Quotes About Poet

There is this tendency to think that if you could only find the magic way, then you could become a poet. "Tell me how to become a poet. Tell me what to do." . . . What makes you a poet is a gift for language, an ability to see into the heart of things, and an ability to deal with important unconscious material. When all these things come together, you're a poet. But there isn't one little gimmick that makes you a poet. There isn't any formula for it.

I consider myself a poet first and a musician second. I live like a poet and I'll die like a poet.

The epic poet has behind him a tradition of matter and a tradition of style; and that is what every other poet has behind him too; only, for the epic poet, tradition is rather narrower, rather more strictly compelling.

To be a political poet means simply to be a poet, and any poet worth their salt will be a political animal in their own peculiar way - they have no choice: politics is one of the many fragments we thread into the tapestry of the poem.

I started out as a poet. I've always been a poet since I was 7 or 8. And so I feel myself to be fundamentally a poet who got into writing novels.

So, I've never been politically correct, even before that term was available to us, and I have really identified with other people who don't want to be read as just a black poet, or just a woman poet, or just someone who represents a cause, an anti-Vietnam war poet.

There is an old Latin quotation in regard to the poet which says 'Poeta nascitur non fit' the translation of which is- the poet is born, not made.

I think the term poet is a very exalted term and should be applied to a man at the end of his work. When he looks back over the body of his work and he's written poetry then let the verdict be that he's a poet.

I'd rather be a great bad poet than a good bad poet.

As a poet and writer, I deeply love and I deeply hate words. I love the infinite evidence and change and requirements and possibilities of language; every human use of words that is joyful, or honest or new, because experience is new... But as a Black poet and writer, I hate words that cancel my name and my history and the freedom of my future: I hate the words that condemn and refuse the language of my people in America.

Two opposing forces inhabit the poem: one of elevation or up-rooting, which pulls the word from the language: the other of gravity, which makes it return. The poem is an original and unique creation, but it is also reading and recitation: participation. The poet creates it; the people, by recitation, re-create it. Poet and reader are two moments of a single reality.

Turn pimp, flatterer, quack, lawyer, parson, be chaplain to an atheist, or stallion to an old woman, anything but a poet; for a poet is worse, more servile, timorous and fawning than any I have named.

For Poesy alone can tell her dreams, With the fine spell of words alone can save Imagination from the sable charm And dumb enchantment. Who alive can say, ‘Thou art no Poet may’st not tell thy dreams?’ Since every man whose soul is not a clod Hath visions, and would speak, if he had loved And been well nurtured in his mother tongue. Whether the dream now purpos’d to rehearse Be poet’s or fanatic’s will be known When this warm scribe my hand is in the grave.

This quality becomes important at a time when almost everyone is a poet. And as I said, we live in an age where almost everybody is a poet, but scarcely anyone can write a poem.

The good poet welds his theft into a whole of feeling which is unique, utterly different from that from which it was torn; the bad poet throws it into something which has no cohesion.

A man of my acquaintance once wrote a poem called "The Road Less Traveled", describing a journey he took through the woods along a path most travelers never used. The poet found that the road less traveled was peaceful but quite lonely, and he was probably a bit nervous as he went along, because if anything happened on the road less traveled, the other travelers would be on the road more frequently traveled and so couldn't hear him as he cried for help. Sure enough, that poet is dead.

The poet must not only write the poem but must scrutinize the world intensely, or anyway that part of the world he or she has taken for subject. If the poem is thin, it is likely so not because the poet does not know enough words, but because he or she has not stood long enough among the flowers--has not seen them in any fresh, exciting, and valid way.

I find myself absolutely fulfilled when I have written a poem, when I'm writing one. Having written one, then you fall away very rapidly from having been a poet to becoming a sort of poet in rest, which isn't the same thing at all. But I think the actual experience of writing a poem is a magnificent one.

Poetry is also the physical self of the poet, and it is impossible to separate the poet from his poetry.

Now begins to rise in me the familiar rhythm; words that have lain dormant now lift, now toss their crests, and fall and rise, and falls again. I am a poet, yes. Surely I am a great poet.

