Quotes About Play

Learning to play the guitar is a combination of mental and motor skill acquisition. And to develop motor skill, repetition is essential... Whenever musicians have trouble executing a passage, they generally tend to blame themselves for not having enough talent. Actually, all that's wrong is they don't know where their fingers are supposed to go...you should learn the piece in your head before you play it. And when you do play it, play it so slow that there's no possibility of making a mistake.

I was doing a Broadway play, and I was really new to this business. The Broadway play was my first job, literally. The play next door was a musical called Falsettos. The director got hired to direct this Michael J. Fox movie and was looking for a kid who could play brash and salty and mean [in Life With Mikey].

I told our guys they must not have cable because Antoine Walker knows how to play, Derek Anderson can play, Shandon Anderson knows how to play, and Gary Payton knows how play.

Because of my age, the roles that I'm in doesn't have as much depth as I would like, but that will change. Halle Berry, Angelina Jolie, they play heavy, meaty roles, which are the sort that I want to play...because of what I look like, I play with my looks, which is cool, but I've done it so many times. But one day I would love to play against my looks.

I'm fortunate: I can play as long as I want to play. There's no coach or trainer who is going to say to me that I'm dropped or sacked, it's time to move on. I can play as long as I want to play.

Four- and five-year-olds' play is permeated with the rankest sexism. No matter what their parents do and say, they play their momand pop roles in ultraconventional style. We've seen little girls whose mothers are doctors absolutely refuse to take the doctors' parts in their play, insisting that "only boys can be doctors," against all reason. Girls do more washing and drying of clothes, dishes, and babies than they've ever seen their own mothers do, and they turn their play husbands into TV-watching drones who do nothing but talk about money.

It is interesting that Hindus, when they speak of the creation of the universe do not call it the work of God, they call it the play of God, the Vishnu lila, lila meaning play. And they look upon the whole manifestation of all the universes as a play, as a sport, as a kind of dance — lila perhaps being somewhat related to our word lilt

As an actor, the only thing we can do is play the truth at that moment. Because at any point in time if you play the future, or you play that you know something that the audience does not know, it kills the illusion of reality.

Play becomes a distraction, something you don't really need to do. It's not for serious people. They work hard, they don't play hard. Yes, you can say play hard, but that really means, keep working hard, right?

I think I play tennis for, to against a big legend, big court, short time. That's what I train for. That's why every day I wake up and I wish I could play those matches, you know. It's like, for me it's the best thing can happen is to play against that guy on that stage, you know.

One of the first roles I had on stage was with a brilliant director in a brilliant play with a brilliant cast, but I just couldn't find my way into the heart of the character. I found myself straining a lot. When it started. I felt lost. That was the Eugène Ionesco play Rhinoceros. I don't think I was prepared for that. I don't think I had the full tool kit to do it justice. It's a very difficult play, it's an extraordinarily difficult part, and I never felt I really got it right. Far from it. To a degree, Hamlet was the same.

So, think about how you use a disc that you own of an Xbox 360 game. If I buy the disc from a store, I use that disc in my machine, I can give that disc to my son and he can play it on his 360 in his room. We both can't play at the same time, but the disc is the key to playing. I can go round to your house and give you that disc and you can play on that game as well.

Number three, we're going to play very smart and we're not going to beat ourselves. If the other team is better than us and they just out execute us and play better then we can live with that, but we're going to play smart and give ourselves every opportunity to win the game.

Buzzing at the Sill is from a Theodore Roethke poem called "In a Dark Time." I'd heard a small part of it in a play, a sort of sci-fi play about morality in a virtual reality universe. Nothing to do with the book precisely, but it was a great play.

You have got to play the game with the cards that have been dealt to you, and it is of no use for you to bewail your fate because you don't hold different ones. Look them over, arrange them, and play. You certainly must play them before you will get any others, and you need never expect to have other people's cards.

I'm just naturally gravitating towards different things. As you mature, different subject matters. And as you're older, you can't play as many parts, or you shouldn't be playing the parts that you used to play. But also there's the opportunity to play parts that you couldn't have.

If you play an instrument, it makes you a better singer. The more you play, the better you sing, the more you sing, the better you play.

I just play to win. I play to be competitive; that's it. I think every player hopes that they do something special that everyone remembers later in life, or whatever. But that's not why we're playing. At least, that's not why I play.

Never play for the win, never play for the draw, just play chess!

I want to play for Arsenal. When you see football all around the world you see very few teams who play the way that we play. I just enjoy it. I feel it is my home now.

