Quotes About Music

When I was in London I found house music and techno, and I love that s - t. It's my go-to music. It's the closest for me to the old funk of James Brown and the repetitive dance music that I like from the soul music. I'd love to do a live album, like a little bit old school but still progressive, influenced maybe by more electronic music. I like everything, but I don't know anything about music. So it comes in to a lot of different ingredients.

Music, to me, is the most beautiful form, and I love film because film is very related to music. It moves by you in its own rhythm. It's not like reading a book or looking at a painting. It gives you its own time frame, like music, so they are very connected for me. But music to me is the biggest inspiration. When I get depressed, or anything, I go "think of all the music I haven't even heard yet!" So, it's the one thing. Imagine the world without music. Man, just hand me a gun, will you?

There are many fans of hard rock music that have been wrongly pigeonholed as apathetic. This music is not music for the elitist coffeehouse culture in SoHo. It' s rock 'n' roll music for kids across the land, and I think that makes it much more subversive in a way, in that it has the form and the function of a powerful, populist music, but it can carry very incendiary messages.

The dilemma of the eighth-grade dance is that boys and girls use music in different ways. Girls enjoy music they can dance to, music with strong vocals and catchy melodies. Boys, on the other hand, enjoy music they can improve by making up filthy new lyrics.

People ask me if I'm influenced by British music, and I suppose I grew up listening to mostly British music - from new wave stuff through to heavy metal. Like, when I got into metal, it was Black Sabbath. I never really got into a lot of American rock. I appreciate some of it, but not much! Most of the great new wave music was coming out of Britain, and Germany. So maybe those influences have made their way into my music, and perhaps that's why I have this connection with people in Europe. But maybe it's something cosmic.

I wouldn't know anything about opera music if it wasn't for Bugs Bunny. That was my entire introduction to opera music. I wouldn't know anything about classical music if it wasn't for "Fantasia." They didn't have to do that stuff. They chose to base this ridiculous, funny, intriguing, creative story on this beautiful classical music. It's the combination of the high and the low that I thought was very cool. But I had no concept of it as a kid.

All of my friends are really good dancers, which was initially why I never danced - we'd go out and they would kill it and I'd be like, "Yeah, I'm just gonna sit at the bar." I broke my foot, and I couldn't run for a year, but I realized I could kind of dance. It reminded me how amazing dance is; it's so in tune with music - it is music. It's a physical expression of whatever music is. On stage, you're interacting with things - physical things. So I've really started to like and notice the way people move with music.

One good thing about music, when it hits-you feel no pain. ... My music fights against the system that teaches to live and die. ... Free speech carries with it some freedom to listen. ... My music will go on forever. Maybe it's a fool say that, but when me know facts me can say facts. My music will go on forever.

I think blues music is music of the soul. Of course, there are other forms. You could call some classical music blues music in that way.

Most conservatives know better than to promote the state funding of art. The result of such funding is the mess that modern art has become. Atonal music is to music what subsidized art is to art. ...The fact that cacophony has reigned almost supreme since 1900 is a testimony to Mises' original observation. Atonal music is to music what socialism is to economics: planned chaos.

What bothers me is when music becomes entertainment. Of course, music is supposed to be entertaining, but go back to any period of time - music had a cultural significance on different levels, whether it was folk music, it was the news of the village, or it had to do with the rites of passage.

Musically, New York is a big influence on me. Walk down the street for five minutes and you'll hear homeless punk rockers, people playing Caribbean music and reggae, sacred Islamic music and Latino music, so many different types of music.

I love making music. I feel like people often get into that 'you should only make music for yourself' kind of place, where they say things like, "I don't write for other people, I write for myself," and I feel like that misses the mark so much because music, especially pop music, is so much more than yourself.

I think that cheap music often does make you dream more than more serious music, whether that's serious music by Beethoven or Miles Davis or Pink Floyd... if the Floyd ever did serious music, which I seriously doubt.

My father did not bother that I play not a classical music. He always congratulated me for my development in music, I mean in any music but, he hang on to continue training at the Academy of Music... however, I never mentioned to my teachers that I trained myself at weekends in clubs.

A mediocre music teacher tells. A good music teacher explains. A superior music teacher demonstrates. A great music teacher inspires.

You listen to a politician making a speech, and it is like hearing nothing. Whereas, music is unmistakably music. The thing about music is that nobody listens to it unless it's real. I don't think that you can fool anybody for too long in music. And you certainly can't fool everybody.

Livin' la Vida Loca' is not Latin music. It does not represent Latin music what Jennifer Lopez put out. It's not Latin music. What Enrique Iglesias, it's not Latin music, no? It's Latin artists. There's a Latin artist doing it you could say.

For instance, our music, They Might Be Giants, has this element of humor, which is probably the most uptight part of what we include in our music, because we're in part very self-conscious guys, and we want our music to stand up to the test of time, not just be visceral comedy records. We love humor and comedy, but there's this aspect to it that runs counter to what is included in most music.

There's music in the sighing of a reed; There's music in the gushing of a rill; There's music in all things, if men had ears; The earth is but the music of the spheres.

I write songs. Then I record them. And later, maybe I perform them on stage. That's what I do. That's my job. Simple. I don't feel comfortable doing interviews. My profession is music, and writing songs. I like to do it, but I hate to talk about it...Music is spiritual. The music business is not. Being famous was extremely disappointing for me. When I became famous it was a complete drag and it is still a complete drag.

