Quotes About Sometimes

I sleep during the day. I still dream about drinking and drugs. Sometimes I wake to a hang-over, sometimes I wake to a trickle of blood from my nose, sometimes I wake scared and shaking. I read, go to museums and visit Lilly in the afternoon. Sometimes I read to her, sometimes I talk to her, sometimes I just sit and remember the times, remember the times, remember the times." (James Frey, pg.119)

If the essential core of the person is denied or suppressed, he gets sick sometimes in obvious ways, sometimes in subtle ways, sometimes immediately, sometimes later.

Sometimes clients have a sophisticated view of their design problem, sometimes they do not. I often spend time with the client redefining the problem, going back to the beginning. Often the problem is just a symptom. Sometimes you have to move back in order to move forward to understand what the nature of the solution should be.

Sometimes love makes you selfish. Sometimes it makes you stupid. Sometimes it reminds you why you love your gun.

You find there's no magic trick, sometimes in the shower, sometimes you're just lying in bed calm, sometimes you're just enjoying life and just have a notepad, it's never far away. Always have a notepad on you, because you never know what's going to happen, take a moment and write it down the minute that comes in your head. Even if you can't deal with it until later, I've had that experience where I was in a wedding party and I'm on stage, I'm like, "I hope I don't forget this, something just occurred to me."

There are moments in life, and they happen so infrequently that they tend to really stand out, when life hands you the gift of perspective. Sometimes, we forget to show our appreciation. Sometimes, we get our priorities mixed up. And, sometimes, we forget how far we’ve come. But life always has a way of nudging you to remind you about these important things.

Sometimes, the Angel [of Music] leans over the cradle... and that is how there are little prodigies who play the fiddle at six better than men of fifty, which, you must admit is very wonderful. Sometimes, the Angel comes much later, because the children are naughty and won't learn their lessons or practice their scales. And sometimes, he does not come at all, because the children have a wicked heart or a bad conscience.

Sometimes, people can go missing right before our very eyes.Sometimes, people can discover you, even though they've been looking at you the entire time. Sometimes, we lose sight of ourselves when we're not paying enough attention.

There are all kinds of darkness, and all kinds of things can be found in them, imprisoned, banished, lost or hidden. Sometimes they escape. Sometimes they simply fall out. Sometimes they just can't take it any more.

Fiction comes in all shapes and sizes. Secrets,lies,stories. We all tell them. Sometimes,because we hope to entertain. Sometimes,because we need to distract. And sometimes, because we have to.

Everywhere we look, ideology slouches along the freeways and autoroutes, sometimes carrying a cross, sometimes a sickle, sometimes a crescent, but always busy doing somebody in somewhere, somehow.

Most of the time I wind up with a sleepily mumbled melodic line, sometimes with words, sometimes not. But then with my waking brain I have to decide whether it's worth...I mean, sometimes it's not worth it.

I would want people to take away this idea that sometimes people's problems or neuroses are really the things that are kind of a blessing in disguise, and even though there's sometimes pain associated with these things that sometimes in the face of adversity with obstacles to overcome, people can really kind of soar and find their higher selves.

Sometimes fate or life or whatever you want to call it, leaves a door a little open and you walk through it. But sometimes it locks the door and you have to find the key, or pick the lock, or knock the damn thing down. And sometimes, it doesn’t even show you the door, and you have to build it yourself.

I think that there are just people who are hurting other people, sometimes for the best of intentions and sometimes for the worst. In different times in my life, I've been the hero and I've been the villain. I also think that we're all evil sometimes.

Science sometimes improves hypotheses and sometimes disproves them. But proof would be another matter and perhaps never occurs except in the realms of totally abstract tautology. We can sometimes say that if such and such abstract suppositions or postulates are given, then such and such abstract suppositions or postulates are given, then such and such must follow absolutely. But the truth about what can be perceived or arrived at by induction from perception is something else again.

Sometimes, you know, I cry. And sometimes I scream. And I get really angry. And I get really upset, you know, into wallowing in self-pity sometimes. And I think that it's all part of the healing.

I'm sure I've dated my share of loonies in the past. Sometimes I realized it early on and sometimes not that fast. Love can be blinding, even for therapists. Plus, crazy can be fun sometimes. Don't you think?! Maybe that's just me!

I think you put art out into the world, and sometimes it's divisive, sometimes it's embraced. Sometimes people cry, laugh or have complicated reactions.

I love to make music that makes people feel mood-enhancing, life-affirming brilliance but I just make whatever comes out at the time and sometimes it's up and sometimes it down and sometimes it sideways with a hint of s smile.

That was how it was, sometimes. You put yourself in front of the thing and waited for whatever was going to happen and that was all. It scared you and it didn't matter. You stood and faced it. There was no outwitting anything. When Almondine had been playful, she had been playful in the face of that knowledge, as defiant as before the rabid thing. Sometimes you looked the thing in the eye and it turned away. Sometimes it didn't.

The strange thing about the apocalypse is that it's uneven. For some people, it goes one way and for others another way, so that there's always this shifting relation to the narrative of the disaster. Sometimes apocalypses are just structural fictions, and sometimes they're real. Sometimes a narrative requires an end - the fact that the beginning was always leading somewhere becomes clear at the end. There's an idea that we're always in the middle, but we posit this apocalyptic end in order to also be able to project into the past or the beginning. I think that's true and false.

The writers we absorb when we're young bind us to them, sometimes lightly, sometimes with iron. In time, the bonds fall away, but if you look very closely you can sometimes make out the pale white groove of a faded scar, or the telltale chalky red of old rust.

