had been invented, it had to wait until people were ready to make use of it. The same thing happens in literary circles. The truth is, I'm not terribly interested in Victorian times; I'm interested in Victorian writers. I'm interested in most eras of history, but not the Victorian Era especially. I was interested in the John Franklin Expedition. I was interested in these last five weird years of Dickens' life. And I just have to take the age that comes with all that when I write about it.

I don't care how much people understand what it is that I'm doing, except if they're players in my ensemble or other ensembles. I just want people to be moved by the music. If you're not moved by the music, then everything else falls away. You're not interested in the text, you're not interested in how it was done, and you're not interested in interviewing the composer and all the rest of it.

I was doing community theater, and I was always interested in acting, but I was also interested in sports. I was interested in a lot of things. I was a pretty normal guy. I wasn't like a guy who grew up in a dark theater watching movies.

And increasingly - you know this and so do I we're losing the youth everywhere. They hate us; they are not interested in having more fears and guilt laid on them. They're not interested in more sermons and exhortations. But they are interested in learning about love. How can I be happy? How can I live? How can I taste the marvelous things that the mystics speak of?

I'm not interested in what they have to say. I'm only interested in people that are interested in me for the right reasons.

I'm not so interested in this series of ruptures, where minimalism took over pop art, and then neo-expressionism was a triumph over that. I'm not interested in rupture - I'm interested in healing, bringing things together, building bridges. Not dismissing what has come before as a kind of modernist precedent, where one thing has to be broken in order to achieve something else. I don't believe in that kind of attitude. I think we're beyond that at this stage.

The interesting thing about the religious component, for me, is that Jesus hardly mentions sex at all. He's pretty interested in the poor, he's pretty interested in selling your worldly goods and storing up riches in heaven. However, religious fundamentalists have made it all about sex, and that's like saying, "Look at the sex and we're just not going to talk about what you may be doing in a financial way that is sinful."

I am not interested in power for power's sake, but I'm interested in power that is moral, that is right and that is good.

At a certain point, I got interested in set design for the theater. I was interested in architecture, but I was taking photographs at the same time, and architecture, though it had the design element, it didn't have the narrative, emotional element that I was looking to do. I ended up painting for a while. I was dancing around it, and I realized that all these different interests came together in filmmaking.

I'm interested in producing truncated shapes in proportion to the frame and composition, shapes that are preferably luminous. I'm not interested in the full-figure. I want to abstract forms.

I think I was interested in history without knowing it and that became very clear when I arrived in France. Everything that I was really interested in was there, but I knew nothing, no education, no art education, no education beyond high school. It was extremely overwhelming and it still is.

I'm not interested in breaking news. I'm interested in telling the story of what's going on and then trying to figure it out.

I am not interested in genres. I am interested in doing the best work I can in whatever medium.

I'm less interested in slasher, and go more for roles that can affect you on a personal level. I'm interested in human empathy in the movies I see, and in the ones I am a part of.

I wasn't interested in car parts per se, I was interested in either the color or the shape or the amount... Just the sheet metal. It already had a coat of paint on it. And some of it was formed.... I believe that common materials are the best materials.

One reason I like to talk about Heaven, think about Heaven and read about Heaven is because, after all, that's where we're going to spend Eternity, so it's a pretty important place and we ought to be pretty interested, don't you think? It's our Eternal Home, the place Jesus has gone to prepare for us forever, so we certainly ought to be interested in it and want to know what it's like and what we're going to be like when we get there!

certainly the women's health part is something that I've become very interested in. It's not something I thought about when George [Bush] was elected...what I'd always been interested in was education.

I'm interested in acting roles that I want to do, that are meaningful to me in some way. I think, because my kids are still pretty young, if something is meaningful and it's a good little part that I could do or feel that I can have fun with, then I'm interested in it. I'd like to be able to do a TV show or something and really have a voice in it.

I wasn't really that interested in objects. I was interested in ideas.

I'm less interested in how people are following each other and more interested in how they are following topics and tweets themselves. People are following more key words and concepts and more ideas and acting on those rather than individuals or organizations.

I found that while it was interesting to travel around and take the photographs, I would find that I was more interested in the stories behind the photographs. I was more interested in narrative.

I have found that the reason a lot of people are interested in artificial intelligence is the same reason a lot of people are interested in artificial limbs: they are missing one.

David Remnick [the New Yorker's editor in chief]is about as interested in anything gay as I am interested in anything to do with baseball. It drives me nuts.

I was never interested in singing in the church or school. I was more interested in becoming a musician.

