Quotes About Novel

You can't have a novel without real, believable people, and once you get into either too theoretical a novel or too philosophical a novel, you get into the dangers that the French novel has discovered in the past 50 or 60 years. And you get into a sort of aridity. No, you have to have real, identifiable people to whom the reader reacts in a way as if they were real people.

We live in a sea of general ideas, so that's not a novel, since there are so many general ideas. But the moment a particular idea is linked to a character, it's like an engine moves it. Then you have a novel underway.

People wonder why the novel is the most popular form of literature; people wonder why it is read more than books of science or books of metaphysics. The reason is very simple; it is merely that the novel is more true than they are.

I have rarely read a more wonderful book than To Win Her Favor by Tamera Alexander. Rich with historical detail and fully developed characters, this novel held me spellbound until the last page. If you read one historical novel this year, make it To Win Her Favor. It will linger with you long after the last page.

My springboard is always the script. Even if the script is taken from a novel, I often haven't read the novel...

Nothing is wrong with you. You're not different. Everybody feels as bad as you do: this is just what writing a novel feels like. To write a novel is to come in contact with raw, primal feelings, hopes and longings and psychic wounds, and try to make a big public word-sculpture out of them, and that is a crazy hard thing to do.

I often hear people say that they read to escape reality, but I believe that what they’re really doing is reading to find reason for hope, to find strength. While a bad book leaves readers with a sense of hopelessness and despair, a good novel, through stories of values realized, of wrongs righted, can bring to readers a connection to the wonder of life. A good novel shows how life can and ought to be lived. It not only entertains but energizes and uplifts readers.

It's all sex for me. Politics is sex. Race is sex. It's the novel. It's the novel!

It was only after two years' work that it occurred to me that I was a writer. I had no particular expectation that the novel would ever be published, because it was sort of a mess. It was only when I found myself writing things I didn't realise I knew that I said, 'I'm a writer now.' The novel had become an incentive to deeper thinking. That's really what writing is—an intense form of thought.

A little more than a hundred years ago, "Tel Aviv" was not a city. It was a title of a novel written by an author. The "Return to Zion" was a name of another novel. There was a bookshelf. There was no country. There was no state. There was no nation. There was no physical Jewish reality in this country.

If only a group of people were more important to me than the idea of a Novel, I might begin a novel.

If it is written and read with serious attention, a novel, like a myth or any great work of art, can become an initiation that helps us to make a painful rite of passage from one phase of life, one state of mind, to another. A novel, like a myth, teaches us to see the world differently; it shows us how to look into our own hearts and to see our world from a perspective that goes beyond our own self-interest.

I'll never forget reading Chekhov's "A Doctor's Visit" on a train to Hawthorne, New York, and I got to the end - the scene where the patient says goodbye to the doctor and she puts a flower in her hair as a kind of thank you to him - and I felt like a cowboy shot from a canyon's top. This is a different experience from reading a novel, I think. The emotional effect is cumulative. Let's just hope market forces don't send short fiction the way of the dinosaur, because their sales are paltry compared to the novel and this is truly unfortunate.

I'm a big Philip Roth fan. I think "American Pastoral" is the great American novel of the past 30 to 40 years. It's a novel about what happened in the 1960s, and I think America is still dealing with what happened then. It's devastatingly sad.

The desire to write a novel is the single required prerequisite for writing a novel.

I'm working on a young adult novel. I've been working on it for a while, because I don't know how to write a novel and I'm teaching myself. For that reason, I've been reading a lot of YA [young adults], which I never have before. It's totally new to me.

Yes?’ he asked, looking at me over the sheet. ‘I’m a writer temporarily down on my inspirations.’ ‘Oh, a writer, eh?’ ‘Yes.’ ‘Are you sure?’ ‘No, I’m not.’ ‘What do you write?’ ‘Short stories mostly. And I’m halfway through a novel.’ ‘A novel, eh?’ ‘Yes.’ ‘What’s the name of it?’ ‘”The Leaky Faucet of My Doom.”‘ ‘Oh, I like that. What’s it about?’ ‘Everything.’ ‘Everything? You mean, for instance, it’s about cancer?’ ‘Yes.’ ‘How about my wife?’ ‘She’s in there too.

The rules seem to be these: If you have written a successful novel, everyone invites you to write short stories. If you have written some good short stories, everyone wants you to write a novel. But nobody wants anything until you have already proved yourself by being published somewhere else.

You're getting everyone's point of view at the same time, which for me, is the perfect state for a novel: a cubist state, the cubist novel.

If you read a novel in more than two weeks, you don't read the novel really.

A form wherein we can enjoy simultaneously what is best in both the novel and the short story form. My plan was to create a book that affords readers some of the novel's long-form pleasures but that also contains the short story's ability to capture what is so difficult about being human - the brevity of our moments, their cruel irrevocability.

