Quotes About Singing

I love making people sing. I love group singing, sacred harp singing, choral singing, recordings of people singing sea shanties, work songs, prison songs - how people just sang to get through things.

To me singing is a joy. Choral singing is a delight. Welsh Choral singing is more than a delight. The Treorchy Male Choir is the best in choral singing. How then can they be described except in superlatives? They are without equal.

Occasionally I play the music for my mother when she demands to hear it and she always just says, 'Who is that singing? I don't like the singing.' And then she says 'Who's doing all that bumpety-bump noise?' It's all noise backing up horrible singing as far as she's concerned. She's not a show-biz mother.

I'll probably do a lot of acting first, then go to singing. but I am going to definitely sing someday. So when I do start singing, buy my album!

I'm an entertainer, period. But I'd probably have to say my passion is in singing. I'm willing to go broke singing.

One is the path of devotion, what in India is called BHAKTI yoga, the path of love and devotion - a Meera, a Chaitanya, dancing and singing, losing themselves completely in the act. When Meera is dancing there is only dance, there is no Meera; the dancer is completely merged into the dance. When Chaitanya is singing and dancing there is no Chaitanya; he has become one with the act.

I came home one day from school after being chased by kids singing “Yellow Submarine”, and I didn't understand why. It just seemed surreal: why are they singing that song to me? I came home and I freaked out on my dad: 'Why didn't you tell me you were in The Beatles?' And he said, 'Oh, sorry. Probably should have told you that.'

When you're singing you can hear the echo of people in the audience singing every single word with you, and that was that big dream that I had for myself. It's happening.

I'm singing in the rain, just singing in the rain; What a wonderful feeling, I'm happy again.

I want to be singing to everybody, and I want everybody to think that I'm singing to them. Guys, girls and everyone in between.

I don't think we should speak so much. What if we were singing a song? We split, whilst singing.

I think that there's a strong crossover in that Janis, studying the visual arts, was learning how to break it down into details and see how to get the expression that we wanted. And her visual art is emotionally expressive as her singing was. And, I think, when she switched over to singing, she already knew that it was something serious that you broke into pieces so she developed the ability to break it down and learn little riffs that she could throw in here and there.

When I was a junior in college I moved to New York and went to this performance school the Experimental Theatre Wing. We had singing class and again, some of the other students would cry when I was singing, and I really didn't know why. I started to realize that there was something in the tone of my voice that was evocative for them.

The only thing better than singing is more singing.

As someone who listens almost exclusively to contemporary hip-hop and R&B, I definitely like "No Bullshit" by Chris Brown, and melodically I'm really into what he's doing - that song is kind of singular because it's got this piano intro and outro. But obviously I'm not singing about what he's singing about. What we want out of our songs is not the same thing.

The Christian faith is a singing faith, and a good way to express it and share it with others is in community singing.

I just would like to keep singing. As soon as I'm not singing well, I hope that I know it, so that I can get off the stage and leave what I have done. I hope I'll know, and if I don't, I hope somebody tells me.

Singing is still the important thing to me. I love singing. I wouldn't be putting myself through all this if I didn't.

The kids (in the Jesus Movement) weren't singing for themselves. It seemed like they were singing TO Someone.

I'm sort of old-fashioned in the sense that I like to write something that I feel I could just perform alone, obviously, because I do that a lot in concert. So I try to make a song where there is as much that is as distinct as I can get it, just if I'm playing it or if I'm singing it. That makes me really do a lot of stuff in the guitar work when I sit and try to figure out how to indicate what sort of dynamic I'm aiming for. Where, rhythmically, I want to go. That's sort of what ties a lot of different records together, is that it's usually always based around me singing and playing a guitar.

The fact of playing an instrument and singing... that I can try to make my dream of singing and becoming a professional musician come true is linked probably to the fact that I traveled a lot, which gave me an open mind and an ability to push my limits.

The [Frank] Sinatra interpretation of the music, as opposed to some other music that you were listening to - where you felt like they were singing at you - you felt Sinatra was singing to you. It's a very intimate art form, and that's what I responded to - the intimacy of his performance.

