Quotes About Music

Creating music to fit the marketplace, so that music can be heard? If ever I thought that I even came close to catering to the marketplace, or designing my productions and my music to cater to what is currently fashionable, I would sell shoes for a living. For me, the marketplace can rot in hell. I will do music for the love of music and for the love of people who listen to music, and absolutely nothing else will drive me.

I saw lots of music devices. I loved playing with music devices. And like most of the world, I thought of a music device as a music device. Steve Jobs tends to look beyond that, and he doesn't see a music device as having any importance at all - how fast it is, how many songs it can hold, and all that - he sees music itself to a person as a being the important thing.

You're not just making music for your personal use no more, just making music for your homies around you; you're making music for people around the world. Kids in Alaska - like, you're making music for everybody. When I make music, I just think on a larger scale.

I'm not conditioned to be an entertainer. An entertainer pleases others while an artist only has to please himself. The problem with that is artists are misunderstood by all. I'm not interested in the clarinet but in music. we speak our emotions into music. An artist should write for himself and not for an audience. If the audience likes it, great. If not, they can keep away. My situation is the same. Let them concentrate on my music and not on me. I like the music. I love it and live it, in fact. But for me, the business part of music just plain stinks.

We love all kinds of music: We love pop music, we love rock music, we love R & B and country, and we just pull from all our influences. So I don't really take offense as long as people are coming out to the shows and buying the records and becoming fans of the music. At the end of the day, the music is what's gonna speak to you.

People around me are always an inspiration due to their love of the music and they help me to generate ideas for music. But it's really the passion and drive I have for my music that keeps me connected. I recorded my first song in the studio at 8 years old and I've taken it seriously since then. Making music is fun to me so I aim to translate those feelings into the music.

So what's happening with the audio/visuality, for the first time we are doing the music - the people who would come to the concert love the music - they loved him and loved his music - for the first time in concert it's not only the music. Now it's time to know the man. We know the music, but what was the man like?

That’s why I make music. When I listen to my favorite music made by other people, that’s what it does to me. So as a musician, I’m just trying to do the same thing with music I make. Sometimes it works, sometimes it doesn’t. But when someone comes to me and says the music I’ve made has affected them emotionally, that’s the most gratifying part of my job.

England is so surrounded by the boredom of conventionalities, that it is all one to them whether music is good or bad, since they have to hear it from morning till night. For here they have flower-shows with music, dinners with music, sales with music.

I've always loved the music... My favorite kind of music is Christmas music and the only thing I love better music is my wife and daughters. So, hanging out with my wife and daughters and cuddling them will be pretty cool.

I love making music. I feel like people often get into that 'you should only make music for yourself' kind of place, where they say things like, "I don't write for other people, I write for myself," and I feel like that misses the mark so much because music, especially pop music, is so much more than yourself.

I think I'm really part of a whole generational movement in a way. I think a lot of other people since and during this time have gotten interested in writing what we can still call experimental music. It's not commercial music. And it's really a concert music, but a concert music for our time. And wanting to find the audience, because we've discovered the audience is really there. Those became really clear with Einstein on the Beach.

When you're animating a music video, you have to animate to some set music. You're somewhat restricted by that, but you're also inspired by that. The animation becomes secondary if you're animating to a music video. Either way, it's important. Music has really helped my animation, that's for sure.

When I was a teenager, I really didn't like loud rock music. I listened to jazz and blues and folk music. I've always preferred acoustic music. And it was only, I suppose, by the time Jethro Tull was getting underway that we did let the music begin to have a harder edge, in particular with the electric guitar being alongside the flute.

I'm not sure if music got a future. We have all these electronic ways to download and steal music and get music, but there's no money in makin' music.

For instance, our music, They Might Be Giants, has this element of humor, which is probably the most uptight part of what we include in our music, because we're in part very self-conscious guys, and we want our music to stand up to the test of time, not just be visceral comedy records. We love humor and comedy, but there's this aspect to it that runs counter to what is included in most music.

Bill Monroe spoke of bringing 'ancient tones' into his music with echoes of British and Irish fiddle and bagpipe music, while also delving deeply into American blues, gospel, folk hymnody, and hill country dance music. To that gumbo, he added the invigorating rhythms and harmonies of hot jazz. It was a new kind of American music, named in honor of his band The Blue Grass Boys to be known, simply, as bluegrass.

Music, when combined with a pleasurable idea, is poetry; music, without the idea, is simply music; the idea, without the music, is prose, from its very definitiveness.

I grew up with the Blind Boys' music. My family owns a music store in Claremont, California, called The Claremont Folk Music Center. I grew up with a heavy diet of gospel, folk, and blues because those are kind of the cornerstones of traditional American music.

Music gets inside you, music captures you. Music becomes your heartbeat. It’s a drug and makes you feel whatever the song’s about.

In American commercials in the past year or two, I don't know, the singers all sound like they're whining and the music's all melancholy. It's sort of like, I hear these commercials and it makes me feel sad, you know? Like - for instance, my barley tea is gone. Now, there's music out there that encourages you, when your barley tea has run out, to just sort of sit there and be like "My tea ran out. Oh, man." And just be slouching. So we wanted to make music that when your tea runs out, instead you're like, "I'm gonna go get some more tea!" You know? It just gives you the energy.

I've become this voice for a millennial generation of feminism, which is awesome, but at the same time it's complicated. We all know I'm a girl, I'm a woman, but it's difficult to figure out how to talk about it and express how important it is without beating it with a hammer and having it be, "So you're a girl in music! So you're a girl in music!" Yes, I'm a girl in music - can we just talk about something else?

