Quotes About Singing

I love making people sing. I love group singing, sacred harp singing, choral singing, recordings of people singing sea shanties, work songs, prison songs - how people just sang to get through things.

I started singing about three years ago, I entered a local singing competition called Stratford Idol. The other people in the competition had been taking singing lessons and had vocal coaches. I wasn't taking it too seriously at the time, I would just sing around the house. I was only 12 and I got second place.

The whole first two-thirds of the I Just Can't Stop Loving You song is just he and I. He's singing lead and I'm doing all the harmonies and we're both singing all the background. We're singing all the choruses until the choir comes in. We were the first two-thirds of the song.

Like how stars might sound. Or moons But not mountains. Too floaty for mountains. It's a sound like one planet singing to another, high stretched and full of different voices starting at different notes and sloping down to other different notes but all weaving together in a rope of sound that's sad but not sad and slow but not slow and all singing one word. One word.

For me, the most enjoyable type of singing is opera. It allows you to move, to wear a costume ... to do something with your body. When singing in concert you have to stand up in front of the audience, next to the conductor, which is less natural.

It's so easy to get caught up in this weird life. This isn't normal and I'm not singing for people that live my life. I'm singing to the life I used to have. The life I want to have again.

I love singing - singing is what I'm famous for doing. Now it's turned into things I am famous for doing - like having rows with my mum or about my boyfriend, so it does get irritating.

When you're singing songs about love and sex, you want everyone to think you're singing to them. Whether you're a boy, a girl, a woman, a man - whatever you're into, I can be that.

I started singing Folksongs with my mother when I was 6 years old. We sang at Folk festivals and concerts and schools. There was always music being played either on record, Jazz and Folk, by musician friends of my mother. I took to singing very early, I believe it has been a Gift I was born with.

I'm singing in the rain, just singing in the rain; What a wonderful feeling, I'm happy again.

I don't like bands who would play music like Code. I mean I hate most bands with emotional singing parts (I adore metal singing like Iron Maiden though!)

I started singing in church and I was probably around seven and I started singing anywhere that I could. I used to sing at my school. I was in musicals and then it kind of got to a point where I started to - wanted to do my own songs.

Like all soul singers, I grew up singing in church but sometimes I would leave early and sit in the car listening to gospel band, The Blind Boys of Alabama. Hearing their lead singer Clarence made me connect the idea of church and show business and see how I could make a career singing music that stirred the soul.

Singing for stage, if you don't hear yourself, that's when you push, and that's when you can hurt your voice sometimes. So if I can hear myself in my ear, it really helps me to find that balance of how loud I needed to be singing.

I thought about what I wanted to do besides playing violin and singing backup in a band. Don't get me wrong, playing and singing in That Dog was really fun, but I wanted to work on other musical projects and sing more. So I started a vocal project, i.e. Imaginaryland.

When we sing praises to our Lord, we join in the chorus that creation has been singing from the beginning of time. And it is the same anthem that we as believers will be singing for all eternity.

As someone who listens almost exclusively to contemporary hip-hop and R&B, I definitely like "No Bullshit" by Chris Brown, and melodically I'm really into what he's doing - that song is kind of singular because it's got this piano intro and outro. But obviously I'm not singing about what he's singing about. What we want out of our songs is not the same thing.

When I'm speaking, I'm more focused on the words as meaning. When I'm singing, I'm more focused on the words as sound. The emotion is more targeted when I'm speaking, more flowing when I'm singing.

I sing both in my shower and in my car, mostly in my car, because I have this weird thing - whenever I'm singing to the radio - my friends kind of hate it - but I pick out the harmonies in my head, and I'm singing the harmonies to the tracks and I'm jamming it out.

There are so many people that do things better than I do: dancing, singing like a black girl, singing country. Or if, while they sing, they move their arms in and around their crotch; when I sing, I play the piano and look like a little choirgirl. I'd like to mix it up like that.

"Born To Run," that expands every time we go out. It just seems to you - more of your life fills it in, fills in the story. And when we hit it every night, it's always a huge catharsis. It's fascinating to see the audience singing it back to me. It's quite wonderful, you know, to see people that intensely singing your song.

Our shows have always been sort of an all-generations thing, people from 6 to 60. The other night, we played a show and we had a woman who was probably 70 to 75 years old, and she was there alone and she was singing every song. On the other end of the spectrum, there was a 7-year-old on his dad's shoulders and the dad is singing along.

