Quotes About Readers

The readers are the ones who let us live our dreams. I try to write books which are really compelling - that you'd take on vacation and rather than going out, you'd read in your hotel room because you had to find out what happened. Hopefully that's what readers are responding to.

Critics have a problem with sentimentality. Readers do not. I write for readers.

I love slow readers. And readers who think about what I've written, think about how it's written - and copy me!

I do open endings on purpose. I expect a lot from my readers. I want them to do much of the work, because I believe that the story is built by the reader, not by the writer. I like having an open ending to a standalone fantasy, because it allows a continuing story to be written in the hearts of the readers.

I try to put my heart out there to everybody. They don't have to be Christian. For example, I have lots of Jewish readers. I love my Jewish readers.

Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.

I'm far more often annoyed than delighted by previous readers' marks in used books, so I assume that my notations will be equally annoying to future readers, and avoid making them.

I myself discovered many authors through school reading lists and through school anthologies. The positives are: young readers can find the world opening up to them through books they study. The negatives may include bad experiences kids have - if they don't like the book or the teacher, or the way the book is taught.

There are many readers of the book, who don't know anything about the authors and the artists. There is more than one author. It doesn't matter, if you can't make the reader dive into the story and surround him with that environment and those characters. That's an experience that lasts longer than figuring out who did what. I think that's what makes our working relationship better, it helps us to make a book that feels unique and not like different voices.

Authors frequently say things they are unaware of; only after they have gotten the reactions of their readers do they discover what they have said

Some of my youthful readers are developing wonderful imaginations. This pleases me.

Trade book publishing is by nature a cottage industry, decentralized, improvisational, personal; best performed by small groups of like-minded people, devoted to their craft, jealous of their autonomy, sensitive to the needs of writers and to the diverse interests of readers. If money were their primary goal, these people would probably have chosen other careers.

I read a lot; I tried to understand the mechanisms that made the books I liked successful, and I went that route. So, as for readers - when I think about them I like to think they read the same books I do.

I'm sometimes asked how I would like to be remembered. I've had a diverse career as a writer, underwater explorer, space promoter and science populariser. Of all these, I want to be remembered most as a writer - one who entertained readers, and, hopefully, stretched their imagination as well.

Alternative cartoonists have to rely on comic book stores to get their stuff in the hands of readers.

I... recommend to every one of my Readers, the keeping a Journal of their Lives for one Week, and setting down punctually their whole Series of Employments during that Space of Time. This kind of Self-Examination would give them a true State of themselves, and incline them to consider seriously what they are about. One Day would rectifie the Omissions of another, and make a Man weigh all those indifferent Actions, which, though they are easily forgotten, must certainly be accounted for.

I would like my readers to close the cover at the end and say, 'Wow, I never thought of it like that before'.

Young people are looking for meaning and happiness to accompany their first paycheque. Inspire Your Career provides career advice designed to help you find more than just material success. Through its empowering and practical lessons, readers will find inspiration as they embark on their careers.

I think about the collaboration between writers and readers, but I also think about the collaboration between all the writers in a generation or in a country or across time contributing to this massive project of documenting and reimagining our world.

... I bid farewell to my readers in the hope that they have formed their own opinion as to the meaning of the word "combination".

Anyway -- because we are readers, we don't have to wait for some communications executive to decide what we should think about next -- and how we should think about it. We can fill our heads with anything from aardvarks to zucchinis -- at any time of night or day.

My experience may be different than theirs, readers can identify with trying to save for retirement or their own kid's college fund. In truth, the name of the column, "The Color of Money," has less to do with my race than the fact that the color of money is green and it's green we all need to live a good life.

Very often, or perhaps more often, and even in very good collections - even in some of the best collections ever written, I would argue - it's because our "voicier" writers hew so closely to one given set of dictional tics that we as readers can't read the books all the way through in a single sitting, because if we did, the stories and their narrators would all start to bleed together.

What I try to do for my readers is to pass on some of the things that I found out about being thirteen after doing it for forty years.

