Quotes About Paris

I never had the idea of moving to Paris and becoming something. I liked the idea of living in Paris because it seemed to have so many parts of life I really enjoyed. The people there seemed to prize literature and art, food and drinking, a more hedonistic way of living. My ambition was to be cosmopolitan. I grew up in the suburbs. I went to college in Maine. I had a dream in my head that if you wanted to be the most urbane, living-life-to-the-fullest kind of person, Paris was the place to be.

For more than twenty years by my own work and personal initiative, I have gathered from all the old streets of Vieux Paris photographic plates, 18 x 24 format, artistic documents of the beautiful civil architecture of the 16th to the 19th century: the old hôtels, historic or curious houses, beautiful facades, beautiful doors, beautiful woodwork, door knockers, old fountains This vast artistic and documentary collection is today complete. I can truthfully say that I possess all of Vieux Paris.

I am in Paris. Yes ma'am , I made it back. I came up from Berlin, stopped here ten days, fought a losing battle against my deepest inclinations, pulled myself out by the hair and went to Madrid...Madrid is a lovely enchanting city, and there was almost ready for me a kind of penthouse full of sunlight, a roof garden, and so on. I gave one look at it all, returned to the hotel and went to bed and wept bitterly for eleven hours...Why? Because I had seen Paris and could not endure the thought of being anywhere else.

The American goes to Paris, always has, and comes back and tells his neighbor, always does, how exorbitant and inhospitable it is, how rapacious and selfish and unaccommodating and unresponsive it is, how dirty and noisy it is-and the next summer his neighbor goes to Paris.

Because I'm Parisian, I wanted to show a Paris that I don't see at the movies, so I spent a lot of time looking for places that have never been filmed, for streets that have never been filmed because there's a thing about Paris, where it's kind of like a charming music box, this luminous cocoon, like those things that have fake snow in them that you turn upside down.

I think Paris Hilton is really our generation's Marilyn Monroe. She's the image of the youth today. There's a real fascination with Paris, ranging on the obsessive. I'm repulsed by her, but because of her notoriety, she has access to an audience.

For a painter, the Mecca of the world for study, for inspiration, and for living is here on this star called Paris. Just look at it. No wonder so many artists have come here and called it home. Brother, if you can't paint in Paris, you'd better give up and marry the boss's daughter.

To study in Paris is to be born in Paris!

I walk with Federico Garcia Lorca around the Upper West Side in Manhattan because that was a neighborhood he lived in and I imagine walking around Paris with Cesar Vallejo, a great Peruvian poet who lived in Paris. And I kind of create the walk as a kind of drama of my apprenticeship.

I cut the ribbon in Paris, and everyone in Paris speaks French — maybe you knew that. But I'm from Tennessee, and Tennessee girls don't speak French. So suddenly I'm stuck onstage with Minnie and Mickey and everyone is yelling at me in French — I guess they're telling me to get off the stage, but I didn't know what they were saying at the time, so I start dancing with Minnie and Mickey like on the show and finally my aunt comes and gets me off.

I'd been influenced by reading books on art and colonies that existed in Paris and places like that and so when I came to Europe I came to France and I had very little money, and I had to live low and stayed in a bohemian section of Paris with a lot of other students, who were from medical school, science school and art school. We all lived in a kind of communal way and I was challenged politically, because I didn't have a clue and they would ask me questions about the Algerian War, which was very big in France in the late '50s.

I was the first Indian model to have a career in Paris, Milan and New York. I am the first one to admit I was a novelty.

If you don't enjoy getting up and working and finishing your work and sitting down to a meal with family or friends, then the chances are you're not going to be happy. If someone bases his happiness or unhappiness on major events like a great new job, huge amounts of money, a flawlessly happy marriage or a trip to Paris, that person isn't going to be happy much of the time. If, on the other hand, happiness depends on a good breakfast, flowers in the yard, a drink or a nap, then we are more likely to live with quite a bit of happiness.

Dear Willem: I’ve been trying to forget about you and our day in Paris for nine months now, but as you can see, it’s not going all that well. I guess more than anything, I want to know, did you just leave? If you did, it’s okay. I mean it’s not, but if I can know the truth, I can get over it. And if you didn’t leave, I don’t know what to say. Except I’m sorry that I did. I don’t know what your response will be at getting this letter, like a ghost from your past. But no matter what happened, I hope you’re okay.

I hope we'll be able to see that in our lifetime: the end of the camera! When I'm in Paris, I'll buy a big bottle of champagne and I'll save it for that day, for the day when they'll be no more camera.

Paris is always a good idea.

For sure I would prefer Trump had not withdrawn from the Paris Agreement. But the fight against climate change is really done at the local level - whether it's cities, local governments or the private sector, corporate and individual. No matter what Trump says, nobody is going to go back and take the scrubber out or change back to polluting. The damage that Trump can do is if there are countries that are on the fence about whether they want to address the issue, this gives the naysayers, the doubters, those that don't want to do anything, a little more ammunition.

There's nowhere that life feels more eternal, your dimwit youth more important, than Paris.

The real force of Silicon Valley is the mentality, the spirit. There's no reason at all that can't be replicated in Paris.

