Quotes About Literary

The Booker thing was a catalyst for me in a bizarre way. It’s perceived as an accolade to be published as a ‘literary’ writer, but, actually, it’s pompous and it’s fake. Literary fiction is often nothing more than a genre in itself. I’d always read omnivorously and often thought much literary fiction is read by young men and women in their 20s, as substitutes for experience.

I actually dislike, more than many people, working through literary allusion. I just feel that there's something a bit snobbish or elitist about that. I don't like it as a reader, when I'm reading something. It's not just the elitism of it; it jolts me out of the mode in which I'm reading. I've immersed myself in the world and then when the light goes on I'm supposed to be making some kind of literary comparison to another text. I find I'm pulled out of my kind of fictional world, I'm asked to use my brain in a different kind of way. I don't like that.

I have always loved reading, so was interested in the literary world, and took many literary portraits.

Postmodern irony and cynicism's become an end in itself, a measure of hip sophistication and literary savvy. Few artists dare to try to talk about ways of working toward redeeming what's wrong, because they'll look sentimental and naive to all the weary ironists. Irony's gone from liberating to enslaving. ... The postmodern founders' patricidal work was great, but patricide produces orphans, and no amount of revelry can make up for the fact that writers my age have been literary orphans throughout our formative years.

Today, there are more opportunities for writers in terms of access to larger success, but it's more difficult to publish a literary novel in the lower ranges. In other words, you almost have to hit a home run. You can hit a triple, maybe, but nobody's interested in a single.

Once more I can climb about and remind you that a woman in this epoch does the important literary thinking.

That rewriting of literary history is most obvious in the case of The Yage Letters, where I was able to show that the true history inverts the official one.

If I'd stayed on in London and carried on going to literary parties, it would have wrecked me as a writer.

So much of the way books get classified has to do with marketing decisions. I think it's more useful to think of literary books and sci-fi/fantasy books as existing on a continuum.

We lose ourselves in stories; that's the beauty of literary art.

No humorist is under any obligation to provide answers and probably if you were to delve into the literary history of humour it's probably all about not providing answers because the humorist essentially says: this is the way things are.

The future of English fiction may rest with this Unknown Public - a reading public of three millions which lies right out of the pale of true literary civilization - which is now waiting to be taught the difference between a good book and a bad.

The old days of screenwriting, and myths about screenwriting, are maybe over. It's a literary form, if you can wake up to it.

I'm not saying all publishers have to be literary, but some interest in books would help.

I sense a general hostility toward Christianity among the literary and media establishments in our country. There is a tendency to keep Christian thinking out of the mainstream, to marginalize it and make it look like a product of 'fringe' groups.

A literary academic can no more pass a bookstore than an alcoholic can pass a bar.

How can one talk in a classical language about a child who's torn apart in an explosion in the market near his school? People in Iraq don't talk about their joys, their problems, and the destruction of the country in literary diction.

Relate comic things in pompous fashion. Irregularity, in other words the unexpected, the surprising, the astonishing, are essential to and characteristic of beauty. Two fundamental literary qualities: supernaturalism and irony. The blend of the grotesque and the tragic are attractive to the mind, as is discord to blasé ears. Imagine a canvas for a lyrical, magical farce, for a pantomime, and translate it into a serious novel. Drown the whole thing in an abnormal, dreamy atmosphere, in the atmosphere of great days … the region of pure poetry.

I hate to see great works of literature ghettoized, whereas others that conform to the rules, conventions, and procedures of the genre we call literary fiction get accorded greater esteem and privilege. I also have a problem with how books are marketed, with certain cover designs and typefaces. They're often stamped with an identity that has nothing to do with their effect on the reader.

The real literary editors have mostly been fired. Those that remain are all 'bottom line' editors; everything depends on the money.

A mere literary man is a dull man; a man who is solely a man of business is a selfish man; but when literature and commerce are united, they make a respectable man.

You could become internationally famous - you're Gemini, and according to antique authority have a literary talent, which of course your letters prove.

A great literary work can be completely, completely unpredictable. Which can sometimes make them very hard to read, but it gives them a great originality.

I did think reviewers were supposed to be polite about story collections - collections are rather delicate creatures in the literary environment - but not everybody got this memo, I guess.

It is a lie to write in such way as to be rewarded by fame offered you by some snobbish quasi-literary groups in the intellectual gazettes.