Never say never - and I certainly don't judge anyone who does it. But most of the characters I play are going through some kind of emotional turmoil, so my job requires me to have expression. If my face was froze, what right do I have to play that part? All the women who haven't done anything to their faces are still able to play great roles. And some of the ones who have done something have messed it up - they look freakish. Anyway, for me it's about playing women with rich lives - and the longer the life, the deeper the wrinkles.

Play is often talked about as if it were a relief from serious learning. But for children play is serious learning. Play is really the work of childhood.

Challenge me. Treat me like a game of checkers and play me. That's all I'm asking, just play me. Treat me like Sega and play me.

I want to retire in New York, let's be quite frank. I think a lot of people jumped the gun when I said I wanted to be a free agent. And yeah, I want people to come to play in New York. I want them to want to play in New York. I want New York to be that place where guys want to come play.

Gambling is not a vice, it is an expression of our humanness. We gamble. Some do it at the gaming table, some do not. You play, you win, you play, you lose. You play.

If the play works in an emotional and engaging way purely from what's on the page, then what's on the stage will be the icing on the cake. If the play didn't work as a play on its own terms, none of the magic, none of the special effects or theatricality of it all, would add up to anything.

Chess programs don't play chess the way humans play chess. We don't really know how humans play chess, but one of the things we do is spot some opportunity on the chess board toward a move to capture the opponent's queen.

When I first met Benny Goodman he wouldn't talk about anything but clarinets, mouthpieces, reeds, etc. When I tried to change the subject, he said 'But that's what we have in common. We both play clarinet.' I said, 'No, Benny, that's where we're different. You play clarinet, I play music.'

Trios aren't really geared for slide unless you're gonna play chords, or play that simple George Thorogood style. It gets pretty thin when you play single note lines.

I would love to play Marlene Dietrich in a movie. My dad's from Germany and so I feel like that would be a really interesting person to play.

A child who does not play is not a child, but the man who doesn't play has lost forever the child who lived in him and who he will miss terribly.

I don't play with a lot of finesse. I usually play like I'm breaking out of jail!

Each human being can at once be a fighter and forgiver. When self-doubt tortures him, he most play the role of a fighter. And when his own ignorance humiliates him, he must play the role of a forgiver.

When people don't like the way a play ends, they're likely to blame the play.

I play with friends, but we don't play friendly games.

I was probably 16.I played - I tried to play these songs that I had written. And, this was a common theme when I was younger: I would write a song about somebody, and they would come to my show. I wouldn't be able to play the whole thing, because, there would be some giant, loaded secret coming up in like, the third verse, or something.

I think it's interesting that when you play a lesbian, people ask you if you're a lesbian, but if you play a serial killer, nobody asks you if you're a serial killer.

Maturity - among other things, the unclouded happiness of the child at play, who takes it for granted that he is at one with his play-mates.

People say that they wouldn't pay to watch me play, but even I wouldn't pay to watch him play!

I turn 30 next month, and in my 20s, I've been in this limbo of being too old to play the young lead, and too young to play the 30, 35 - year - old. I've always had an older head on my shoulders because I've hung out with older people. I was in television shows with older actors, and when I was 15, 16, 17, I sat up in hotel lobby bars with older actors until the early hours of the morning hearing them tell stories. I've always been drawn to older characters and I've always struggled to get into the younger roles. It feels good to be finally getting to an age where I'm playing my age.

Sport is quite a simple thing. It is play, and in play, people of all ages find the chance to engage their most profound emotions-love, fear, excitement, disappointment, anger and joy.

I've written virtually as long as I've acted, it wasn't a sudden transition. I acted in my first play when I was 16 and I wrote my first play when I was 17.

Nightmares are a strange thing. Your worst fear is sometimes something you enjoy thinking about, for some strange reason. I don't know why that is, but it's some kind of fantasy that people play out. "What would I do to protect my children? I'd do anything." And then, you watch it play out. I'm petrified of such a thing.

It's not like I don't want to play the guy next door. But sometimes they're not the best written or the most complicated. But I am very, very particular about my bad boys. There are certain types of characters I will not play. I've said no so many times to so many parts that are just way too dark. You have to be careful.

In the next few years I'd love to play a female version of Doctor Who. I know exactly how I would play her - she would be crafty in a clever kind of way.

I play Rock Band, which is Guitar Hero times ten. You can play with four people, so when you have parties, you have a real band. Nobody ever wants to sing, so I'm always the one throwing down on the mic.

Achievement is talent plus preparation. The problem with this view is that the closer psychologists look at the careers of the gifted, the smaller the role innate talent seems to play and the bigger the role preparation seems to play.

One-day cricket is a very important part of our play. We've got a long way to go until the next World Cup and for us it's one ruthless game after another where we can play well.