Quotes About Kind

I've always been a leader. I've always kind of been the tallest person on the team when I was younger but always kind of the smartest. I was ahead of my time. I wasn't always the oldest, I kind of was the youngest on the team, but, I kind of knew what to do at times.

What is the most fascinating kind of self-deception to me, and a kind that isn't necessarily unhealthy, is what Friedrich Nietzsche called "strategic self-deception." The kind of self-deception that you can engage in with your eyes wide open. You do it because you say, "There's things that I couldn't accomplish without this kind of self-deception."

I care more about the fans in general, just making sure they enjoy what I do. And then also I kind of had this kind of ideal of the kind of music I want to make and what I'm aiming for kind of creatively and just the quality of the music that I'm trying to make. And I have that in my head.

If I don't have something to do, I'm not the kind of person who can sit on a beach on holiday. I've got to go and check things out and see things and look at things, and have some kind of itinerary in my mind. I think that a lot of people who are, in some ways, successful are kind of like that.

There is no opposition party. And the party that is in power is falling apart. Doesn't that kind of mean the country's falling apart? I don't wanna be accused of being an alarmist, but if there's nothing to replace the government with in terms of an opposition party, and you see it all falling down around you, well doesn't that mean that we're all kind of screwed? It kind of feels that way to me. And I'm pretty worried about it, to be honest with you.

Well I've also kind of noticed that, whatever energy that you put out, is kind of the energy that you receive. And so people are just really lovely and kind and soft spoken with me.

People talk about apathy, especially in developed countries. We're kind of lulled into these tranquil lives, and we are pursuing our own thing and there is so much suffering on a mass scale around the world that you kind of become fatalistic. You might think suffering is inevitable, you kind of lose your sense of moral urgency. But there is always something you can do for someone in the world.

I kind of dropped a lot of bad habits about three years ago and became kind of accidentally straight-edge. I don't have Xs on my hands, but I guess if I wanted to go back to calling myself straight-edge, I could. Around that same time I started running. I never saw myself as the kind of person who would become a runner. It seemed unfathomable to me that I would ever run three miles, let alone 26.2.

Getting into a space suit and going outside, to me, getting your peripheral vision involved and looking at the Earth was a whole different experience than looking through the window. And it's kind of the same on earth. If you're driving in a car and you see like a beautiful sunset or landscape, it looks so much better if you stop and get out and kind of take it all in and that's kind of what it's like doing a spacewalk.

I mean, in many ways, you know, I felt very connected to Ian (Dury) on, on a lot of levels. I mean, politically, & sort of, socially, our, kind of, social backgrounds are quite similar in many ways, as well as our kind of artistic endeavors. So there were many, many things that sort of chimed in for me, and kind of made me feel very instinctive about playing him, and, and although, there was sort of a certain amount of impression involved, actually, there's a lot of myself in the role.

I started playing classical music, and I still do. I think music ultimately is kind of on a theoretical level, is about collecting and learning as much vocabulary as possible. It's kind of like writing. It's kind of like writing because the more you read, the more you hear people describe things. The more you soak in, as far as vocabulary, the more access you have in order to express yourself accurately and vividly.

I wanted to be the kind of woman who would attract a certain kind of man that I could respect. That was my thinking. It had to do with the kind of couple I would be a part of.

I really kind of liked the fluidity and not really being tied down. I saw the kind of people that were tenured and what happened to them there and I thought it was kind of death, really.

We all have to pick our battles. You've got to draw a line in the sand and stand firm. And it's this squishiness that's really the enemy, like, "Well, I don't know, it's kind of OK but I kind of feel guilty, and I kind of want a bran muffin, I don't know, and I'm wearing a vest; it's crocheted." Shut up. Just pick your battle and just stand there, and whatever you are going to do, own it.