I had always imagined that Cliché was a suburb of Paris, until I discovered it to be a street in Oxford.

I am going to enjoy life in Paris I know. It is so human and there is something noble in the city... It is a real city, old and fine and life plays in it for everybody to see.

For me, New York is comfortable, not strange. And I don't feel like a stranger. I have more friends in New York than Paris.

There's a very apt saying in show business: "If you don't go over budget in Paris, you're either very rich or very sick. "

There's this whole post-modern, nuevo beatnik, retro-bohemian thing going on, you know what I mean? You walk into some coffee shops, and it feels like you're an ex-patriot in Paris in the 20s. You're like, 'Hey, isn't that a young Ernest Hemingway over there? Yeah, I think it is! Hey, let's go have a look and see what he's writing... It's a Gap application.'

Once you live in New York, you can't live anywhere else. Living in Paris is like going in slow motion. It's so bourgeois. I get so bored.

There are a lot of Chinese-American designers and Chinese designers who have had an impact a little bit on the American market, but I think it's going to be interesting to watch if, over time, somebody can emerge from China who is based in China, and whether they come and show in Paris, like Rei Kawakubo or Yohji Yamamoto did.

No one can understand Paris and its history who does not understand that its fierceness is the balance and justification of its frivolity. It is called a city of pleasure; but it may also very specially be called a city of pain. The crown of roses is also a crown of thorns. Its people are too prone to hurt others, but quite ready also to hurt themselves. They are martyrs for religion, they are martyrs for irreligion; they are even martyrs for immorality.

The west has decided to channel money and effort into studying other customs and practices, but no one has really given other people the chance to study western customs and practices, except at schools maintained by white expatriates, or by allowing the rich from other cultures to study in Oxford or Paris. What happens then is that they return home to organise fundamentalist movements, because they feel solidarity with those of their compatriots who lack the opportunity for such education.

I started in '88 to play House music, it was a huge revolution for me. I went to London and I saw a DJ on stage and that was crazy at the time. I was one of the really respected and famous DJs in Paris, but they would never show me. I was hidden. A DJ on stage and people dancing and facing the DJ, looking at him? I was like 'wow!'

Paris is one of the largest, and certainly it is the pleasantest, of modern American cities.

San Francisco, America's B-movie imitation of Paris. San Francisco, the city that ruined punk rock. San Francisco, the most intolerant place in the country.

I have to admit, at first, it was really overwhelming and I would get stressed about putting things together. Now, it's like trying to figure out a puzzle piece, and I love that...There are so many things that I don't even know and would love to discover more about. I was so upset I had to leave [Europe] before Paris Fashion Week, but then I was like..."Oh wait, my album is coming out."

Following the attacks in Paris, French President François Hollande has a completely different set of concerns. France needs more police, more security personnel and a greater emphasis on integration. He says that security is more important than the Stability Pact.

The art galleries of Paris contain the finest collection of frames I ever saw.

A tale is told of a man in Paris during the upheaval in 1948, who saw a friend marching after a crowd toward the barricades. Warning him that these could not be held against the troops, that he had better keep way, he received this reply, " I must follow them. I am their leader."

In London, Washington, and Paris, people talk of bonuses or no bonuses. In parts of Africa, South Asia, and Latin America, the struggle is for food or no food.

there's something about Paris that gives you a mental slap all the time, and you can't just sit still and do nothing. You've got to work, to keep up with the pace, the sting in the atmosphere.

After my best friend jumped off the bridge, I knew that I was next. So-Paris. With forty dollars and a one-way ticket.

It is perfectly possible to be enamoured of Paris while remaining totally indifferent or even hostile to the French.

Maybe all spirits flew to Paris, not only French ones. Could you haunt a place you'd never been?

I had a recent delivery of new fashion plates from Paris, and you hardly glanced at the hairstyles. My husband tells me you are still having difficulty controlling the change. And your cravat has been tied very simply of late, even for evening events.

If you mention any ideological thing about shooting Last Tango in Paris, I was thinking I was doing a political film.

Paris is the fountain-head of European civilisation, as Gomukhi is of the Ganga.

When Americans shoot movies they aim at the entire planet. When the French make movies, they aim at Paris.

America has always been the most fertile ground for models - and they were always exported to other countries. When Eastern Europe opened up its doors to the rest of the world, a lot of the girls that were basically working there for $1 a month realized that if they were beautiful and that they could go to Paris and work for $1,000 a day versus the $10,000 that the other girls were demanding. So it created a huge imbalance in the financial structure of how clients could budget out campaigns. The market became flooded.

I'd like to learn how to cook. I've hauled around this big, old, heavy Martha Stewart cookbook in my suitcase to Cape Cod, L.A., Paris. I don't know what possessed me.

1968 in Paris renewed my options. There was suddenly a desire of inventing new things, and I while I was working as an editor, the assistant editor thought I had a gift, and when he shot his own film, he hired me as his assistant camera, and I trained myself to do the light for him.

I've been known to write on the Underground in London and on the subway in New York. I have two or three cafes in Paris that I go into. I find a corner with a little shade, and I can work.