I think our sexuality is all yet to be recounted and that the rich male literary tradition constitutes a huge obstacle.

Though now we think of fairy tales as stories intended for very young children, this is a relatively modern idea. In the oral tradition, magical stories were enjoyed by listeners young and old alike, while literary fairy tales (including most of the tales that are best known today) were published primarily for adult readers until the 19th century.

The critical method which denies literary modernity would appear -- and even, in certain respects, would be -- the most modern of critical movements.

I've been slagged off completely by the art world and I don't know whether fancy being slagged off by the literary world as well. It's just too much.

I teach Korean translation at the British Centre for Literary Translation summer school, so I see an emerging generation too, who are around my age. I'm hoping to find time to mentor, and to help emerging translators to a first contract through Tilted Axis.

I couldn't speak Japanese very well, passport regulations were changing, I felt British and my future was in Britain. And it would also make me eligible for literary awards. But I still think I'm regarded as one of their own in Japan.

I don't write literary fiction - I write books that are entertaining, but are also, I hope, well-constructed and thoughtful and funny and have things to say about men and women and families and children and life in America today.

whenever the literary german dives into a sentence, this is the last you are going to see of him till he emerges on the other side of his atlantic with his verb in his mouth.

Sometimes he spent hours together in the great libraries of Paris, those catacombs of departed authors, rummaging among their hoards of dusty and obsolete works in quest of food for his unhealthy appetite. He was, in a manner, a literary ghoul, feeding in the charnel-house of decayed literature.

The first epics were intended for recitation; the literary epic is meant to be read.

Some Critics on the Hearth are not only good-natured, but have rather too high, or, if that is impossible, let us say too pronounced, an opinion of the abilities of their literary friends.

I wanted to pay homage to someone who was such an important literary figure in my life. I think Langston Hughes would be proud of the picture Black Nativity, yet it's a contemporary story about a family living in Harlem. I named the lead character Langston, put a little bit of poetry in there, and some Langston Hughes quotes, and, of course, his stage play, Black Nativity.

The Bible was written in several languages, embraces many literary forms, and reflects cultures very different from our own. These are important considerations for properly understanding the Bible in its context.

What I can say is that it was clear to many of us that an indigenous African literary renaissance was overdue. A major objective was to challenge stereotypes, myths, and the image of ourselves and our continent, and to recast them through stories- prose, poetry, essays, and books for our children. That was my overall goal.

I get invited to many more literary festivals than I used to because I'm associated with 'Slumdog Millionaire,' the brand. Many more doors have opened up for me as a result of the global success of the film, although I believe that I'm the same person that existed before it.

I dislike literary jargon and never use it. Criticism has only one function and that is to help readers read and understand literature. It is not a science, it is an aid to art.

Even the worst job has its benefits and so does being a professional literary agent, and - I know I said this at the time but I still believe it - the worst job is the one that you know is wrong for you, but you still do it. You're afraid to quit.

There is something essential and necessary about the immediacy and democracy of poetry. If you look at the history of literature, poetry is the one enduring genre from Homer to Ashbery - no other literary form has lasted as long. The novel is only two or three hundred years old... And yes, it's mainstream if we look back, we often turn to poetry to encapsulate what was going on in a particular moment because it crystalizes the experience in a very condensed and meaningful way.

My literary success meant nothing to me

I felt I was moving among two groups [literary intellectuals and scientists] comparable in intelligence, identical in race, not grossly different in social origin, earning about the same incomes, who had almost ceased to communicate at all, who in intellectual, moral and psychological climate had so little in common that instead of going from Burlington Hom or South Kensington to Chelsea, one might have crossed an ocean.

In the New Testament alone there are Gospels, acts, epistles, and an apocalypse. Gospels contain literary forms like miracles, parables, pronouncements, proverbs, farewell discourses, annunciations, and so on. Epistles can be apologetic, commendatory, friendship-oriented, exhortational, diatribes.

People who wrote literary novels about the past probably didn't want them pegged as historical fiction. Certainly that was true in England.

I find that, for me, it is this concept of borrowed or built life, life on loan, that gets me writing. It's similar to speaking about literature. I like it, and then I don't like it. It has such an inherent vein of pretention, because you're not speaking about real things. There's a literary pretentiousness made of speaking and spending so much time on unreal persons. And it seems, now, impossible to create an unpretentious, totally organic character.