Quotes About Poets

In the world of poetry there are would-be poets, workshop poets, promising poets, lovesick poets, university poets, and a few real poets.

The category "Women Poets" is bizarre and irrelevant. It's a subcategory of Poets, but there is not a "Men Poets" category.

The poets are supposed to liberate the words – not chain them in phrases. Who told the poets they were supposed to think? Poets are meant to sing and to make words sing. Writers don't own their words. Since when do words belong to anybody? 'Your very own words,' indeed! And who are you?

After all, poets shouldn't be their own interpreters and shouldn't carefully dissect their poems into everyday prose; that would mean the end of being poets. Poets send their creations into the world, it is up to the reader, the aesthetician, and the critic to determine what they wanted to say with their creations.

I tend to like the way poets form communities. Writing can be lonely after all. Modern life can be lonely. Poets do seem to be more social than fiction writers. This could be because of poetry's roots in the oral tradition - poetry is read aloud and even performed. I'm just speculating, of course. At any rate, because poets form these groups, they learn from one another. That is one of the best things about being a poet.

To a large extent, the problems of poets are the problems of painters, and poets must often turn to the literature of painting for a discussion of their own problems.

If you look at the Directory of American Poets and Writers, you know there are hundreds of poets in New York City. So therefore, just by specific gravity, it seems like a more significant place. Robert Wrigley is a poet who lives in rural Idaho - I think it's really back-country Idaho - and he writes beautiful poems.

Immature poets imitate; mature poets steal.

Young poets bewail the passing of love; old poets, the passing of time. There is surprisingly little difference.

The fact is that I have lived with the belief that power, any kind of power, was the one thing forbidden to poets. ... Power requires that the inner person never be unmasked. No, we poets have to go naked. And since this is so, it is better that we stay private people; a naked public person would be rather ridiculous, what?

Contemporary poets are skeptical and suspicious even, or perhaps especially, about themselves. They publicly confess to being poets only reluctantly, as if they were a little ashamed of it. But in our clamorous times it's much easier to acknowledge your faults, at least if they're attractively packaged, than to recognize your own merits, since these are hidden deeper and you never quite believe in them yourself.

Poets knew that isolation in nature, far from people and things man-made, was good for the soul, and he'd always identified with poets.

Always was Morocco. And recently the country's leadership seems to have embraced it in all its ill-reputed glory. The days of predatory poets in search of literary inspiration and young flesh are probably over for good. Hippies can just as easily get their bong riffs in Portland or Peoria. But the good stuff, the real good stuff, the sounds and smells and the look of Tangier -- what you see and hear when you lean out the window and take it all in -- that's here to stay.

As we to the brutes, poets are to us.

Mandelstam is the sort of poet who comes along very, very rarely. Even the two Russian poets whose work is often linked with his - Anna Akhmatova and Marina Tsvetaeva - though their work is more "urgent" than most American poetry, seem to me to operate at a lesser charge than Mandelstam.

I beg your pardon: correct English is the slang of prigs who write history and essays. And the strongest slang of all is the slang of poets.

All the poets are indebted more or less to those who have gone before them; even Homer's originality has been questioned, and Virgil owes almost as much to Theocritus, in his Pastorals, as to Homer, in his Heroics; and if our own countryman, Milton, has soared above both Homer and Virgil, it is because he has stolen some feathers from their wings.

A Shakespeare could have arisen only on English soil. In the same way, your great dramatists and poets express the nature and essence of the Norwegian people, but they also express that which is universally valid for all mankind.

Poets and monks... We're both sort of peripheral to the world.

If any of you are secret poets, the best way to break into print is to run for the presidency.

There's the brilliant audacity of youth that poets strike upon in their earliest work sometimes that they never can hit upon again.

We are chained hand and foot by protocol, enslaved to a static, empty world where men and women can’t read, where the scientific advances of the ages are the preserve of the rich, where artists and poets are doomed to endless repetitions and sterile reworking of past masterpieces. Nothing is new. New does not exist. Nothing changes, nothing grows, evolves, develops. Time has stopped. Progress is forbidden

Poets and writers who are in love with the superlative all want to do more than they can.

