Quotes About Minutes

If you have 15 minutes per visit, and you spend the first 9 minutes just collecting information from them, before you do anything else, you know half of your visit is gone already. So if you have an automated system that has most of that and, and in some cases I actually have patients complete questionnaires before they come in, so I'd gotten most of the information I need to ask about, already recorded, instead of having 9 minutes I can take 3 minutes to review all this information.

I write pretty fast, probably faster than most people. But I might think about something for six hours, then write it in 20 minutes. So did I write for six hours and 20 minutes, or just 20 minutes? I used to write absolutely every day, except for days when I had to travel or something.

'Cause a musician, you can't tell me, "I've got this message I want share with the public," and it's three-and-a-half minutes long. That's not it. If your message is only three-and-a-half minutes long, then we got nothing else to talk about. Because life is more complex than three-and-a-half minutes.

If there is something that you have to do, resist the temptation to do it under duress. Ask yourself, "What's the worst thing that would happen if I didn't do this?" And if you can get away with not doing it at all, don't do it. And then imagine what would it feel like to have this done. Spend a day or two, if you can, just 15 minutes here, 5 minutes here, 2 minutes here, here and here, imagining it completed in a way that pleases you! And then, the next time you decide that you're going to take action about it, the action is going to be a whole lot easier.

I wonder what especial sanctity attaches itself to fifteen minutes. It is always the maximum and the minimum of time which will enable us to acquire languages, etiquette, personality, oratory ... One gathers that twelve minutes a day would be hopelessly inadequate, and twenty minutes a wasteful and ridiculous excess.

No American can understand the need for time -- that is, simply space to breathe. If you have ten minutes to spare you should jam that full instead of leaving it -- as space around your next ten minutes. How can anything ripen without those 'empty' ten minutes?

But it seems that the judging maybe they shouldn't at least see the practices all week long. That can taint the way they go into the judging and the outlook of what's going to happen, instead of just watching those four minutes and judging on those minutes alone.

The point is,” Caine continued, “you and I share something in common, Sam. We were born just three minutes apart.” Sam felt a tingle go up his spine. “Three minutes,” Caine said, moving closer. “You go first. And then me.” “No,” Sam said. “It can’t be.” “It can,” Caine said. “It is. And you are… brother.

I think that always myself is my worst opponent. I always playing against myself first and then to the other one. So I'm playing against two guys during the match...It's like mentally I don't know what is gonna happen in the next ten minutes. Maybe I get depressed in ten minutes. I don't know myself too much...Yeah, I was working with a psychology, and I still.

I spent a whole year when I was injured just trying to get my arm back to the point where I could hit a tennis ball for more than 30 minutes a day. I'd hit for 15 minutes and it would feel as if my arm was going to fall off.

My audience is comprised of three categories. The first category contains the people who decide after the first five minutes that they've made a mistake and leave. The second category is the people who give the film a chance and leave annoyed after 40 minutes. The third category includes the people that watch the whole film and return to see it again. If I'm able to persuade 33% of the audience to stay, then I can say that I've succeeded.

If the heart stops for more than two minutes, you have massive brain death. There are only two minutes between our conscious world and zero. That's how fragile our consciousness is.

My first interaction with William Shakespeare was an American production and there was an actress, playing Puck, who sounded like Mickey Mouse. When she said, I'll put a girdle around the earth in 40 minutes," I was amazed - the idea of Puck traveling around the Earth in 40 minutes was amazing to me. My dad, who was a scientist, I remember him telling me that Sputnik circled the globe in an hour in a half. And I thought, "Wow, Puck is twice as fast as Sputnik."

I've been singing this song now for twenty five minutes. I could sing it for another twenty five minutes. I'm not proud... or tired.