One of the things I really like about doing work online, and the thing I like about the work I'm doing now, is that I get to meet feminists all the time and I get to read new feminists every day on the blogosphere. And it's really that kind of diversity of thought that informs me more than anything else these days. It's just kind of learning something new all the time. And I kind of love that there's not really a feminist canon; or maybe there is, but it's being changed, that it's a constantly moving canon in the feminist blogosphere. I love that.

Yeah, we were looking for a way to represent adulthood and the passing into adulthood. And I think, for me personally and a lot of the folks that I work with, childhood is kind of a sacred, special kind of point in time that has a real joy and purity to it. And we sort of long on a daily basis to reach back and kind of grab onto that in some way.

Clary glanced past him and asked, "Where's Magnus?" "He said it would be better if he didn't come. Apparently he and the Seelie Queen have some kind of history." Isabelle raised her eyebrows. "Not that kind of history," said Alec irritably. "Some kind of feud. Though," he added, half under his breath, "the way he got around before me, I woudn't be surprised.

If Trump is elected president... I just don't know what America looks like four years after his election, in terms of the kind of bigotry that will be erupting, in terms of the kind of divisiveness that we will see, the kind of demagoguery that we will see.

The way I look at the top five, (Rod) Laver, (Roger) Federer, myself, Borg and (Ivan) Lendl. I think those five guys dominated their generations better than anyone. Maybe Roger will dominate better than any one of the other four. Maybe I put Andre (Agassi) as kind of six through 10 with, you know, (John) McEnroe and (Jimmy) Connors, kind of those guys. That's kind of how I see it.

I'm not really one of those people who goes and writes some big back story and agonizes over characters. I think you kind of can get it. For me personally, it's just kind of more instinctive. But I don't have kind of an acting background. I fell into it accidentally.

The idea is that there is a kind of memory in nature. Each kind of thing has a collective memory. So, take a squirrel living in New York now. That squirrel is being influenced by all past squirrels.

We think it hugely important to support young artists, there is a war against that kind of artistry, that kind of creation...When somebody is 19 years old, they're gonna do what they're gonna do just like we did... For me the most important thing was for him to know anytime he can call and I'll come whatever happens.

I have a tendency to do the epic kind of long shot and put in everything that you need to know. And that's by design; that's the kind of approach I take to it.

Cornwall has lots of folk and Celtic music and has that kind of surfer vibe as well. That was my kind of upbringing.

It started kind of slow, but we got back into it, bad as you might not want to. You've got to get some type of enthusiasm going out there. It's kind of kicking in as a reality. People only grieve for so long, but I'm starting to understand it.

I'd always liked to read, but when I picked up books I wasn't getting the same kind of excitement from them that I was from going out clubbing. I wanted to get the same kind of feel.

A company that was I think the one I learned the most from in Wall Street 2, just in terms of my own character in and the kind of firm he worked in, was John Thomas Financial. There it's like warriors in an arena getting ready for battle. Thomas Belesis just fires these guys up like there is no tomorrow, and I absolutely got addicted to that optimism and adrenaline and that "We're going to do it, we're going to do it, buddy" kind of attitude that he had.

I've said this a lot lately, too: if, 20 or 30 years down the road, when everything's said and done, I was never able to achieve that level of zeitgeist again, then so be it. I know how rare it is for anybody to do that. But I also feel like, OK, we're getting on to 25 years of putting out records: that's also kind of rare air for anybody who makes music. And I think you just end up kind of grateful for every opportunity that comes along.

In terms of playing like a straight leading man type thing, I feel like all these guys are kind of not necessarily leading men but straight kind of characters. Even though they may seem bizarre or strange, I feel like I think everybody's nuts. I mean, I really do. And the weirdest thing in the world is to see some guy who is just super earnest.

It was kind of a beautiful day, finally real summer in Indianapolis, warm and humid - the kind of weather that reminds you after a long winter that while the world wasn't built for humans, we were built for the world.

