Quotes About Poetry

Poetry has an indirect way of hinting at things. Poetry is feminine. Prose is masculine. Prose, the very structure of it, is logical; poetry is basically illogical. Prose has to be clear-cut; poetry has to be vague - that's its beauty, its quality. Prose simply says what it says; poetry says many things. Prose is needed in the day-to-day world, in the marketplace. But whenever something of the heart has to be said, prose is always found inadequate - one has to fall back to poetry.

I'm educating myself more about world poetry. I know a lot about contemporary American poetry, so I felt I needed to learn more about figures like Borges, Akhmatova, Neruda, etc. I felt I needed a bigger lens to see poetry through. It really helps to see poetry as a world language, and not just something American.

When I devoted myself to poetry - and poetry is a very serious medium - I don't think the people that knew me as an individual with that tongue-in-cheek kind of humor...well, it didn't always lend itself to my poetry. When you're writing poetry, it's like working with gold, you can't waste anything. You have to be very economical with each word you're going to select. But when you're writing fiction, you can just go on and on; you can be more playful. My editor's main task is to cut back, not ask for more.

If you go into a bar in most places in America and even say the word poetry, you'll probably get beaten up. But poetry is a really strong, beautiful form to me, and a lot of innovation in language comes from poetry.

Poetry can save the world. I'm a real believer in its power of healing and transforming. I wish more people read it ... Poetry is probably as close as I would get to religious feeling. I think poetry makes the world stand still.

Is beauty a reminder of something we once knew, with poetry one of its vehicles? Does it give us a brief vision of that 'rarely glimpsed bright face behind/ the apparency of things'? Here, I suppose, we ought to try the impossible task of defining poetry. No one definition will do. But I must admit to a liking for the words of Thomas Fuller, who said: 'Poetry is a dangerous honey. I advise thee only to taste it with the Tip of thy finger and not to live upon it. If thou do'st, it will disorder thy Head and give thee dangerous Vertigos.

Loneliness is necessary for pure poetry. When someone intrudes into the poet's life (and any sudden personal contact, whether in the bed or in the heart, is an intrusion) the poet loses his or her balance for a moment, slips into being what he or she is, uses his or her poetry as one would use money or sympathy. The person who writes the poetry emerges, tentatively, like a hermit crab from a conch shell. The poet, for that instant, ceases to be a dead person.

The United States' poetry emerged when there was a high literacy rate in the United States, even in the 19th century. People read the poetry when it was written. In Ireland, there was a poor literacy rate and people remember that poetry. That was handed on as a memorial tradition.

What's important about poetry in the context of leadership is that most of the time, power has to do with dominance. But poetry is never about dominance. Poetry is powerful but it cannot even aspire to dominate anyone. It means making a connection. That's what it means.

My feeling is that most political poetry is preaching to the choir, and that the people who are going to make the political changes in our lives are not the people who read poetry, unfortunately. Poetry not specifically aimed at political revolution, though, is beneficial in moving people toward that kind of action, as well as other kinds of action. A good poem makes me want to be active on as many fronts as possible.

If you want to change people by talking about God, then there is only one way: instead of teaching God, you must live God. Because: "teaching" God is unthinkable in any other way than the way you would teach love or poetry. You teach love only through love, poetry only through writing poetry, faith in God only through a contagious way of trusting.

Write verse, not poetry. The public wants verse. If you have a talent for poetry, then don't by any means mother it, but try your hand at verse.

Shakespeare was a man who wrote poetry. I'm a man who writes poetry. Why not compare yourself to the best?

There is poetry even in prose, in all the great prose which is not merely utilitarian or didactic: there exist poets who write in prose or at least in more or less apparent prose; millions of poets write verses which have no connection with poetry.

To think of writing poetry as a "career" is not only ridiculous, it's dangerous. To the imagination. To the way one thinks of art. The reason poetry as a genre is so special is because it cannot be made a commodity.

Poetry is not like reasoning, a power to be exerted according to the determination of the will. A man cannot say, 'I will compose poetry.' The greatest poet even cannot say it; for the mind in creation is as a fading coal, which some invisible influence, like an inconstant wind, awakens to transitory brightness...and the conscious portions of our natures are unprophetic either of its approach or its departure.

We admire Chaucer for his sturdy English wit.... But though it is full of good sense and humanity, it is not transcendent poetry.For picturesque description of persons it is, perhaps, without a parallel in English poetry; yet it is essentially humorous, as the loftiest genius never is.

The end of poetry is not to create a physical condition which shall give pleasure to the mind... The end of poetry is not an after-effect, not a pleasurable memory of itself, but an immediate, constant and even unpleasant insistence upon itself.

I really love poetry. I'm a big E.E. Cummings fan and a big Walt Whitman fan, and I have a big book of poetry.

The poetry from the eighteenth century was prose; the prose from the seventeenth century was poetry.

It is absurd and anti-life to be part of a system that compels you to listen to a stranger reading poetry when you want to learn to construct buildings, or to sit with a stranger discussing the construction of buildings when you want to read poetry.

A lyric, it is true, is the expression of personal emotion, but then so is all poetry, and to suppose that there are several kinds of poetry, differing from each other in essence, is to be deceived by wholly artificial divisions which have no real being.