I love short stories - reading and writing them. The best short stories distill all the potency of a novel into a small but heady draught. They are perfect reading material for the bus or train or for a lunchtime break. Everything extraneous has been strained off by the author. The best short stories pack the heft of any novel, yet resonate like poetry.

If you're writing an opinion piece, it's your job to write your opinion. If, on the other hand, you wrote a novel, as Virginia Woolf tells us, it would be inappropriate if you let your novel be influenced by your political opinions.

A man who is not born with the novel-writing gift has a troublesome time of it when he tries to build a novel. I know this from experience. He has no clear idea of his story; in fact he has no story. He merely has some people in his mind, and an incident or two, also a locality, and he trusts he can plunge those people into those incidents with interesting results.

A novel that does not uncover a hitherto unknown segment of existence is immoral. Knowledge is the novel's only morality.

If you don't like my book, write your own. If you don't think you can write a novel, that ought to tell you something. If you think you can, do. No excuses. If you still don't like my novel, find a book you do like. Life is too short to be miserable. If you do like my novels, I commend your good taste.

The contemporary memoir is playing an important role in at least just bringing certain relationships out into the open in American society, and also it's a place where the novel of development, the novel of consciousness, has gone.

Writing the novel felt so private to me! I think publishing a novel is quite public and exposing, and what's a little frightening to me right now is the fact that it feels so entirely opposed to the privacy that is writing.

For me, George Saunders novel [Lincoln in the Bardo] is about a problem of pain.

Fiction writing is an act of imagination, lived experience is secondary in many ways, writing a novel really is all about inventing worlds and people.

I've just finished a series of Olivia Manning novels. She's best known for two trilogies: Balkan Trilogy and Levant Trilogy. The six novels are continuous and contain the same set of characters. They are based on Manning's experiences in Eastern Europe and Egypt during the Second World War. Each novel is a wonderful picture of the peculiar British expatriate culture and what was happening during the war. She's one of those brilliant women who write very well about domestic relationships. All the books are slim, and it's easy to gallop through them.

My medium is prose, not the novel.

Baseball is more like a novel than a war. It is like an ongoing, hundred-year work of art, peopled with thousands of characters, full of improbable events, anecdotes, folklore and numbers.

Let nothing novel be introduced!

We live in a cluttered culture, a culture of information in which even our computers can't tell us what's worth knowing and what is merely cultural scrap. In such a society, we don't have the experience of contemplative space, of the time or mood to engage a book of poetry or even read a novel. Who can achieve the unconscious-conscious state of the reader when everything is stimulation, everything is movement and information?

I know a lot of writers who would much rather be writing the Great American Novel, but they've got bills to pay and alimony, and so they take a job at a less-than-reputable paper. You know, you do what you gotta do.

Personally, I do not believe that it is the duty of any man or woman to write a novel. In nine cases out of ten, there would be greater merit in leaving it unwritten.

Try writing...a list, a letter, a journal, a novel, a declaration.

With my students, I don't offer any simple tips like that, maybe because my own process is pretty messy, but when we workshop we talk a lot about the deeper subject, which is what the story or novel is about. I think defining a narrative's themes can lay bare a narrative's tensions.

The films of The Caine Mutiny and Marjorie Morningstar always seemed to me mere thin skims of the story lines, and I never did see a meager Hollywood caper called Youngblood Hawke, vaguely based on my 800-page novel. So it was that I opted for television, with its much broader time limits, for The Winds of War.

The West has given the world the symphony, and the novel.

For me, the experience of making the show is very much like being in a novel. I enjoy getting the new script. I make a cup of tea and I read it the same way I would read a book, with the same amount of joy.

In How to Be an American Housewife Margaret Dilloway creates an irresistible heroine. Shoko is stubborn, contrary, proud, a wonderful housewife and full of deeply conflicted feelings. I wanted to shake her, even as I was cheering her on, and this cunningly structured novel allowed me to do both. It also took me on two intricate journeys, from post-war Japan and the shadow of Nagasaki to contemporary California, and from motherhood to daughterhood and back again. A profound and suspenseful debut.

Facebook is the novel we are all writing

A novel is a piece of architecture. It's not random wallowings or confessional diaries. It's a building-it has to have walls and floors and the bathrooms have to work.

I'd be surprised if non-fiction writers hate to be interviewed. We all hate them, because there's really nothing to say except "Read the book." Right? At least with non-fiction, you can kind of convey some information, and people can decide for themselves whether they want more of that kind of information. But with a novel, what am I going to do?

I was always an album guy, not a greatest hits kind of guy, not so much a radio guy. I'm not saying one is better than the other but... It was like reading a novel but shorter than that. You go into a world for an hour and you absorb yourself into it rather than just passively listening and flipping through this and that.

My first novel was rejected by some of the most eminent publishers in the world. Starting again was a real wrench.