After another ten minutes, the gates of thievery would open just a crack, and Liesel Meminger would widen them a little further and squeeze through. ***TWO QUESTIONS*** Would the gates shut behind her? Or would they have the goodwill to let her back out? As Liesel would discover, a good thief requires many things. Stealth. Nerve. Speed. More important than any of those things, however, was one final requirement. Luck. Actually. Forget the ten minutes. The gates open now.

I'm onstage for an hour.I do an hour of stand-up. Actually, I do 10 minutes standing up and 50 minutes sitting in a chair. Oh, occasionally, I stand up again to do a dance or put over a song. But mostly I sit down. A great invention, sitting down.

So somehow, things that seem extraneous to the play in reality are not. The scene lasts 37 minutes, and you only need 12 minutes of that for the plot. But if you pull the rest of it out, it's not my play.

I know people who read and read, and for all the good it does them, they might as well cut bread and butter. Unless you give at least 45 minutes of careful, fatiguing reflection upon what you are reading, your minutes are chiefly wasted.

I write a lot of material you've never heard that live inside my sadness. You'll hear a song that lasts six to seven minutes of just beautiful sadness. But I can't just go out on the stage to ask five thousand people to be sad with me for seven straight minutes.

I didn't really want to be an actor when I was growing up - I wanted to be whatever I was reading about or seeing at the time. When I read The Firm I wanted to be a lawyer; when I saw Top Gun, I wanted to be a fighter pilot. So that's why acting probably turned out to be a good thing for me because I get to be people for five minutes or 90 minutes. I'd be curious to see if I had the attention span to be like those guys on 30 Rock and play the same character season after season.

I'm kind of a social person and I enjoy corresponding with people and checking out their Facebook pages. And it really doesn't take much time. Ten minutes in the morning, 10 minutes at night and a little bit during the day. It's just something I really enjoy.

The best thing about improv is that no matter how bad your show is, it's only 30 minutes, and never exists again. The worst thing is no matter how good your show is, it's only 30 minutes, and never exists again.

I completely understand why a businessman would fire me from 'Saturday Night Live'. Because he was seeing Jay Leno kill 10 minutes a night, doing his monologue with wall-to-wall laughs and applause, then I do 10 minutes a week to, sometimes, breathtaking silence. He's just listening for the laughs.

If I only have ten minutes, Sam, this is what I want to say. You're not the best of us. You're more than that. You're better than all of us. If I only have ten minutes, I would tell you to go out there and live. I'd say...please take your guitar and sing your songs to as many people as you can. Please fold a thousand more of those damn birds of yours. Please kiss that girl a million times.

Because [Russel Westbrook] is so rare and impacts the game in so many different ways, you see the usage and the amount of time he's playing and say, 'is this sustainable?' I look at it the other way. Are we playing the right way, are we playing together as a team, and what are his minutes like? This is not a guy that's playing 42 minutes a night. When he goes out there he's going to play to who he is, and I think he also understands that in order for our team to be the best we can be he's got to incorporate and help everybody grow as players.

I sit and I write automatically. I don't really try to write. My subconscious mind takes over and writes the songs for me. Songs come very easily for me. When I'm inspired, it takes me 20 minutes to write a song.

I certainly don't feel like I am desperate to run away from a film set. I love the hustle and bustle. Everything is sort of mad right before a take, and then it just settles, and you've got these two minutes of a bit of magic. I just love that in film.

[Eva Braun] loved [Adolf Hitler]. She would have done that had she been able to spend 10 minutes with him. She endured a lot on his behalf, there's a great deal on that subject to be said.

While I can’t have you, I long for you. I am the kind of person who would miss a train or a plane to meet you for coffee. I’d take a taxi across town to see you for ten minutes. I’d wait outside all night if I thought you would open the door in the morning. If you call me and say ‘Will you…’ my answer is ‘Yes’, before your sentence is out. I spin worlds where we could be together. I dream you. For me, imagination and desire are very close.

Approaching the treadmill I tell myself, 'Okay, it's just 10 minutes, after that you can get off the thing'. That's no time at all.

