Quotes About Memory

Memory is strange. Scientifically, it is not a mechanical means of repeating something. I can think a thousand times about when I broke my leg at the age of ten, but it is never the same thing which comes to mind when I think about it. My memory of this event has never been, in reality, anything except the memory of my last memory of that event. This is why I use the image of a palimpsest - something written over something partially erased - that is what memory is for me. It's not a film you play back in exactly the same way. It's like theater, with characters who appear from time to time.

One can say that the city itself is the collective memory of its people, and like memory it is associated with objects and places. The city is the locus of the collective memory.

Own only what you can always carry with you: know languages, know countries, know people. Let your memory be your travel bag. Use your memory! Use your memory! It is those bitter seeds alone which might sprout and grow someday. Look around you - there are people around you. Maybe you will remember one of them all your life and later eat your heart out because you didn't make use of the opportunity to ask him questions. And the less you talk, the more you'll hear.

If any one faculty of our nature may be called more wonderful than the rest, I do think it is memory. There seems something more speakingly incomprehensible in the powers, the failures, the inequalities of memory, than in any other of our intelligences. The memory is sometimes so retentive, so serviceable, so obedient; at others, so bewildered and so weak; and at others again, so tyrannic, so beyond control! We are, to be sure, a miracle every way; but our powers of recollecting and of forgetting do seem peculiarly past finding out.

Attention is the stuff that memory is made of, and memory is accumulated genius.

Mostly what you lose with time, in memory, is the specificity of things, their exact sequence. It all runs together, becomes a watery soup. Portmanteau days, imploded years. Like a bad actor, memory always goes for effect, abjuring motivation, consistency, good sense.

To live (as I understand it) is to exist within a conception of time. But to remember is to vacate the very notion of time. Every memory, no matter how remote its subject, takes place 'Now,' at the moment it's called to the mind. The more something is recalled, the more the brain has a chance to refine the original experience. Because every memory is a re-creation, not a playback.

It is said that God gave us memory so we could have roses in winter. But it is also true that without memory we could not have self in any season. The more memories you have, the more you have. That is why, as Swift said, No wise man ever wished to be younger.

It's realizing that a great dream is not as good as a great memory. The dream can be had by anyone. The memory - must be made.

All experience is memory, and so everything you write about is from memory-unless you're writing about typing.

When the starry sky, a vista of open seas, or a stained-glass window shedding purple beams fascinate me, there is a cluster of meaning, of colors, of words, of caresses, there are light touches, scents, sighs, cadences that arise, shroud me, carry me away, and sweep me beyond the things I see, hear, or think, The "sublime" object dissolves in the raptures of a bottomless memory. It is such a memory, which, from stopping point to stopping point, remembrance to remembrance, love to love, transfers that object to the refulgent point of the dazzlement in which I stray in order to be.

You need a fantastic memory in this game to remember the great shots and a very short memory to forget the bad ones.

Memory blurs, that's the point. If memory didn't blur you wouldn't have the fool's courage to do things again, again, again, that tear you apart.

Memory is not like a container that gradually fills up, it is more like a tree growing hooks onto which memories are hung. Everything you remember is another set of hooks on which more new memories can be attached. So the capacity of memory keeps on growing. The more you know, the more you can know.

I see in the FBI 302, which was put out on Memorial Day weekend in print about this big where you needed to use a magnifying glass to read it, but I read it twice, I saw something that really concerned me.It said Hillary Clinton can't remember her exit interview from the CIA because she had no memory for a period of time after she had a concussion. She was secretary of state when she had no memory. Now there's something really seriously wrong with it.

But I believe above all that I wanted to build the palace of my memory, because my memory is my only homeland.

I keep thinking my father gave me Turgenev, and then I realize at some point, Oh, this is a false memory. I mean, that's one of the things that interests me about memoir. It should be as much about how we remember, and that includes false memories, and the realization that one is having a false memory. That's the kind of an interesting way of layering the whole experience of recollection.

I sell ideas. Actually, if you think about it, everything is really no more than idea. The past is nothing more than a memory, which is one kind of idea. The future is still a hope, another kind of idea. The present is fleeting and becomes a memory before you can put your hands on it. All ideas. I sell ideas.

There are still actors who use emotional memory, affective memory, which was Lee Strasberg's emphasis, not his total emphasis. She taught everything at the Actor's Studio. But nevertheless, she felt that it impeded her.

The first step in liquidating a people is to erase its memory. Destroy its books, its culture, its history. Then have somebody write new books, manufacture a new culture, invent a new history. Before long that nation will begin to forget what it is and what it was... The struggle of man against power is the struggle of memory against forgetting.

I'd love a super human memory. My memory has never been good.

Life," Garp wrote, "is sadly not structured like a good old-fashioned novel. Instead an end occurs when those who are meant to peter out have petered out. All that is left is memory. But even a nihilist has memory.