An old poet ought never to be caught with his technique showing.

If you want to annoy a poet, explain his poetry.

Only the poet has any right to be sorry for the poor, if he has anything to spare when he has thought of the dull, commonplace rich.

A great poet ought to a certain degree to rectify men's feelings... to render their feelings more sane, pure and permanent, in short, more consonant to Nature.

A Chinese poet many centuries ago noticed that to re-create something in words is like being alive twice.

The poet, the artist, the sleuth, whoever sharpens our perception tends to antisocial; rarely 'well adjusted,' he cannot go along with currents and trends.

The Danger of a Single Story”, which has resonated with me immensely every time I read it. “Power is the ability not just to tell the story of another person, but to make it the definitive story of that person. The Palestinian poet Mourid Barghouti writes that if you want to dispossess a people, the simplest way to do it is to tell their story, and to start with, “secondly.

If I were poet now, I would not resist the temptation to trace my life back through the delicate shadows of my childhood to the precious and sheltered sources of my earliest memories. But these possessions are far too dear and sacred for the person I now am to spoil for myself. All there is to say of my childhood is that it was good and happy. I was given the freedom to discover my own inclinations and talents, to fashion my inmost pleasures and sorrows myself and to regard the future not as an alien higher power but as the hope and product of my own strength.

The mathematician's patterns, like the painter's or the poet's, must be beautiful.

An anaesthetic is a poet-killer.

Allen Ginsberg is a tremendous warrior as time goes by. He's a warrior first and a poet second.

Signs of a maddening system of writing and counting that calibrates the values of something the poet does not yet know. Praxis is therefore poetics.

I had this idea for a long time to make a film about a poet in Paterson named Patterson. I wanted him to be working class. Eventually I thought a bus was a perfect visual way to move him, to drift him through the city, to have a measured kind of routine lifestyle. And all these things kind of congealed into the film "Paterson" eventually.

The poet will maintain serenity in spite of all disappointments. He is expected to preserve an unconcerned and healthy outlook over the world, while he lives.

Fact is not truth, but a poet who wilfully defies fact cannot achieve truth.

The storyteller and poet of our time, as in any other time, must be an entertainer of the spirit in the full sense of the word, not just a preacher of social or political ideals. There is no paradise for bored readers and no excuse for tedious literature that does not intrigue the reader, uplift him, give him the joy and the escape that true art always grants.

If a poet is anybody, he is somebody to whom things made matter very little - somebody who is obsessed by Making.

Poets in our civilization, as it exists at present, must be difficult...The poet must become more and more comprehensive, more allusive, more indirect, in order to force, to dislocate if necessary, language into its meaning.

If you criticize a fine genius, the odds are that you are out of your reckoning, and, instead of the poet, are censuring your owncaricature of him.

If poets often commit suicide, it is not because their poems are bad but because they are good. Whoever heard of a bad poet committing suicide? The reader is only a little better off. The exhilaration of a good poem lasts twenty minutes, an hour at most. Unlike the scientist, the artist has reentry problems that are frequent and catastrophic.

The way to become a poet is to read poetry and to imitate what you read and to read passionately and widely and in as involved a way as you can.

To name oneself is the first act of both the poet and the revolutionary. When we take away the right to an individual name, we symbolically take away the right to be an individual. Immigration officials did this to refugees; husbands routinely do it to wives.

Love, the poet said, is woman's whole existence.

I became an electrician after high school. But I always had this thing in me to write. But it was always a little shameful. To say you were a poet was saying you were kind of crazy, and I carried that around for a long time. I still kind of carry that. And I think it might be true, actually.

Pakistan is heir to an intellectual tradition of which the illustrious exponent was the poet and philosopher Mohammad Iqbal. He saw the future course for Islamic societies in a synthesis between adherence to the faith and adjustment to the modern age.

He led quite a great life, ... He was an Old Testament figure railing against the establishment - a Jewish guy from New York who became a Buddhist, a poet, a musician.

The poet ranks far below the painter in the representation of visible things, and far below the musician in that of invisible things.

The first man who compared woman to a rose was a poet; the second, an imbecile.