In the three minutes it takes the song to play I'm caught in a magic world of harmony and joy, a truly ecstatic joy, where the aching longing to be somewhere else, out of this city, out of this country, out of this body and out of this life, is kept at bay.

No, writing musicals is the hardest thing in the world. And it was really funny, because I remember when the South Park movie came out, there were some critics that said, 'Well it's obvious that in order to get it to be 90 minutes they filled some time with music.'

When you're doing a show on stage, and they show you a red light, that means you have 5 minutes left. At some clubs, they hold a candle up in the back. That's the worst method. You're up here, and then you see a floating candle. "Oh, no! This place is haunted!" I can't be funny when I'm frightened.

When I was in school, I was beaten every 30 minutes. It never did me any harm except for some psychological mal-adjustments and blurred vision.

I can't see any hope but a second front. The psychological effect would be great, even if they could not wade all the way to Berlin in 15 to 20 minutes.

Cloud-flying requires practice, even if you have every modern instrument, and unless you keep calm and collected you will get into trouble after you have been inside a really thick one for a few minutes. In the very early days of aviation, 1912 to be correct, I emerged from a cloud upside down, much to my discomfort, as I didn't know how to get right way up again. I found out somehow, or I wouldn't be writing this.

The best stories I have heard were pointless, the best books those whose plot I can never remember, the best individuals those whom I never get anywhere with. Though it has been practised on me time and again I never cease to marvel how it happens that with certain individuals whom I know, within a few minutes after greeting them we are embarked on an endless voyage comparable in feeling and trajectory only to the deep middle dream which the practised dreamer slips into like a bone slips into its sockets

Again, somehow, one saw life, a pure bead. I lifted the pencil again, useless though I knew it to be. But even as I did so, the unmistakable tokens of death showed themselves. The body relaxed, and instantly grew stiff. The struggle was over. The insignificant little creature now knew death. As I looked at the dead moth, this minute wayside triumph of so great a force over so mean an antagonist filled me with wonder. Just as life had been strange a few minutes before, so death was now as strange.

Think about how rare it is that you exist at all. Also think about time this way: If something exists, even for a second, then forever in the future that thing “existed”, and forever in the past that thing “was going to exist”. So to even be conscious for a millisecond is a kind of immortality, but you have more than a millisecond. You have minutes. Hours. Months. A year? Years! This is a gift.

Classical music fulfills for me the function of narrative. I spend 90 minutes a day listening to symphonic music - Beethoven to Bartók - some chamber pieces, and that's my enrichment.

There are just things you can explore in a movie that you can't in 22 minutes with a laugh track.

If a man cannot make his point to keen boys in ten minutes, he ought to be shot!

My life is based on change. What I say is OK for the next ten minutes, then I change my mind.

All I have is my performance, I try to feed in the best of everything that I could possibly do into those 90 minutes and to make a live entertainment show out of it.

You know how I think they choose people for Gryffindor team?" said Malfoy loudly a few minutes later, as Snape awarded Hufflepuff another penalty for now reason at all. "It's people they feel sorry for. See, there's Potter, who's got no parents, then there's the Weasleys, who've got no money - you should be on the team, Longbottom, you've got no brains.

I'm a low maintenance girl. I try to do very little when I don't have to. I find that if I have regular 'maintenance' treatments, I can be ready to go out in 5 minutes. I get my hair coloured, have regular massages, and love getting my lashes tinted and my brows shaped. Plus heaps of exercise, and as much sleep as possible. That way when I'm going out all I have to do is slick on some gloss, and a bit of blush and I am ready to go! Of course the LA sun helps too.

When I started performing I was like, "Holy hell, how am I going to survive this?" I was giving it my all in 15 minutes but now I had to do it for two hours.

There are so many emotions that you're feeling, you can get stifled by them if you're feeling them all at once. What I try to do is take one moment - one simple, simple feeling - and expand it into three-and-a-half minutes.