Quotes About Literature

Most British playwrights of my generation, as well as younger folks, apparently feel somewhat obliged to Russian literature - and not only those writing for theatres. Russian literature is part of the basic background knowledge for any writer. So there is nothing exceptional in the interest I had towards Russian literature and theatre. Frankly, I couldn't image what a culture would be like without sympathy towards Russian literature and Russia, whether we'd be talking about drama or Djagilev.

I have . . . a deep concern with the development of a literature worthy of our past, and of our destiny; without which literature certainly, we can never come to much. I have a deep concern with the development of an audience worthy of such a literature.

Writer's make national literature, while translators make universal literature.

Literature makes history come to life. It is maybe the most accurate depiction of history, especially literature that was written in the time period depicted in the story.

When politicians and politically minded people pay too much attention to literature, it is a bad sign - a bad sign mostly for literature. But it is also a bad sign when they don't want to hear the word mentioned.

There is first the literature of knowledge, and secondly, the literature of power. The function of the first is--to teach; the function of the second is--to move, the first is a rudder, the second an oar or a sail. The first speaks to the mere discursive understanding; the second speaks ultimately, it may happen, to the higher understanding or reason, but always through affections of pleasure and sympathy.

Literature - creative literature - unconcerned with sex, is inconceivable.

Literature remains alive only if we set ourselves immeasurable goals, far beyond all hope of achievement. Only if poets and writers set themselves tasks that no one else dares imagine will literature continue to have a function.

Literature for me… tries to heal the harm done by stories. (How much harm? Most of the atrocities of history have been created by stories, e.g., the Jews killed Jesus.) I follow Sartre that the freedom the author claims for herself must be shared with the reader. So that would mean that literature is stories that put themselves at the disposal of readers who want to heal themselves. Their healing power lies in their honesty, the freshness of their vision, the new and unexpected things they show, the increase in power and responsibility they give the reader.

To bring anything really to life in literature we can't be lifelike: we have to be literature-like

Any literature, when it arrives at being good literature, transcends genre.

The struggle of literature is in fact a struggle to escape from the confines of language; it stretches out from the utmost limits of what can be said; what stirs literature is the call and attraction of what is not in the dictionary.

Russian literature, like colonial Canadian literature, comes with a lot of landscape backdrop.

The use of literature is to afford us a platform whence we may command a view of our present life, a purchase by which we may move it....we see literature best from the midst of wild nature, or from the din of affairs, or from a high religion. The field cannot be well seen from within the field.

The historical sense compels a man to write not merely with his own generation in his bones, but with a feeling that the whole of literature from Homer and within it the whole of the literature of his own country has a simultaneous existence and composes a simultaneous order.

Everybody has a different idea of when those good old days were, but everyone is convinced that there was a time when literature really mattered and that it doesn't now. They also tend to believe that it really matters someplace else - in very improbable places often. Russia is someone's idea of a place where literature really counts.

Literature transmits incontrovertible condensed experience... from generation to generation. In this way literature becomes the living memory of a nation.

It is a fact that the classics of Yiddish literature are also the classics of the modern Hebrew literature.

The best work in literature is always done by those who do not depend on it for their daily bread and the highest form of literature, Poetry, brings no wealth to the singer.

The poor Geordies are in the process of being rebuffed by every sentient human being whose ambition in life is more than simply to pocket six million quid for having been a failure and run for the hills. They want beautiful, flowing football and tangible success, at St James' Park. Fine. I, meanwhile, want Jessica Alba and the Nobel prize for literature. I make my prospects slightly more realistic.

There are lots of unlikable characters in literature. It doesn't mean they're not fascinating.

Music is the literature of the heart; it commences where speech ends.

Actually, I'm frequently described as the UK's only translator of Korean literature, but even that isn't accurate - Agnita Tennant is UK-based, Janet Poole is British though lives in Toronto, Brother Anthony was born here though is now a naturalised Korean citizen. There's also Chi-young Kim and Sora Kim-Russell, who are younger and do fiction for commercial houses.

Every time somebody writes a theory about where literature's going, that person is not only contributing thought but nudging things to happen in one way or the other. Just as in painting, there's much more interest in the American scene painters and the early American... like the Ashcan school of painters. Who would have thought, 50 years ago, that Norman Rockwell would again be considered a serious painter? And yet, there are a lot of people who are saying Rockwell was a very accomplished technician. These things are constantly moving.