Acting is a difficult profession, it really is. It's different than singing. With singing you may have one song and four people to record it - but they'll all do it differently and they'll all have that option. Whereas with actors there might be one part, and five hundred actors all want the same role - it's so much more competitive. It's an incredibly painful profession because you get so much rejection.

Now any person who plays an acoustic guitar standing up on stage with a microphone is a folk singer. Some grandmother with a baby in her arms singing a 500-year-old song, well, she's not a folk singer, she's not on stage with a guitar and a microphone. No, she's just an old grandmother singing an old song. The term "folk singer" has gotten warped.

In the dark times Will there also be singing? Yes, there will also be singing. About the dark times.

I'm very involved on a lot of levels in making of this album," "I wrote on 11 of the 12 tracks which is, creatively, really important to me. I want to be singing my music passionately and when I'm writing from a place where God has been teaching me something new-when I write from that place-it comes across when I'm singing. That's vital to the message and the reality of God that I want to impart with my music.

My [singing] style really has no style, because I try to sing each number differently. I’ve always believed that if style takes precedent over the words and music, the audience get’s cheated. It’s like when people see a fine play or movie. They imagine themselves in the leading role. I want them to imagine that they’re singing - not just listening to someone else.

Tel Aviv, Israel, me, Robbie Williams. I'm coming to see you. It's like a first date. I've got butterflies in my stomache, I can't wait. I hope you feel the same way too. There will be singing, there will be dancing, there will be banter, there will be love. Mainly from me, beaming it to you, from my heart into your heads and minds.

If I can't take five years out to serve my country as president, then everything I've been singing about, like equal rights, doesn't mean anything.

There's so much more subtlety to this new recording. There's a subtlety in the playing. There's also a subtlety in the way I approached the singing. The band was able to really capture the feeling of the songs and not really trade anything that we had sort of arranged for the live presentation, but the songs just aren't as loud.

What dancing has helped me with is blocking; it makes me comfortable with my body. You know how to hit your mark, you know how to embody a swagger. But sitting down and looking across the table at another actor and being able to go to battle on screen is nothing to do with singing or dancing.

There's really nothing else I'm going to do with my life. I'd be useless if I weren't singing or acting

This LGBT singing choir has demonstrated how women are investing in tradition to create change, like alchemists turning discord into harmony.

I don't like singing before noon.

Unless you're singing something that's kind of in rhythm with the bass, the melodies, it's just difficult.

I have a strange illusion quite often. I think I've become deaf. I have to make a little noise to prove I'm not. I clear my throat to show myself that everything is normal. It's like the little Japanese girl they found in the ruins of Hiroshima. Everything dead; and she was singing to her doll.

I started out to be a person on the street, just like everybody else. I didn't start out to be a singer. But I got sort of swept up in this singing thing, and after I got involved in it it got really important to me if I was good or not.

If Frank Sinatra is singing, maybe everything will go good.

So many people think that practicing an art is a good way to make a living. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven's sake. I'm talking about singing in the shower, I'm talking about dancing to the radio, I'm talking about writing a poem to a friend.

You have to respect your audience. Without them, you're essentially standing alone, singing to yourself.

To rob the Negro of his reputation of thinking through a problem in his own fashion is about the same as trying to pretend that he doesn't have a natural instinct for rhythm and for singing and dancing.

Singing into a microphone and learning to play an instrument and learning to do your craft, that's the most important thing for people to do.

There were wonderful moments when I was singing for the first time in the Olympia Theatre and I was pregnant with my son, which was very, very strange for a singer.

I never considered myself part of rock 'n' roll. My stuff was more adult. It was more difficult for teenagers to relate to; my stuff was filled with more despair than anything you'd associate with rock 'n' roll. Since I couldn't see people dancing, I didn't write jitterbugs or twists. I wrote rhythms that moved me. My style requires pure heart singing.

Every word was a singing sparrow, a magic trick, a truffle for me. The words made me laugh in delight.

As of now they are still very young so that has come in the form of dress up, make believe and singing songs, but we will always support our girls in their choices and help them to dream big.

Every spring I hear the thrush singing in the glowing woods he is only passing through. His voice is deep, then he lifts it until it seems to fall from the sky. I am thrilled. I am grateful. Then, by the end of morning, he's gone, nothing but silence out of the tree where he rested for a night. And this I find acceptable. Not enough is a poor life. But too much is, well, too much. Imagine Verdi or Mahler every day, all day. It would exhaust anyone.

Well, over the years, I've developed a stable of songs of which I'm known for and never get tired of singing.