When I started, there was more of a cultural assumption that many readers would find gay characters irrelevant or repugnant.

There are so many things hinted at that will be fun to reveal in depth. For years, fans have made it abundantly and enthusiastically clear that they want the same thing, so now seems like the perfect time to give readers the story of how the Maze began.

I think that some books are more successful than others to certain readers. People who read my books for the humor, they're going to love one book. People who read my books for the mystery, they might not like that book quite as much.

In the end, time is the best ally of poets. It clarifies their works and makes them accessible to an ever widening circle of readers.

I wanted to be a teacher, but I was a lousy student, one of the slowest readers. It was a tremendous struggle. But I'm lucky I had some teachers who saw something in me.

Regular readers will know I'm a fan of (Cristiano) Ronaldo, and an even bigger fan of the man who's assumed his mantle with quite astonishing success, Wayne Rooney. But Messi is on a higher plain than even that pair.

I have realised just how important it is to readers to feel that fictional stories are based on reality.

I love doing readings. I could really give a crap about reviews. It's kind of about the readers.

The easiest way for readers to connect with characters and feel sympathy is to make the character entertaining, sympathetic and likeable.

Ghostly legends dot the Prairie State from its big cities to its small towns. These stories make each community unique in a way that no other landmark ever could But Michael Kleen understands that these ghosts are more than just stories. As a folklorist and historian, Kleen shows readers the connection between our past and our present. Haunting Illinois is more than just a ghostly travel guide, it’s an adventure offering new insight on the haunts you know, but also takes you on a trip to the spirits in your own backyard.

I think [testing] has had a profoundly problematic impact on student learning. It must seem to students that their worth as individuals is equivalent to their test score. The stress the high stakes culture has on teachers is also highly negative and must surely impact students in a negative way. It also de-professionalizes teachers because it encourages them to be script readers, followers of rigid schedules, and to disregard the needs of the people they teach in favor of the scripts and schedules.

Many, if not most, of the best and most lasting children’s books have multiple levels, some of which are not fully accessible to their most likely readers…at least, not on their first read-through at age eight or ten or fifteen.

There is no point in criticizing readers for migrating online. You have to follow them and offer them something new.

The headline is the 'ticket on the meat.' Use it to flag down readers who are prospects for the kind of product you are advertising.

Even now I try to make each page compelling for the readers to get absorbed in the book.

Whether it's viewers of the show or readers of my columns and books, I'm consistently impressed with their wit, humor and insight. That goes for about 95 percent of the audience. The other five percent are why the 'Delete' option and restraining orders were invented.

Thankfully, readers send a lot of stuff. They see stories in their local newspaper. Or friends of mine email me, what they heard or saw. ... I'm very plugged in

A book is a book, but a movie is a movie. The more faithful you are, the more you'll come up with Harry Potter #1 and #2, which are like filmed books on tape. They're so petrified of turning off the readers that they make no concessions to the fact that they're trying to make a piece of cinema.

Don't ask your readers to admire your words when you want them to believe your story.

The first class of readers may be compared to an hour-glass, their reading being as the sand; it runs in and runs out, and leaves not a vestige behind. A second class resembles a sponge, which imbibes everything, and returns it in nearly the same state, only a little dirtier. A third class is like a jelly-bag, which allows all that is pure to pass away, and retains only the refuse and dregs. The fourth class may be compared to the slave of Golconda, who, casting aside all that is worthless, preserves only the pure gems.

There are a lot of snobs out there who disregard these books (romance novels), but they fulfil a need. I am happy and fulfilled in what I am doing and readers love them. And why not? They are harmless and they are fun.

I tell beginning readers to read a lot and write a lot. If you want to write a book, find a subject that's really worth the time and effort you'll put in.

If books could have more, give more, be more, show more, they would still need readers who bring to them sound and smell and light and all the rest that can’t be in books. The book needs you.

I really care about my readers. I care about anyone who reads my books.