Quotes About Poet

If the poet wants to be a poet, the poet must force the poet to revise. If the poet doesn't wish to revise, let the poet abandon poetry and take up stamp-collecting or real estate.

Judge: And what is your occupation in general? Brodsky: Poet, poet-translator. Judge: And who recognized you to be a poet? Who put you in the ranks of poet? Brodsky: No one. And who put me in the ranks of humanity? Judge: Did you study it?...How to be a poet? Did you attempt to finish an insitute of higher learning...where they prepare...teach Brodsky: I did not think that it is given to one by education. Judge: By what then? Brodsky: I think that it is from God.

My sense of the poet is classical - the poet is one who makes poems. In each book, I develop and repeat certain general themes - time, place, memory, God, history, class, race, beauty, love, poetry, identity. The core identity is the poet making the poems.

The epic poet has behind him a tradition of matter and a tradition of style; and that is what every other poet has behind him too; only, for the epic poet, tradition is rather narrower, rather more strictly compelling.

People probably long for something genuinely personal in a society where the personal is often indistinguishable from the "personalized." Maybe the poetry audience member is searching for his or her own "personal space" and they expect the poet to be a sort of avatar of the private life. But that sort of representation is distasteful to me. Asking a poet to represent the personal life is, paradoxically, to turn the poet into something other than a person.

Why do people want to know exactly who I am? Am I a poet? Am I this or that? I've always made people wary. First they called me a rock poet. Then I was a poet that dabbled in rock. Then I was a rock person who dabbled in art.

I mean, in the history of poetry there have been a lot poetries where you have to inherit the position of poet from your ancestors and I think that if you just leave anyone to become a poet based on an aristocratic society, then a lot of people are left out who might have something to offer.

I do not understand why any poet or writer would run for office; that's a different sense of who you are. I'm just a poet. I am as truthful as I can be. That makes me an artist. I heed the people; I do not lead the people.

If a poet would work politically, he must give himself up to a party; and so soon as he does that, he is lost as a poet.

It is not possible, for a poet, writing in any language, to protect himself from the tragic elements in human life.... [ellipsis in source] Illness, old age, and death--subjects as ancient as humanity--these are the subjects that the poet must speak of very nearly from the first moment that he begins to speak.

In England especially, poetry's woven into the background fabric of society. And in Ireland, it's in the foreground. The place of the poet in Irish society is enormous. If you say you're a poet in Ireland, you'd better know what you're doing, because the standard and the expectations are incredibly high.

I don't believe a good poet is very often deliberately obscure. A poet writes in a way necessary to him or her; the reader may then find the poem difficult.

The spiritual kinship between Lincoln and Whitman was founded upon their Americanism, their essential Westernism. Whitman had grown up without much formal education; Lincoln had scarcely any education. One had become the notable poet of the day; one the orator of the Gettsyburg Address. It was inevitable that Whitman as a poet should turn with a feeling of kinship to Lincoln, and even without any association or contact feel that Lincoln was his.

Two opposing forces inhabit the poem: one of elevation or up-rooting, which pulls the word from the language: the other of gravity, which makes it return. The poem is an original and unique creation, but it is also reading and recitation: participation. The poet creates it; the people, by recitation, re-create it. Poet and reader are two moments of a single reality.

A young poet in America should not be advised at the outset to give up all for the Muse-to seclude himself in the country, to live hand from mouth in Greenwich Village or to escape to the Riviera. I should not advise him even to become a magazine editor or work in a publisher's office. The poet would do better to study a profession, to become a banker or a public official or even to go in for the movies.

Jacob wrote that the true poet 'is like a man who is happy anywhere, in endless measure, if he is allowed to look at leaves and grass, to see the sun rise and set. The false poet travels abroad in strange countries and hopes to be uplifted by the mountains of Switzerland, the sky and sea of Italy. He comes to them and is dissatisfied. He is not as happy as the man who stays at home and sees the apple trees flower in spring, and hears the small birds singing among the branches

James McMurtry is a true Americana poet - actually he is a poet regardless of genre

A poet, any real poet, is simply an alchemist who transmutes his cynicism regarding human beings into an optimism regarding the moon, the stars, the heavens, and the flowers, to say nothing of Spring, love, and dogs.

To evade such temptations is the first duty of the poet. For as the ear is the antechamber to the soul, poetry can adulterate and destroy more surely then lust or gunpowder. The poet's, then, is the highest office of all. His words reach where others fall short. A silly song of Shakespeare's has done more for the poor and the wicked than all the preachers and philanthropists in the world.

I certainly was surprised to be named Poet Laureate of this far-out city on the left side of the world, and I gratefully accept, for as I told the Mayor, "How could I refuse?" I'd rather be Poet Laureate of San Francisco than anywhere because this city has always been a poetic center, a frontier for free poetic life, with perhaps more poets and more poetry readers than any city in the world.