I think it's like music for the sake of music, and a lot of the words stem from liking music a lot, wanting to be a good band and having a good sense of humour, and living in a situation where we're free to pretty much do what we want.

I love synthesizers and I love electronic music and I love the avant garde and I always want to try and have some kind of element of that in the music. So once the music is put down and recorded, that's when I start to tinker with it using synths.

A good dancer is one who listens to the musicWe dance the music not the steps. Anyone who aspires to dance never thinks about what he is going to do. What he cares about is that he follows the music. You see, we are painters. We paint the music with our feet.

Perhaps it is to prepare to hear some day the music of the spheres that I am always turning my ears to the music of streams. There is indeed a music in streams, but it is not for the hurried. It has to be loitered by and imagined. Or imagined toward, for it is hardly for men at all. Nature has a patient ear. To her the slowest funeral march sounds like a jig. She is satisfied to have the notes drawn out to the lengths of days or weeks or months. Small variations are acceptable to her, modulations as leisurely as the opening of a flower.

I like all music. Well, I don't like music that was created to make money. I don't really like bands that don't write their own music

I heard Q-Tip on the Jungle Brothers' song 'The Promo.' It was very exciting. It was very new. The music and the culture around hip-hop was evolving. I think there's an emotional quality to their music and there's a vulnerability to the music. For me, A Tribe Called Quest was my Beatles.

My interest in music tends toward being orchestral music. And the repertoire of music that exists is, to me, far more emotive than what is standardly used in movie scores. That isn't always. I think there've been some excellent movie scores by excellent directors. But for the most part, watching a film, one of today's movies, I think that the emotional undertone of movie scores is pretty poor.

At the root of all power and motion, there is music and rhythm, the play of patterned frequencies against the matrix of time. We know that every particle in the physical universe takes its characteristics from the pitch and pattern and overtones of its particular frequencies, its singing. Before we make music, music makes us.

Indian music is brilliant and for me, anyway, (this is only personal) it's got everything in it. I still like electronics and all sorts of music if it's good but Indian music is just... an untouchable you can't say what it is, because it just is.

People say my music is English. I don't know what it is. Maybe it's not me writing English music, but that English music is becoming more like me.

Haven’t you heard of the music of the spheres?” asked the dragon. “It’s the music that space makes to itself. All the spirits inside all the stars are singing. I’m a star spirit. I sing too. The music of the spheres is what makes space so peaceful.

You know that that thing is going to be as crisp and as clean, as many times as you want to watch it. So, I knew that the film was going to be watched multiple times, a lot like with music videos. Music videos aren't designed to be watched once. They're designed to be watched hundreds of times. On a certain level, the film was dream logic-ed, like a music video

Men have been in the forefront of music for centuries, and they have written glorious music, loved and appreciated by many. In some ways, men are still in the forefront. There is a lot of room for composers of all types of music by both men and women, nowadays.

There's a vast ecosystem for music outside of Myspace and Facebook and you need to make sure that your music is in as many hands as possible. I wanted people to share my music and tell friends about me, and if you want to rely on word of mouth, you have to make it easy for people. I got lucky because I had a few songs that hit big and got a lot of links on blog posts.

If I had to make a choice between only writing about sports or only writing about music, I would probably write about music. I'm not sure why that is. There seems to be more to write about with music, just because it's more of a splintered thing. There's more subgenres. With sports, it's more objective in a way.

Country music has been empowering to women. Women invented it - it was women singing to their children that built country music. The people making country music today might not even know that it all started with a midwife. But it's true, it really did. That's where Michael learned to shake it the way he did. It wasn't from old Papa Jackson, I'll tell you that.

And you should hear the music. Incredible, amazing music, like nothing you've ever heard, music that almost takes your head off, you know? That makes you want to scream and jump up and down and break stuff and cry.

Which of the two powers, Love or Music, can elevate man to the sublimest heights? ... It is a problem, and yet it seems to me that this is the answer: 'Love can give no idea of music; music can give an idea of love.' ... Why separate them? They are two wings of the soul.

Argentina is a very interesting culture because unlike Europe and the US, they did not abandon rock and roll music, they did not turn their backs on it. It's an important part of their culture. So guitar music is an important part of their culture. So me being into rock music, I get respect working there, which wasn't happening in Europe or in the US.

I don't know if there was really ever a golden age of the music business. Most of what was released has always been garbage and some has been able to get through and last. I don't know that it was much better thirty years ago. The music industry just wasn't as efficient. The music industry was more oddball guys who did it for fun and now they are huge corporations that have become more structured.

Electronic music was just discovery about sound, all our sound options. The core percussions and melodies, they forget about it, they didn't think about those those for a good four, five years, because they were just discovering the new tools and what they could do with them, you know? The big folk revival, I think is a backlash against that. And now, I think they'll probably try to find somewhere in the middle. It's interesting. It's like push-and-pull. It's always like that, you know? Music history is always like that, this repeating evolution of music.

My parents met in music school and my father was a music professor and conductor. Growing up, we always had classical and contemporary music playing. There was a lot of Mozart and the Beatles.

There's always been good and bad music. Many composers hide behind modern music in order to not make music.

Make the kind of music you love even if you never hear it on the air. This was the basic lesson I'd gotten from Alan [Lomax]. Alan said, Pete, look at all this great music around. You never hear it on the radio, but it's right there, great music.

The only person who really impressed me with making new music is Cudi. Everyone else seems to be jumping on the same music, the producer-made stuff, but the one person that's made new music to me is Cudi.

The first thing I think about is music, and the last thing I think about is music. I'm like some Monk. I don't see a lot of daylight. I hang out with musicians, I hang out with directors and I just try to spend as much of my life as possible playing music.