However, I have a lot of greed. The types of music I want to show are on this side and on that side. Conclusively, if I'm able to make good music and people continue to look for my music, won't this kind of controversy get better... is my thought.

I came up during that time when music, to me, was really music. It wasn't about talking about a woman and calling them a derogatory name or something like that. It was real music.

I think it's okay that there's digital music out there, because that does mean more people have access. I mean, you're a student, and you're studying music, and you want to find a CD of a whole work, but there's one piece that intrigues you. It's easy to get that piece for a dollar for the most part. And it's so easy for people to carry around music digitally.

The only other style of music that attempts to go to the deeper place of the silence that is music is New Age music.

I think it's like music for the sake of music, and a lot of the words stem from liking music a lot, wanting to be a good band and having a good sense of humour, and living in a situation where we're free to pretty much do what we want.

In Africa, music is for everything, Music was originally used for community. That was what music was for.

I was a huge fan of this band called Sparks. It was a pretty good inauguration to music since their music is quite complex. They were a little glammy, and me - being a kid and not really understanding the complexity of grown-up lyrics - I took the best out of it. But at the same time, it was mysterious enough and too far away from me for me to really be able to reach it. But they were my first love affair in the world of music. I loved that band.

Aaron Copland was a man that had a very specific point of view about what music should be which was that, he felt that new music should have the composer should show a personality in his music.

You figure out how to create opportunities to make music, and then, if you take care of the music, audiences will come around. They also might leave. What matters is the moment: the moment of making music, with and for and among others, and what that offers to those people in that moment. They might never see me again; they might never learn my name. But it might still be something they carry with them.

There's a vast ecosystem for music outside of Myspace and Facebook and you need to make sure that your music is in as many hands as possible. I wanted people to share my music and tell friends about me, and if you want to rely on word of mouth, you have to make it easy for people. I got lucky because I had a few songs that hit big and got a lot of links on blog posts.

Music is more of a hobby to me than my hobbies, if that makes sense. I love music; my dad and brother were very musical, and music just happens to be one of my hobbies that became my vocation.

I think The Eagles single-handedly destroyed country music - well, now, country music has been killed by rap crossovers, so it's hard to say. Maybe we can just agree that money killed country music.

I listen to lots of music, especially Bach, opera (all periods), German lieder, chamber music, and rock, old and new. I can't listen to music while I write. It's too absorbing.

Music was our food... When we can play, it can't be so terrible. The music, the music!

I grew up in a home filled with music and had an early appreciation of jazz since my dad was a jazz musician. Beginning at around age three I started singing with his band and jazz music has continued to be one of my three passions along with acting and writing. I like to say jazz music is my musical equivalent of comfort food. It's always where I go back to when I want to feel grounded.

I studied music all the way through college, but as soon as I graduated from university, I got straight into London and got straight into film music. So really my experiences have been being around the orchestras in London and being around the people who work in film music.

I don't listen to a ton of music other than putting my show together, just because my lifestyle isn't too conducive to listening to music all the time. I like to watch basketball, and I would rather not listen to music while I'm doing that.

My parents met in music school and my father was a music professor and conductor. Growing up, we always had classical and contemporary music playing. There was a lot of Mozart and the Beatles.

Of what use is the universe? What is the practical application of a million galaxies? Yet just because it has no use, it has a use - which may sound like a paradox, but is not. What, for instance, is the use of playing music? If you play to make money, to outdo some other artist, to be a person of culture, or to improve your mind, you are not really playing - for your mind is not on the music. You don't swing. When you come to think of it, playing or listening to music is a pure luxury, an addiction, a waste of valuable time and money for nothing more than making elaborate patterns of sound.

Words and music equally important. But the way to get what I'm looking for is different in each case. I have something specific I'm hoping for with the words and the music, and the way to get the words the way I like them is to take a long time, and the way to get the music I like it is to not let me or anyone else get in the way of it.

It's quite interesting that in my growing up I had several influences. We had gospel music on campus. R&B music was, of course, the community, and radio was country music. So I can kind of see where all the influences came from.

Music is monophonic in the Eastern world, especially if we're talking about Indian music, Persian music. What we have in classical and Western world is harmony. So I think it's a great idea to be able to bring the best of two together and create something new.

Well, Japanese fans braced me since 1991 that was my first time I have been to Japan. So I know that Japanese fans has supported me over the years. So it just a lot of love and Wayne Wonder will release more music, more music and more music!

For me the best kind of film music is liturgical music. Liturgical music is essentially a million scores for the same film.

I just write songs, I make music, and I have several times over reinvented my life in order to keep making music and just make music all day. I don't know. It's just what I have to do.

I never liked jazz music because jazz music doesn't resolve. But I was outside the Bagdad Theater in Portland one night when I saw a man playing the saxophone. I stood there for fifteen minutes, and he never opened his eyes. After that I liked jazz music. Sometimes you have to watch somebody love something before you can love it yourself. It is as if they are showing you the way. I used to not like God because God didn't resolve. But that was before any of this happened.

I love all types of music. Jazz, classical, blues, rock, hip-hop. I often write scripts to instrumentals like a hip-hop artist. Music inspires me to write. It's either music playing or completely silent. Sometimes distant sound fuels you. In New York there's always a buzzing beneath you.