It is possible that Mount Olympus may have supplied the poets with the hint for saying that Jupiter obtained the kingdom of heaven, because Olympus is the common name both of the mountain and of heaven.

There are many poets that use as my models. In my first book of poems, I had several for the "Sleepwalkers," I had several poems that were apprentice poems like this in which I take a walk with a poet who is no longer alive.

The artist looks for a subject. You know, a lot of new poets don't seem to have a subject. I don't totally understand that.

Frequently, as so many poets and psalmists and songwriters have said, the invisible shift happens through the broken places.

Poets in our civilization, as it exists at present, must be difficult...The poet must become more and more comprehensive, more allusive, more indirect, in order to force, to dislocate if necessary, language into its meaning.

I know that in some ways I operate from a kind of antiquated interest in imagery, while many contemporary poets are not so interested in imagery. I think part of it is my training, and just my visual sense of things.

If we treat each other as if we are geniuses, poets and artists, we have a better chance of becoming that on stage.

My sisters were going out with artists and poets, and eventually it was the creative world which attracted me.

We're certainly not perfect, and we're not probably even better than anybody else, except that perhaps we are given to certain kinds of contemplation that provide a valuable balance to the knee-jerk reactionary behavior of most of our newspapers and political leaders. Poets are great doubters.

One way or another, all the poets of the thirties and forties reacted to Auden, either by rejecting him or trying to absorb him.

I think one ages and one dates. I tend to have a good deal of difficulty in liking some of the new poets.

The world is full of people who have lost faith: politicians who have lost faith in politics, social workers who have lost faith in social work, schoolteachers who have lost faith in teaching and, for all I know, policemen who have lost faith in policing and poets who have lost faith in poetry. It's a condition of faith that it gets lost from time to time, or at least mislaid.

All good poets of the past, almost without exception, were at least bilingual if not trilingual.

As playwrights, as poets, we have to look to ourselves, listen to our guts for the final answers about what changes to make. Everyone has advice about how to end your play differently. And it's not about right or wrong. At the end of the day, it's your baby and you know what's best.

The New York School poets are my godfathers creatively.

To a Mistress Dying Lover. YOUR beauty, ripe and calm and fresh As eastern summers are, Must now, forsaking time and flesh, Add light to some small star. Philosopher. Whilst she yet lives, were stars decay'd, Their light by hers relief might find; But Death will lead her to a shade Where Love is cold and Beauty blind. Lover. Lovers, whose priests all poets are, Think every mistress, when she dies, Is changed at least into a star: And who dares doubt the poet wise? Philosopher. But ask not bodies doom'd to die To what abode they go; Since Knowledge is but Sorrow's spy, It is not safe to know.

I'm trying to stay open to the idea that the Internet is not the evil foe of publishing but the handmaiden that will turn out to be a blessing for poets and writers.

Poets, on the face of it, have either got to be easier or to write their own notes; readers have either got to take more trouble over reading or cease to regard notes as pretentious and a sign of bad poetry

Poets play with words to keep themselves sane

Mediocrity is not allowed to poets, either by the gods or men.

I think it is our job as poets to refuse the terms that society so often sets for usefulness. That, for instance, is what Dickinson did: she refused to be a wife, a homemaker, a standard member of her community. She knew she had to in order to have the space and time to write her poems. Thank god she said no!

I don’t worry anymore about writing. There are times that I go through dry periods. I never go through a block. I’m always writing, but there are times where I’m just not on my game, and I’ll use that time to read some new poets, go see some art, walk down to the river and just stare at it, or have a conversation with my sister, or whatever—do whatever it is that I do in my life, hoping that I’ll get filled up enough. And something will happen, some juggling will happen and boom.

American poets celebrate their bodies, very specifically, as Whitman did.

Poets find truth by writing about what they love.

I think right now is when we need to hear different voices coming out of all parts of the world. You can't just hear the politicians and the military leaders. You have to hear from the taxi drivers. You have to hear from the painters. You have to hear from the poets. You have to hear from the school teachers and the filmmakers and musicians.