Bixio-Frizzi-Tempera was a real co-operative team. My first instrument was the guitar, Tempera played piano and keyboards, themes were composed sometimes by one, sometimes by the other, sometimes together.

I just feel like sometimes I'm a force to be dealt with. My talents are sometimes overused and also sometimes underused. It's not easy being me.

I used to get defensive and react. Like you, I get pushed and pulled [backstage].... Sometimes people are rude to me, and I feel like, 'You know, guys, I'm just here trying to do my job....' And the reality is, everyone else is just trying to do their job...and sometimes they get on a power trip [and] you feel disrespected. But that's their problem. It's not my problem.

Sometimes they come to you and it's a small role, so it's about the experience and the journey and mixing with people you know you will learn from. Or sometimes it's a scene in a movie that you think, 'I just have to play this person.'

If you get the characters right you've done sometimes nearly half the work. I sometimes find I get the characters right then the characters will often help me write the book - not what they look like that's not very important - what people look like is not about their character. You have to describe the shape they leave in the world, how they react to things, what effect they have on people and you do that by telling their story.

Sometimes the law defends plunder and participates in it. Sometimes the law places the whole apparatus of judges, police, prisons and gendarmes at the service of the plunderers, and treats the victim - when he defends himself - as a criminal.

Sometimes it isn't easy to be sane, smart, and responsible. Sometimes it sucks. Sucks wang. Camel wang. But that doesn't turn wrong into right or stupid into smart.

When I read the script sometimes, it's like 'Christ! Enough!' I can't sleep at night sometimes. There's the occasional script that just hammers you, that you can't shower off.

You have strengths within your team every single year and sometimes they stay the same, sometimes they change.

At the happy ending of the Tempest, Prospero brings the kind back togeter with his son, and finds Miranda's true love and punishes the bad duke and frees Ariel and becomes a duke himself again. Everyone - except Caliban - is happy, and everyone is forgiven, and everyone is fine, and they all sail away on calm seas. Happy endings. That's how it is in Shakespeare. But Shakespeare was wrong. Sometimes there isn't a Prospero to make everything fine again. And sometimes the quality of mercy is strained.

Sometimes I would take Nietzsche or something. And I wouldn't read it, but more just scan the words. Sometimes I would get whatever the popular thing at the time was. I don't know, something like Bret Easton Ellis. It was just a very random, inefficient education.

Clothing and makeup and hair and all of that so much indicates the kind of person you are inside and the person you are presenting on the outside. Sometimes they are in conflict, and sometimes they are the same. That psychology of the exterior informing the interior is just so interesting.

Sport for me is about inspiring kids. Here's the rules, here's the play area, sometimes you win, sometimes you lose. This is all about teaching kids how to approach life. If we're not playing sport to benefit kids, I'm not really sure why we play sport.

Sometimes it works, sometimes it fails, but that's what we face when we're dealing with improvisation.

Sometimes I do it more literally, sometimes I do a little softer [interpretation], but I'm just inspired by the past.

Sometimes memory tricks you. Sometimes beauty is best when it's distant.

Man's condition is never the same; he is humbled, then exalted; sometimes at peace, sometimes persecuted; enlightened today and plunged into darkness tomorrow. What is to be done? As I said, let us be prepared for whatever may happen.

You know, sometimes I feel well and vital in the world, and sometimes I just feel so distressed I want to pull my hair out by the roots.

Sometimes it's a huge amble, where you're just on top, on the lid, and it's not going anywhere, and sometimes you walk on the stage and from the first note, the afterburner kicks in and you can't stop it.

Sometimes if you get 'em too drunk they don't pay no attention to what you're doin' anyways, so you might as well just do old songs. But if you get one that's paying attention, sometimes we'll do some new material.

Today's Uncle Tom doesn't wear a handkerchief on his head. This modern, twentieth-century Uncle Thomas now often wears a top hat. He's usually well-dressed and well-educated. He's often the personification of culture and refinement. The twentieth-century Uncle Thomas sometimes speaks with a Yale or Harvard accent. Sometimes he is known as Professor, Doctor, Judge, and Reverend, even Right Reverend Doctor. This twentieth-century Uncle Thomas is a professional Negro -by that I mean his profession is being a Negro for the white man.

We ought to give our friend pain if it will benefit him, but not to the extent of breaking off our friendship; but just as we make use of some biting medicine that will save and preserve the life of the patient. And so the friend, like a musician, in bringing about an improvement to what is good and expedient, sometimes slackens the chords, sometimes tightens them, and is often pleasant, but always useful.

From where I sit, battles are hard. I’ve written my share. Sometimes I employ the private’s viewpoint, very up close and personal, dropping the reader right into the middle of the carnage. That’s vivid and visceral, but of necessity chaotic, and it is easy to lose all sense of the battle as a whole. Sometimes I go with the general’s point of view instead, looking down from on high, seeing lines and flanks and reserves. That gives a great sense of the tactics, of how the battle is won or lost, but can easily slide into abstraction.

Sometimes I'm drawing onto a computer directly, sometimes I'm drawing on paper , so I can't really talk about drafts. It's just like having soft clay until it hardens. At least as much of the problem has to do with the decisions of what to represent, how to represent that, and how to reduce it down. The words in the balloons aren't particularly poetic necessarily, but it has the same problem as poetry, which is that one has to do great reduction. And if I tried to draw everything, you'd just have a tangled mess of a picture. The stripping down takes much longer than building up.

I like to mix the real and the imaginary. Sometimes it is characters inspired by real people I know or know of. Sometimes it is a named person from the common cultural dreamscape. And it is tricky, because they have a lot of associated ideas that come with them, and a lot of actual facts.