A person's memory is everything, really. Memory is identity. It's you.

I started to realize, a lot of times if you go into your memory, your sense memory, you know more than you think you do, from having watched and listened.

The brain appears to possess a special area which we might call poetic memory and which records everything that charms or touches us, that makes our lives beautiful ... Love begins at the point when a woman enters her first word into our poetic memory.

A friend's loyalty lasts longer than their memory. Over the course of a long friendship, you might fight with your friend, even get angry with them. But a true friend will forget that anger after a while, because their loyalty to their friend outweighs the memory of the disagreement.

What a glorious night. Every face I see is a memory. It may not be a perfectly perfect memory. Sometimes we had our ups and downs. But we're all together and you're mine for a night. And I'm going to break precedent and tell you my one-candle wish...that you would have a life as lucky as mine, where you can wake up one morning and say, 'I don't want anything more'. Sixty-five years. Don't they go by in a blink?

Memory is all we are. Moments and feelings, captured in amber, strung on filaments of reason. Take a man’s memories and you take all of him. Chip away a memory at a time and you destroy him as surely as if you hammered nail after nail through his skull.

Common integration is only the memory of differentiation... The different artifices by which integration is effected, are changes, not from the known to the unknown, but from forms in which memory does not serve us to those in which it does.

Without memory, there is no culture. Without memory, there would be no civilization, no society, no future.

Memory never recaptures reality. Memory reconstructs. All reconstructions change the original, becoming external frames of reference that inevitably fall short.

Like Adam, we have all lost Paradise; and yet we carry Paradise around inside of us in the form of a longing for, almost a memory of, a blessedness that is no more, or the dream of a blessedness that may someday be again.

Memory is a tenuous thing, like a rainbow's end or a camera with a failing lens.

Today is not yesterday: we ourselves change; how can our works and thoughts, if they are always to be the fittest, continue always the same? Change, indeed is painful; yet ever needful; and if memory have its force and worth, so also has hope.

Selection is the very keel on which our mental ship is built. And in this case of memory its utility is obvious. If we remembered everything, we should on most occasions be as ill off as if we remembered nothing.

He knew the world and its absurdities as only an intelligent Irishman can; which is to say that where his knowledge or memory failed him, his imagination was always ready to fill the gap.

It must be a good thing to die conscious of having performed some real good, and to know that by this work one will live, at least in the memory of some, and will have left a good example to those that come after. A work that is good-it may not be eternal, but the thought expressed in it is, and the work itself will certainly remain in existence for a long, long time; and if afterwards others arise, they can do no better than follow in the footsteps of such predecessors and do their work in the same way.

The most identifiable trait of Anglo-Saxons is that we always mistake a short memory for a clear conscience.

I watched a film with a very famous, great, great actor, I won't mention his name because everyone loves his memory, but I thought, "God he was acting a lot." Great actor, but nonstop acting. Wall to wall, fitted-carpet acting.

[in the true mad north] of introspection, where 'falcons of the inner eye' dive and die, glimpsing in their dying fall, all life's memory of existence.

But do you know this idea of the imaginary homeland? Once you set out from shore on your little boat, once you embark, you'll never truly be at home again. What you've left behind exists only in your memory, and your ideal place becomes some strange imaginary concoction of all you've left behind at every stop.

What frightens you? What makes the hair on your arms rise, your palms sweat, the breath catch in your chest like a wild thing caged? Is it the dark? A fleeting memory of a bedtime story, ghosts and goblins and witches hiding in the shadows? Is it the way the wind picks up just before a storm, the hint of wet in the air that makes you want to scurry home to the safety of your fire? Or is it something deeper, something much more frightening, a monster deep inside that you've glimpsed only in pieces, the vast unknown of your own soul where secrets gather with a terrible power, the dark inside?

We did not have a television while I was growing up, and so I read voraciously. My earliest memory of being utterly transfixed by a book was Madeleine L'Engle's 'A Wrinkle in Time.

You know, as you get older, the first thing you lose is memory. It seems to be happening with me.

I have a pretty good memory, but memories are time beings, too, like cherry blossoms or ginkgo leaves; for a while they are beautiful, and then they fade and die.

And when the stream Which overflowed the soul was passed away, A consciousness remained that it had left Deposited upon the silent shore Of memory images and precious thoughts That shall not die, and cannot be destroyed.

Unless we fix certain hours in the day for prayer, it easily slips from our memory.

I always thought old age would be a writer’s best chance. Whenever I read the late work of Goethe or W. B. Yeats I had the impertinence to identify with it. Now, my memory’s gone, all the old fluency’s disappeared. I don’t write a single sentence without saying to myself, ‘It’s a lie!’ So I know I was right. It’s the best chance I’ve ever had.