Campion is a poet who knows that what a poet sees is nothing without a mixture of formal prowess and emotional insight.

My theory is that poems are written because of a state of emotional irritation. It may be present for some time before the poet is conscious of what is tormenting him. The emotional irritation springs, probably, from subconscious combinations of partly forgotten thoughts and feelings. Coming together, like electrical currents in a thunder storm, they produce a poem. ... the poem is written to free the poet from an emotional burden.

Do you know what constitutes a great poet? He is a person without shame, incapable of blushing. Ordinary fools have moments when they go off by themselves and blush with shame; not so the great poet.... If you really have to quote someone, quote a geographer; that way you won't give yourself away. (p 44)

The poem that comes closest to saying what I think is the one in Human Wishes called "Rusia en 1931." This poem is about [Osip] Mandelstam, who was a great poet and an anti-Stalinist, and [Cesar] Vallejo, who was a great poet and a Stalinist.

The painter puts brush to canvas, and the poet puts pen to paper. The poet has the easier task, for his pen does not alter his rhyme.

One more royal trait properly belongs to the poet. I mean his cheerfulness, without which no man can be a poet,--for beauty is his aim. He loves virtue, not for its obligation, but for its grace; he delights in the world, in man, in woman, for the lovely light that sparkles from them. Beauty, the spirit of joy and hilarity, he sheds over the universe.

To be a poet in a destitute time means: to attend, singing, to the trace of the fugitive gods. This is why the poet in the time of the world's night utters the holy.

Out of the red and silver and the long cry of alarm to the poet who survives in all human beings, as the child survives in him; to this poet she threw an unexpected ladder in the middle of the city and ordained, 'Climb!

When Ulysses hears his own story sung by an epic poet and then he reveals his identity and the poet wants to continue singing, Ulysses isn't interested any longer. That's very astonishing.

I think a poet is anybody who wouldn't call himself a poet.

I know some people might think it odd - unworthy even - for me to have written a cookbook, but I make no apologies. The U.S. poet laureate Billy Collins thought I had demeaned myself by writing poetry for Hallmark Cards, but I am the people's poet so I write for the people.

We could think or feel as we wished toward the characters, or as the poet, discounting history, invited us to; we were the poet's guest, his world was his own kingdom, reached, as one of the poems told us, through the 'Ring of Words.

Even if you're a poet sitting in your room writing a poem, you're still in the world - although I guess being a poet is a different than having to deal with 40 or 50 people to raise a couple million bucks and all that bullshit.

I never thought of myself as a New York poet or as an American poet.

The job of the poet is to render the world-to see it and report it without loss, without perversion. No poet ever talks about feelings. Only sentimental people do.

A poet is a man who puts up a ladder to a star and climbs it while playing a violin.

I want to be a poet and have a chance to explore that and let people know what's really on my mind.

With Ameen Rihani the matter is diametrically opposite to Alois Musil's Arabian Desert, in purpose, in point of view and, above all, in personal psychology... I have considerable admiration for Mr. Rihani as a writer, an authentic poet and a philosopher.

Limbs of a dismembered poet.

What shall I say about poetry? What shall I say about those clouds, or about the sky? Look; look at them; look at it! And nothing more. Don't you understand anything about poetry? Leave that to the critics and the professors. For neither you, nor I, nor any poet knows what poetry is.

There is no better way of exercising the imagination than the study of law. No poet ever interpreted nature as freely as a lawyer interprets the truth.

It were as wise to cast a violet into a crucible that you might discover the formal principle of its color and odor, as seek to transfuse from one language into another the creations of a poet. The plant must spring again from its seed, or it will bear no flower -- and this is the burthen of the curse of Babel.

Mandelstam is the sort of poet who comes along very, very rarely. Even the two Russian poets whose work is often linked with his - Anna Akhmatova and Marina Tsvetaeva - though their work is more "urgent" than most American poetry, seem to me to operate at a lesser charge than Mandelstam.

Ultimately you're trying to reach across and find some other person, some other human warmth. But it is, especially in written poetry, it is inscribed in a text and the text can't do that work by itself and you as a poet can only do your best.

...then he looked at my T-shirt and saw Byron's picture on it and he quoted "She Walks in Beauty," which is like my favorite poem next to the one by Baudelaire about his girlfriend being nothing but worm food, except that Lily called that one first because Baudelaire is her fave poet and so she got the shirt with him on it, even though Byron is way more scrumptious and I would do him on sharp gravel if I had the chance. --from The Chronicles of Abby Normal

Each man carries within him the soul of a poet who died young.

Words become luminous when the poet's finger has passed over them its phosphorescence.

Of course a poem is a two-way street. No poem is any good if it doesn't suggest to the reader things from his own mind and recollection that he will read into it, and will add to what the poet has suggested. But I do think poetry readings are very important.