I'd done all my research and seen that Booker and Gadson had worked with giant folks and little peanuts, too. That just showed me that they're musicians. They're not just interested in doing the big ones, they're interested in doing stuff that - pardon the expression - gives them a boner. I'm like that, too. I don't want to just do easy stuff. I want to keep myself freaked out all the time. Hence the title of the record, I Like To Keep Myself in Pain.

I was thinking maybe about being a lawyer. I realized I was interested in becoming a priest at one point. I was just interested in stuff where I could do something I really believed in. And then, I realized if I become an actor, I don't have to choose. I get to do everything. It's worked out so far. But what I really want to do is direct.

Consequently, I get inspiration from all over the place. But it's not like a calculated thing on my part, or a way that I see myself, you know? I'm just interested in things that move me, and I don't care where they come from. In fact, I'm interested if they come from a place I wouldn't expect, or would seem foreign to me on some level.

I’ve never felt like I’ve exactly traded on my looks. When I was a teenager, I was an ultra-late bloomer, and my mom would say it was a blessing, because it means you never have to wonder if guys are only interested in you because you’ve got boobs. I would have been thrilled if guys were interested in me because of my boobs! Similarly, I think I’m lucky that I’ve never had a crisis about whether the only reason I’m successful is because I’m crazy hot. It’s not something that crosses my mind.

I'm not interested in a group of people with some sort of incredible homogeny,a group that can do the movement I want. I'm interested in people whocan take the movement somewhere.

I'm interested in genius the way a hungry man is interested in Philadelphia cheesesteaks. I want something. I want a piece of it.

The media loves to spend a lot of time talking about itself and do a lot of navel-gazing, which the general public isn't quite that interested in. They aren't really particularly concerned with whether our feelings are hurt or the things that we complain about. They have their own lives and their own jobs that are difficult as well. I think where the media has gotten itself in trouble is the sense that they're much more interested in things like parsing words and getting into fights about little minutia, as opposed to stepping back and seeing what the big picture is.

In all the music I've done, what I'm really interested in above all else, and I'm not sure it's what one should be interested in, is the kind of - you know, people talk about work progressions, which doesn't really make sense with pop music because there is no progression, because there is no tonic, because there is no more tonality.

I think, a lot of times when you meet someone, you feel like you need to appear like you're not interested in them so that they'll be more interested in you. But what happens when you start showing him that you actually like him? What's he gonna do then? Play the tape forward; how do you keep a guy like that? I don't want to sign up for that.

I think comics in New York are interested in being comics. And there're comics in L.A. who are touring comics, who are certainly more interested in stand-up, but a lot of L.A. stand-ups are really looking to do something else.

I'm not a historian but I can get interested - obsessively interested - with any aspect of the past, whether it's palaeontology or archaeology or the very recent past.

You may not be interested in strategy, but strategy is interested in you.

I'm always interested in audience interaction. Not so much aggressive audience interaction - I'm genuinely interested in how people see things.

When I was a kid, I loved Sherlock Holmes. I'm not interested in crimes. I'm interested in the mind of the detective and his process, which to me is a lot like the artist.

I don't like to dwell on the past. I'm interested in Fischerandom now, I am working on a new clock, I'm trying to make chess a more exciting game today. I am not interested in sitting in my rocking chair thinking what I did 10, 20 or 30 years ago.

I’m interested not just in projects that I’ll be starring in, but producing film and TV that’s really quality and great for adults; and when I say great for adults, it doesn’t mean without humor, because I’m also interested in doing comedy.

If the government doesn't fund education, which they often don't, students are going to stay home and not go to school. It affects them directly. But I'm really not interested in writing explicitly about that. I'm really interested in human beings, and in love, and in family. Somehow, politics comes in.

People are not interested in your product or your business; they are interested in solving their own problems.

Happiness has got to be paid for. You're paying for it, Mr. Watson–paying because you happen to be too much interested in beauty. I was too much interested in truth; I paid too.

I find that I'm fighting to keep my energy and my passion centered on the work and not on "Will this get me an Oscar?" - which is the way people are starting to talk to me. I'm not interested in the way people are starting to talk to me. I'm not interested in looking at a role that way. That's not what I ever did, and it's not how I can continue to do my work.

I don't think people are terribly interested in young artists who were doing interesting thing, but I don't think people are terribly interested in young artists.

I have no message to give the politicians of the world. They're all completely addicted to promiscuous verbalization and I'm quite sure they would not be at all interested in hearing about cut-ups and hieroglyphics and still less interested to hear about silence.

We're all more or less interested in the 'swinging sixties', of course, but that's not what I mean. I'm interested in the particular naive glamour that clings to the post-war and pre-Hendrix era.

Instant replay is going to be awesome. For too long, tennis has been stuck in its traditions, which is part of its strength as a game. But you have to be able to change some things and get fans interested.