Quotes About Music

Music is my life. Music runs through my veins. Music inspires me. Music is a part of me. Music is all around us. Music soothes me. Music gives me hope when I lose faith. Music comforts me. Music is my refuge.

there are two kinds of music - good music and bad music. Good music is music that I want to hear. Bad music is music that I don't want to hear.

Music is neither old nor modern: it is either good or bad music, and the date at which it was written has no significance whatever. Dates and periods are of interest only to the student of musical history. . . . All old music was modern once, and much more of the music of yesterday already sounds more old-fashioned than works which were written three centuries ago. All good music, whatever its date, is ageless - as alive and significant today as it was when it was written

I'm from Louisiana, and that's where I got my start, in Cajun music. There's a huge music scene down there centered around our culture. Those are people that are not making music for a living. They are making music for the fun of it. And I think that's the best way I could have been introduced to music.

I wouldn't know anything about opera music if it wasn't for Bugs Bunny. That was my entire introduction to opera music. I wouldn't know anything about classical music if it wasn't for "Fantasia." They didn't have to do that stuff. They chose to base this ridiculous, funny, intriguing, creative story on this beautiful classical music. It's the combination of the high and the low that I thought was very cool. But I had no concept of it as a kid.

The history of music is nothing more than the history of art-music or classical music, the music that was commissioned by aristocrats.

I want people to look at themselves. I want people to go into a space for meditation. It's funny to use a word like meditation as the music is fairly brutal but there is a hypnotic element to it and the way that I try and create that for someone just happens to be through a fairly heavy form of music. You are constantly barraged and beaten down with a lot of bullshit and I find that heavy and extreme music helps me to go into a very tranquil place and I hope, more than anything, that the music does create a space for people to go inward with.

There is no essential difference between classical and popular music. Music is music. I want to communicate with the listener who finds Indian classical music remote.

If I make a movie that has a whole bunch of music in it, I get to listen to the music all day long, and I don't have to say, 'Well, I gotta go back to work and I gotta stop listening to the music.' I get to listen to music and go to work.

One good thing about music, when it hits-you feel no pain. ... My music fights against the system that teaches to live and die. ... Free speech carries with it some freedom to listen. ... My music will go on forever. Maybe it's a fool say that, but when me know facts me can say facts. My music will go on forever.

I think blues music is music of the soul. Of course, there are other forms. You could call some classical music blues music in that way.

I have always loved David Bowie. When he began to experiment with pop music in the 80's, I really thought there was a really fascinating reverence for it. A lot of people looked at pop music as just idiot music, or dance music, and with this he was giving it a lot of respect.

May not music be described as the mathematics of the sense, mathematics as music of the reason? The musician feels mathematics, the mathematician thinks music: music the dream, mathematics the working life.

Basically my influences have been American influences. It's been blues, gospel, swing era music, bebop music, Broadway show music, classical music.

Making music clips, I have a responsibility to depict the artist in a way that suits them, and feels comfortable with how they want to present their music. From there I usually try to tell a story visually that complements the music, that lets the music be the hero element of the project. I just try to do something that feels sincere and creative and a little bit home-brewed so it doesn't feel too plastic or phony.

The most important thing is that you make sure you follow the music, which is a musician's way of saying follow your heart. The two things are intertwined. You know, when you even mention the phrase "music business," the older you get, the sourer it sounds. It's a terrible business, you know. Music and business have nothing to do with each other; there's no correlation, so it's always a rub. I would encourage people, don't be swayed by the music business. If you're truly, in your heart, a musician, stay one, and let the business find you.

I write music, it’s performed. After all, my music says it all. It doesn’t need historical and hysterical commentaries. In the long run, any words about music are less important than the music.

I have always loved the process of making the music, reading the letters from the fans who get married to my music, have children to my music and play my music at their funerals.

People are beginning to recognize reggae music, and know it's a very powerful music, and researchers have been researching and coming up with reports that it's a great music, a healing music

I come from a family in which music was important, especially German music - from I come from a family in which music was important, especially German music - from Johann Sebastian Bach to Ludwig van Beethoven. I played a lot of piano, mostly Bach. I really loved Glenn Gould's interpretations. to Beethoven. I played a lot of piano, mostly Bach. I really loved Glenn Gould's interpretations.

The author's conviction on this day of New Year is that music begins to atrophy when it departs too far from the dance; that poetry begins to atrophy when it gets too far from music; but this must not be taken as implying that all good music is dance music or all poetry lyric. Bach and Mozart are never too far from physical movement.

Music as background to me becomes like a mosquito, an insect. In the studio we have big speakers, and to me that's the way music should be listened to. When I listen to music, I want to just listen to music.

I wasn't making music for the sake of music but rather making music in the context of other music. At the same time, it doesn't mean I'm not going to try and do that some day.

I'm definitely nostalgic about the music of my youth; The Clash and Fishbone and that whole music scene. I still have all that music to this day. There was some great music going on in the late 70s and 80s.

If politically infused music is denied airplay, music reviews or festival stage time because it is considered "politics" rather than "art", then there will be no music left to ban. It will never reach the surface anyway, not to the larger audience. I believe that there is a high degree of censorship in the west, most importantly in the form of self-censorship among musicians themselves. This is why what you hear on the radio is - increasingly often - pure and toothless entertainment. Almost by definition, there's nothing left in pop music worth banning.

