Quotes About Poet

I know that in a poem, even when the speaker is speaking from the poet's experience, there's always something that's borrowed, some authority that sits outside of the poet that the poem has claimed. There's a dramatic pitch that makes the speaker capable of saying something more courageous or stranger or simply other than what the poet would be able to say.

I started out as a poet. I've always been a poet since I was 7 or 8. And so I feel myself to be fundamentally a poet who got into writing novels.

You don't necessarily have to write to be a poet. Some people work in gas stations and they're poets. I don't call myself a poet, because I don't like the word. I'm a trapeze artist.

I think that great poetry is the most interesting and complex use of the poet's language at that point in history, and so it's even more exciting when you read a poet like Yeats, almost 100 years old now, and you think that perhaps no one can really top that.

Not only every great poet, but every genuine, but lesser poet, fulfils once for all some possibility of language, and so leaves one possibility less for his successors.

It is not possible, for a poet, writing in any language, to protect himself from the tragic elements in human life.... [ellipsis in source] Illness, old age, and death--subjects as ancient as humanity--these are the subjects that the poet must speak of very nearly from the first moment that he begins to speak.

I'd rather be a great bad poet than a good bad poet.

The fact that I'm a woman is as important to my work as a poet as the fact that Ahmad Shāmlu was a man was important to his work as a poet. Basically, gender shouldn't be viewed as an advantage in art. If a poem or a piece of writing is good, what difference does it make whether it's by a woman or a man? And, if it's bad, why should its writer's gender make it good?

Turn pimp, flatterer, quack, lawyer, parson, be chaplain to an atheist, or stallion to an old woman, anything but a poet; for a poet is worse, more servile, timorous and fawning than any I have named.

I think a young poet, or an old poet, for that matter, should try to produce something that pleases himself personally, not only when he's written it but a couple of weeks later. Then he should see if it pleases anyone else, by sending it to the kind of magazine he likes reading.

When the poet's sentiments are overly visible, the audience may become uncomfortable. Japanese ritual is the opposite. By writing simply and only about what is there, the audience is drawn into the poet's world. Their imagination is stimulated, and a silent connection is established. I believe this is where the most important aspect of the Japanese sense of beauty lies.

When you're a female poet, would you, therefore, invoke a male muse? When nuns get consecrated into their vocations, they become brides of Christ. Christ is the bridegroom. In these symbolic actions, rather than in physical actions, where a male reaches sexuality or participates in intimate exchanges, if one uses a different term - there's often a heterosexual figuring that takes place. The male poet invokes a beautiful female muse. The virginal nun consecrated invokes the male bridegroom, Christ.

So how can a poet-an intelligent, serious poet-write mystical verse now? The poetry of Adam Zagajewski provides the beginning of an answer to this question.

Milton says, that the lyric poet may drink wine and live generously, but the epic poet, he who shall sing of the gods, and their descent unto men, must drink water out of a wooden bowl. For poetry is not "Devil's wine," but God's wine.

No one is a poet from eight to twelve and from two to six. Whoever is a poet is one always, and continually assaulted by poetry.

We aren't suggesting that mental instability or unhappiness makes one a better poet, or a poet at all; and contrary to the romantic notion of the artist suffering for his or her work, we think these writers achieved brilliance in spite of their suffering, not because of it.

Sir, I admit your general rule, That every poet is a fool, But you yourself may serve to show it, That every fool is not a poet.

The Greeks, those originators of the intellectual life, fixed for us the idea of the poet. He was a divine man; more sacred than the priest, who was at best an intermediary between men and the gods, but in the poet the god was present and spoke.

Campion is a poet who knows that what a poet sees is nothing without a mixture of formal prowess and emotional insight.

Do you know what constitutes a great poet? He is a person without shame, incapable of blushing. Ordinary fools have moments when they go off by themselves and blush with shame; not so the great poet.... If you really have to quote someone, quote a geographer; that way you won't give yourself away. (p 44)

The poem that comes closest to saying what I think is the one in Human Wishes called "Rusia en 1931." This poem is about [Osip] Mandelstam, who was a great poet and an anti-Stalinist, and [Cesar] Vallejo, who was a great poet and a Stalinist.