Poets are political, they have to be reflections of their times [because] they're living in their times... Poetry is political in that it's standing in opposition to fascism. Good poetry asks a bunch of questions and asks the audience to interact with themselves or see themselves in it; maybe you like it or you don't like it. But the fascist sort of stuff plays on your fears and tells you to jump on the party line and gives some simple excuses - blame this person.

I think poetry will survive and I don't think it will be the end of poetry. Our tremendous onslaught of mass media all the time that we're suffering and we don't really know how to think about, I think that puts certain things at risk.

I'll say that this is probably the best time for poetry since the T'ang dynasty. All the rest of the world is going to school on American poetry in the twentieth century, from Ezra Pound to W. S. Merwin, and for very good reason. We have soaked up influence in the last century like a sponge. It's cross-pollination, first law of biology, that the more variety you have the more health you have.

After Pope, in the beginning of Romanticism, people developed the idea that imagination rather than reason was a special form of knowledge and its best expression is through poetry. Therefore, poetry should not try to do the stuff that mere prose does: convey information or make arguments about ideas.

My goals as an artist have nothing to do with speaking to an audience. I love to have a good time, but when it comes to poetry I'm not really interested in writing poetry that seeks to entertain or operate safely within the mainstream and, to be clear, I'm not disparaging the really phenomenal work that does - it's just not my interest as a poet.

religion is poetry, - poetry is religion.

Poetry has in a way been my bridge to my acting career. I had so many questions about my life, so I took to poetry to express my questions. I had questions about politics, family relationships, and more.

Sometimes I feel too transparent in my poetry, but that's what I think the beauty of poetry is, because as transparent as the author can be, it's usually only a reflection of what the reader can interpret, and based on their own personal experiences.

I don't like political poetry, and I don't write it. If this question was pointing towards that, I think it is missing the point of the American tradition, which is always apolitical, even when the poetry comes out of politically active writers.

I never wrote poetry, just prose. I don't really consider songwriting a form of poetry either. The words are important, of course, but they're dependent on the music.

Poetry leads us to the unstructured sources of our beings, to the unknown, and returns us to our rational, structured selves refreshed. Having once experienced the mystery, plenitude, contradiction, and composure of a work of art, we afterward have a built-in resistance to the slogans and propaganda of oversimplification that have often contributed to the destruction of human life. Poetry is a verbal means to a nonverbal source. It is a motion to no-motion, to the still point of contemplation and deep realization.

Great poetry must be admired, because it is great and because it is poetry, and so we admire it.

If you want a definition of poetry, say: Poetry is what makes me laugh or cry or yawn, what makes my toenails twinkle, what makes me want to do this or that or nothing and let it go at that.

Poetry is finer and more philosophical than history; for poetry expresses the universal, and history only the particular.

Poetry springs directly from our primal need and capacity for communication[Poetry] mobilizes such a concentration of devices, such an intensification of language via rhythm, syntax, image and metaphor. Reading it-the best of it-can create another, very different kind of perpetual present, an awareness that can be as ongoing in the soul as the stop-time of trauma.

I would say that American poetry has always been a poetry of personal testimony.

The great modern heresy in poetry is to confuse the use we make of words in a poem with modalities of speech...For true poetry is never speech but always a song.

In order for poetry to exist there has to be not-poetry to contrast it with.

Lyric poetry is, of course, musical in origin. I do know that what happened to poetry in the twentieth century was that it began to be written for the page. When it's a question of typography, why not? Poets have done beautiful things with typography - Apollinaire's 'Calligrammes,' that sort of thing.

We recognise in the finished art, which is the result of these conditions, the best words in the best order - poetry; and to put this essential poetry into different classes is impossible.

Any artist, in any field, wants to press deeper, to discover further. Image and sound play are among the strongest colors available to poetry's palette. For a long time, I've wanted to invite in more strangeness, more freedom of imagination. Yet music, seeing, and meaning are also cohering disciplines. They can be stretched, and that is part of poetry's helium pleasure. But not to the point of breaking.

It occurs to me to wonder: do I believe in any god, or even positively not believe, as James does? I believe in systems and methods. I believe in the beauties of philosophy and poetry. I believe that the work we do and leave behind us is our afterlife; and I believe that history lies, but sometimes so well that I can't bring myself to resent it. I believe that truth is beauty, but not, I'm afraid, the reverse. It doesn't seem sufficient to sustain one in life's rigorous moments. Perhaps I shall embrace Islam. Its standards for poetry seem very high.

Real poetry, is to lead a beautiful life. To live poetry is better than to write it.

It's not that he lacked poetry. But his poetry was of the body, not the mind. He spoke it in the way he moved, the way he held a hammer, rowed a boat, built a fire. I, on the other hand, was like a brain in a box, a beating heart in a coal scuttle.

One of the deep fundamentals of poetry is the recurrence of sounds, syllables, words, phrases, lines, and stanzas. Repetition can be one of the most intoxicating features of poetry. It creates expectations, which can be fulfilled or frustrated. It can create a sense of boredom and complacency, but it can also incite enchantment and inspire bliss.

Poetry is also the physical self of the poet, and it is impossible to separate the poet from his poetry.