The thing about Depeche songs is that they’re so descriptive. For me, they tell some kind of story about a character who’s trying to redeem himself or to find something to believe in-some kind of faith or hope.

I believe it, she's a very good person, kind. There's weariness there, but no bitterness or spite. When you're with a girl like that you feel like a different person. You try to be better, and that's a strain. Men prefer to be friends with her kind, flirt a bit, share confidences. They don't often fall in love with girls like that, but everybody loves them.

Then, you know, the other more-traditional role of the producer in, like, the kind of Quincy Jones sense is kind of part arranger. So you're coming up with, like, these - you hear these songs that are quite bare-bones, and you dream up what's the band doing? What's the rhythm section doing? What's the guitars, strings, pianos - that sort of thing. It's almost like a little toolbox.

There are so many things happening nowadays that you've seen in films from years ago, like cloning and all of those things are actually happening now, so we can kind of visualize it a lot more, and I think our generation particularly know that we're going to be a big part of that, we we're kind of fascinated with how human beings will fare in the world.

It was kind of interesting: [People] didn't really want to talk about it too much. And then after the election, it's kind of like they've been unleashed.

Not only do I have a great love for the game of golf - no matter how badly I play it - but I have also the belief that through every kind of meeting, through every kind of activity to which we can bring together more often and more intimately peoples of our several countries, by that measure we will do something to solve the difficulties and the tensions that this poor old world seems nowadays to so much endure.

To me, beauty and sadness are very closely linked. Truly beautiful things make me sad because I know they are going to fade. When I see a beautiful 20-year-old boy or girl-and they are breathtaking-I am filled with a kind of sadness. But maybe they are beautiful because we know they are not permanent and they are in a kind of transition.

Digression is my passion. I love telling the main stories, but in some ways, what I love most is using those narratives as a way of stringing together the interesting stories that people have kind of forgotten, and that are kind of surprising. The problem is, how do you pare stories away so that the book doesn't become a distracting jumble of material, and readers lose focus? In my experience, there's really only one way to do that. I pack it all in with the rough draft, then count on myself and my trusted readers to tell me what's good and what's not good.

My laundry list of wants in a partner is basically kindness. I want someone who is kind, and that's kind of where it begins and ends. I'm open to being surprised.

I'm not married, nor do I want to be. I'm the loving kind but not the marrying kind, though I am romantic.

With truths of a certain kind, it is not enough to make them appear convincing: one must also make them felt. Of such kind are moral truths.

When people ask what kind of nonfiction I write, I say 'all kinds,' but really I mean I don’t write any kind at all: I’m trying to dissolve the borders between memoir and journalism and criticism by weaving them together.

I don't think the question is if should we have a shield law. I think the question is what kind of shield law we should have. Yes, I'd like to see a federal shield law, but if and only if it provides genuine safeguards and doesn't green-light prosecutors and judges and litigants from going after the press and getting things to which they should not be entitled. It's not a simple kind of litmus test.

Marilyn Monro wasn't the brightest person in the world - that didn't make a difference one way or the other - but she was giving and kind. And that's what got her in trouble. She was so giving and kind to all of these people she met that she found herself doing these things that she didn't want to do.

The idea of protest organizing, as summarized by community organizer Saul Alinsky, is that if we put enough pressure on the government, it will do things to help people. We don't realize that that kind of organizing worked only when the government was very strong, when the West ruled the world, relatively speaking. But with globalization and the weakening of the nation-state, that kind of organizing doesn't work.

It's hard sometimes when you're in a regular high school, you just feel like the odd kid out. The great thing about going to an art school [is] it's kind of like it's all the odd kids. It's all the kids that don't fit in at their regular schools, because you're into something and excited about something that other kids really aren't into. When you go to art school, everybody's kind of on the same page.

It's either some kind of electricity or some kind of energy. I don't know what it is, but whatever it is, I've got it.

Discipline provides a constancy which is independent of what kind of day you had yesterday and what kind of day you anticipate today.