The painter puts brush to canvas, and the poet puts pen to paper. The poet has the easier task, for his pen does not alter his rhyme.

One more royal trait properly belongs to the poet. I mean his cheerfulness, without which no man can be a poet,--for beauty is his aim. He loves virtue, not for its obligation, but for its grace; he delights in the world, in man, in woman, for the lovely light that sparkles from them. Beauty, the spirit of joy and hilarity, he sheds over the universe.

The very idea of a bird is a symbol and a suggestion to the poet. A bird seems to be at the top of the scale, so vehement and intense his life. . . . The beautiful vagabonds, endowed with every grace, masters of all climes, and knowing no bounds - how many human aspirations are realised in their free, holiday-lives - and how many suggestions to the poet in their flight and song!

For me, musicians are poets. Beethoven describes himself as a poet of tones, just like Coltrane's a poet of tempo.

Politics in any country in the world is dangerous. For the poet, politics in any country had better be disguised as poetry. Politics can be the graveyard of the poet. And only poetry can be his resurrection.

When Ulysses hears his own story sung by an epic poet and then he reveals his identity and the poet wants to continue singing, Ulysses isn't interested any longer. That's very astonishing.

It took me awhile to not be ashamed to be a poet in the business environment, and to be a business person in the poet environment.

I think it was W.H. Auden who said he was lucky that his first favorite poet was Thomas Hardy, who was a good but not a great poet, because if you are exposed to the greats too soon it can just squash you as a writer.

I thought that perhaps the most creative mix for a society would be nine parts solid worker from institutions like MIT to one part poet from Marrakech, but in spite of the fact that I myself had been trained to be one of the solid workers, which meant that all of my sympathies lay with that group, I would not surrender the poet. The problem was to find him.

I never thought of myself as a New York poet or as an American poet.

It is one thing to write as poet and another to write as a historian: the poet can recount or sing about things not as they were, but as they should have been, and the historian must write about them not as they should have been, but as they were, without adding or subtracting anything from the truth.

A king or a prince becomes by accident a part of history. A poet or an artist becomes by nature and necessity a part of universal humanity.

I'm a poet. I distrust anything that starts with a capital letter and ends with a full stop because people don't think in full, clear sentences.

With Ameen Rihani the matter is diametrically opposite to Alois Musil's Arabian Desert, in purpose, in point of view and, above all, in personal psychology... I have considerable admiration for Mr. Rihani as a writer, an authentic poet and a philosopher.

The business of the poet and the novelist is to show the sorriness underlying the grandest things and the grandeur underlying the sorriest things.

I was too slow a mover to be a boxer. It was much easier to be a poet.

love as a passion—it is our European specialty—must absolutely be of noble origin; as is well known, its invention is due to the Provencal poet-cavaliers, those brilliant, ingenious men of the "gai saber," to whom Europe owes so much, and almost owes itself.

Everywhere I go I find that a poet has been there before me.

A children's writer should, ideally, be a dedicated semi-lunatic, a kind of poet with a marvelous idea, who, preferably, when not committing the marvellous idea to paper, does something else of a quite different kind, so as to acquire new and rich experience.

The more the poet grows, the deeper the level of creative intuition descends into the density of his soul. Where formerly he could be moved to song, he can do nothing now, he must dig deeper.

the ordinary man's experience is chaotic, irregular, fragmentary. [He] falls in love or reads Spinoza, and these two experiences have nothing to do with each other, or with the noise of the typewriter, or the smell of cooking; in the mind of the poet these experiences are always forming new wholes

And If the surgeon is like a poet, then the scars you have made on countless bodies are like verses into the fashioning of which you have poured your soul.

Every American poet feels that the whole responsibility for contemporary poetry has fallen upon his shoulders, that he is a literary aristocracy of one.

The poet should seize the Particular, and he should, if there be anything sound in it, thus represent the Universal.

The swan, like the soul of the poet, By the dull world is ill understood.

These impossible women! How they do get around us! The poet was right: can't live with them, or without them!

People who think that Sylvia Plath was a poor, sensitive poet are not getting that she had great amounts of ambition and anger that moved her along, or she wouldn't have been able to fight against that depression to produce such an incredible body of work by the age of thirty.