Music is very, very important in my movies. In some ways the most important stage, whether it ends up being in the movie or not, is just when I come up with the idea itself before I have actually sat down and started writing. I go into my record room... I have a big vinyl collection and I have a room kind of set up like a used record store and I just dive into my music, whether it be rock music, or lyric music, or my soundtrack collection. What I'm looking for is the spirit of the movie, the beat that the movie will play with.

I like Celtic folk music, Native American music, and any kind of early music. There isn't a lot of music that I don't like... except for Show Tunes.

Rock & roll seemed to just come to us, on the radio and in the record stores. It became our music. . . But then we uncovered another, deeper level, the history behind rock and R&B, the music behind our music. All roads led to the source, which was the blues.

Being in Nirvana was amazing an experience that will never happen again for me. And I look on them as some of the best and worst times of my life. But we're in this band, the Foo Fighters, making music for the love of music. We all came from bands that had disbanded, and we were drawn to each other because we missed playing - we missed getting in the van, loading our equipment, and watching it break down in the middle of a show. And that feeling hasn't gone away. There's nothing I'd rather do than make music. It's the love of my life.

I think we listen to music because we want to be changed. Music is not solely for our entertainment. Music has such tremendous power to bring joy. To me, that's our job as artists. Not happiness, not a groove, whatever. You must bring joy. I think that's the assignment. I have no doubt about it.

It was writing about music for NPR - connecting with music fans and experiencing a sense of community - that made me want to write songs again. I began to feel I was in my head too much about music, too analytical.

I'm not playing up to pretend, I don't live above my means. In my song "96 Cris" I say, "...My bills too low for me to fall off." Honestly, if I never did anything again with music, because I put out my own music, I could pay my bills, forever. I can pay my mortgage off my old music. Of course, you probably wouldn't see me in my Lamborghini but, do you really need a Lambo? That's really what you have to ask yourself.

There are tons of people in the West who love fiddles, banjos and mandolins. If you got to any cowboy poetry and music gathering those are the instruments they use. It's acoustic music. We don't do that much modern country that has electric guitars and a lot of volume. It's a gentler form of music. It's from the land and comes from the ranchers and farmers.

A good dancer is one who listens to the musicWe dance the music not the steps. Anyone who aspires to dance never thinks about what he is going to do. What he cares about is that he follows the music. You see, we are painters. We paint the music with our feet.

I am deeply saddened to hear about the passing of one of my all time heroes, George Jones. Georges' music was real and he was able to touch thousands through his songs. Not only was he a great singer, but he also had the ability to make you relate to every one of his songs, no matter who you are. He and his music will remain timeless in the world of country music. My thoughts and prayers are with his family through this difficult time.

I had composed songs, I sang, and played the vina. Practising this music I arrived at a stage where I touched the music of the spheres. Then every soul became a musical note, and all life became music. Inspired by it I spoke to the people, and those who were attracted by my words listened to them instead of listening to my songs.

I'm a music storyteller and collaborator. I hear character, location, and story as music. For me a score is there to both heighten the story and to actually tell the story with the unique emotional and narrative powers of music.

Lately I feel films are more and more like music. Music deals with abstractions and, like film, it involves time. It has many different movements, it has much contrast. And through music you learn that, in order to get a particular beautiful feeling, you have to have started far back, arranging certain things in a certain way. You can't just cut to it.

Folks out in the country couldn't afford to pay for anybody else to make music. They had to make their own. So the peasantry had their music, and it was about a hundred years ago given the name "Folk music".

Through music I either tame my demons or unleash them and allow them to be what they are. I don't want the music to be about provocation, I want the music to bring you to a place where you feel at home

Music is a science, it heals depression, it awakens, most people don't know, they just take music for an entertainment, something to dance to, and enjoy yourself and you go to bed and forget it tomorrow, music must never be forgotten, it's like a fountain that keeps on flowing

I try to put a lot of our music in my music - by that I mean of American music.

Composers are influenced by all the important music in their lives - and I suppose that since radio started playing popular music, that's as likely to be The Beatles or Aphex Twin as it is to be Verdi or Ravel. They'd be strange teenagers if they didn't. But cross-pollinating happens too - Aphex Twin did more interesting things with electronic music than most trained composers, who seemed to approach samplers with undue caution and reverence in those early days.

I think you can hear, when you listen to someone's music, whether or not they're enjoying making it - it's so great to hear music where you can tell the person making it was just having a blast. That's really important to me as far as my process goes. That's probably why my music ends up being so poppy!

I hope people just enjoy the music. I'm not worried about any sort of legacy. Whether people view me more as the drummer in Wilco or as a composer who composes primarily for rhythmic reasons - it doesn't matter to me as long as they dig the music. None of that matters to me if the music is crap.

I try to pick music for a diner that doesnt involve a lot of lyrics, so you're not paying attention to that. As long as it doesnt dominate the party, it should be more atmosphere music. When I'm by myself, I never play music.

Writing songs out of my faith was a real natural progression. I grew up singing in my dad's choir and singing with my family. Christian music became the music that I identified myself with and was a way that I expressed my faith. Even at a public school I would take my Christian music in and play it for my friends.

I prefer music but sometimes if there's on talk radio - someone might be on that I like. I listen to the old - to "Air America," down at the - liberal talk shows and things like that I find kind of nice, their criticizing the conservatives. I find that quite relaxing, entertaining, but music, a lot of music.