The blues? Why, the blues are a part of me. They're like a chant. The blues are like spirituals, almost sacred. When we sing blues, we're singing out our hearts, we're singing out our feelings. Maybe we're hurt and just can't answer back, then we sing or maybe even hum the blues. When I sing, 'I walk the floor, wring my hands and cry -- Yes, I walk the floor, wring my hands and cry,'... what I'm doing is letting my soul out.

Blood in the water I sing, and one who shed it: deadliest hunger I sing, and one who fed it- weaving the ancient-most tale of the Sea's sending: singing the tragedy, singing the joy unending This is our shame- this is the whole Ocean's glory: this is the Song of the Twelve. Hark to the story! Hearken, and bring it to pass: swift lest the sorrow long ago laid to it's rest devour us tomarrow!

The very first Walnut Whales recording was recorded just a few weeks after I had started singing, out of the blue, started singing. And the voice, you can hear how uncomfortable I am with it, and how terrified I am with it.

I know that I can't ever write a song that just sounds completely saccharin. Even if I'm singing about someone being my complete love life, I'm singing about my own inabilities to be as bright as that person.

I think it's important to be able to write stuff that's personal to you and stuff that you'll really be able to understand what you're singing about and be able to truly sing it. Because if you're singing a song that someone's written for you and you really can't relate to it, it's hard to sing that song.

Of course, I'm a dancer. Dancing grabbed me from the start and I have was never afraid to do it. With out dance I wouldn't be singing. I want to expose people to the underground dance scene through music.

Singing was my first love and I never even considered it after I started acting, but now I'm bringing it back into my life.

Singing beautiful melodies is one thing, but to deliver the text so that the people understand it, even in a foreign language, has to be worked at very hard.

It's been a while. I haven't seen the actual gag reel they put on the DVD. I just saw the DVD myself, so I know that it's going to be some version of what we saw at our wrap party. Some of the funniest things probably wouldn't make it to the DVD and that involved Ryan O'Neal singing and they intercut that with the American Idol judges judging him, which was pretty funny.

I will play my part by singing the spirit into every open heart.

God bless him, I mean a lot of times you get non-actors on a set and they get really self-conscious, especially when doing something crazy like singing along with Phil Collins. They get sort of reserved and self-conscious. Mike [Tyson] completely trusted Todd [Phillips] and totally put everything into it.

I was not ambitious as a child. My father encouraged me to enter competitions and contests, which became very much part of my life. I was not the typical teenager. I was very closed, shy and didn't hangout with my friends at disco's. My parents wanted me at home. Singing became my life, I traveled a lot on the job, and my job became my dream.

Well, you know, people don't know me as a country artist and I am new to the genre. But that's how I grew up singing.

Now the Sirens have a still more fatal weapon than their song, namely their silence... someone might possibly have escaped from their singing; but from their silence, certainly never.

Other people singing my songs is something that I've never been casual about. I've always been very touched by it and I always go into immediate critical suspension.

I was the worst bricklayer in the world. I can show you buildings I worked on - they're a hazard. I closed a window one time. I forgot to set back a brick and I just kept going - there I was singing 'There's no business like show business'.

I'm always nervous about singing...always. It may be one of the only things I sweat about.

Well, I started writing songs about three years ago when I learned to play the guitar, but I've been singing since I was eleven.

We got famous off singing about a chicken.

As long as we live there is never enough singing.

When I was 19 I went to art school. I had six months of teaching myself to play baritone ukulele under my belt so I was sort of a novice folkie... I was singing folk songs at that time.

Here are some funny songs, there are some songs that we didn't even remember. I heard this song that Ringo is singing, I still don't know the title of it, but it is got the most amazing lyrics and it's a quite a good production. And quite a good tun

When you sing with a group of people, you learn how to subsume yourself into a group consciousness because a capella singing is all about the immersion of the self into the community. That's one of the great feelings - to stop being me for a little while and to become us. That way lies empathy, the great social virtue.

... I like the clubs because ... we have two or three acoustic guitars up there and we're not hard-core slamming or stomping through the music. We're singing it with intricate harmonies and really showing the craftsmanship.

If we think we will have joy only by praying and singing psalms, we will be disillusioned. But if we fill our lives with simple good things and constantly thank God for them, we will be joyful, that is, full of joy.

Do you know what I think about crying? I think some people have to learn to do it. But once you learn, once you know how to really cry, there's nothing quite like it. I feel sorry for those who don't know the trick. It's like whistling or singing.