One man finds in religion his literature and his science, another finds in it his joy and his duty.

Art and literature need extreme sociality to a degree that even dolphins don't have. We are the only large mammalian species that has such intense sociality. There are some small mammals that have become eusocial - the mole rats - but that's a different thing. Humans are able to understand one another at very high levels, to cooperate in very large groups. Humans depend on one another in ways that are an absolute precondition to sharing the kinds of information that makes narrative possible.

My evolution into becoming a photojournalist started with falling in love with literature when I was a teenager, falling in love with novels and imagining a life of being a storyteller.

In literature imitations do not imitate.

I have such an intense pride of sex that the triumphs of women in art, literature, oratory, science, or song rouse my enthusiasm as nothing else can.

Literature flourishes best when it is half a trade and half an art.

Literature adds to reality, it does not simply describe it. It enriches the necessary competencies that daily life requires and provides; and in this respect, it irrigates the deserts that our lives have already become.

What is wonderful about great literature is that it transforms the man who reads it towards the condition of the man who wrote.

I'm very aware of how much movies, literature and art affect culture. They are a reflection of the world around us and they are also a means by which we engage with the world around us.

In literature and art memory is a synonym for invention. It is the life-blood of imagination, which faints and dies when the veins are empty.

To encourage literature and the arts is a duty which every good citizen owes to his country.

All bad Literature rests upon imperfect insight, or upon imitation, which may be defined as seeing at second-hand.

To a large extent, the problems of poets are the problems of painters, and poets must often turn to the literature of painting for a discussion of their own problems.

I suppose it’s true that most great television, literature, and other forms of high art (and basic cable) benefit from a little hindsight. “M.A.S.H.” comes to mind. So does The Iliad.

Few are there that will leave the secure seclusion of the scholar's life, the peaceful walks of literature and learning, to stand out a target for the criticism of unkind and hostile minds.

Listen closely. There’s a remote possibility that you might learn something: First, I don’t give a damn if my work is commercial or not…I’m the writer. If what I write is good, then people will read it. That’s why literature exists. An author puts his heart and guts on the page. For your information, a good novel can change the world. Keep that in mind before you attempt to sit down at a typewriter. Never waste time on something you don’t believe in yourself.

Women from fashion magazines, they hate other women. They like to tell other women they are ugly and often it works. Women's magazines are mostly about the outside and not about the inside. About make-up instead of arts and literature. Its such a shame.

My dad's side of the family had lots of artists and musicians. There's an emotional, quite sentimental quality to Slavic culture. It's very open, it loves art, it loves music, it loves literature. It's very warm, it's very up, it's very down. I would celebrate that.

So Bach, Beethoven, Duke Ellington, Thelonius Monk, these are all people who would sort of rearrange or take riffs from people. Same thing with rock, if you look at the Rolling Stones doing a cover of Otis Redding or you know if you look at literature James Joyce is pulling fragments of text from other people.

Of all the many and (thanks to a free press) the ever-multiplying blessings attendant upon the "glorious constitution" of literature, not the least precious and profitable to a modern cultivator of systems and syllables, in pamphlets, magazines, and folios, is the right of Quotation.

And it does no harm to repeat, as often as you can, 'Without me the literary industry would not exist: the publishers, the agents, the sub-agents, the sub-sub-agents, the accountants, the libel lawyers, the departments of literature, the professors, the theses, the books of criticism, the reviewers, the book pages- all this vast and proliferating edifice is because of this small, patronized, put-down and underpaid person.'

There is in fact no such thing as art for art's sake, art that stands above classes, art that is detached from or independent of politics. Proletarian literature and art are part of the whole proletarian revolutionary cause.

As a young writer, I was on guard against the Latina in me, the Spanish in me because as far as I could see the models that were presented to me did not include my world. In fact, 'I was told by one teacher in college that one could only write poetry in the language in which one first said Mother. That left me out of American literature, for sure.

Too often students are being taught to read as if literature were some kind of ethics class or civics class—or worse, some kind of self-help manual. In fact, the important thing is the way the writer uses the language.