Quotes About Sometimes

People get sick and sometimes they get better and sometimes they don't. And it doesn't matter if the sickness is cancer or if it's depression. Sometimes the drugs work and sometimes they don't. Sometimes the drugs work for a while and then they stop. Sometimes the alternative stuff works and sometimes it doesn't. And sometimes you wonder if no outside interference makes any difference at all; if an illness is like a storm, if it simply has to run its course and, at the end of it, depending on how robust you are, you will be alive. Or you will be dead.

I've noticed a lot of people talking about the wealth of roles for powerful women in television lately. And when I look around the room at the women here and I think about the performances that I've watched this year, what I see actually are women who are sometimes powerful and sometimes not. Sometimes sexy and sometimes not. Sometimes honourable and sometimes not. And what I think is new is the wealth of roles for actual women in television and in film. That's what I think is revolutionary and evolutionary and it's what turning me on.

Usually it's lyric first, but sometimes it's melody. And I carry a hand-held recorder everywhere I go so I can just hum or whistle a melody if one hits me. Sometimes it's both simultaneously - lyric and melody at the same time - those are a little confusing to me, but sometimes it comes in that form. I just feel like I have my own little radio station and sometimes the static clears and something beams in from out there.

Sometimes you're traveling a highway, the only road you've ever known and wham! A semi comes from nowhere and rolls right over you. Sometimes you dont wake up. But if you happen to you know things will never be the same. Sometimes that's not so bad. Sometimes lives instersect, no rhyme, no reason, except, perhaps, for a passing semi.

Sometimes I do yoga, sometimes it's kickboxing, sometimes it's weight training, sometimes it's Pilates.

Sometimes you move publicly, sometimes privately. Sometimes quietly, sometimes at the top of your voice.

Barcza is the most versatile player in the opening. He sometimes plays P-KKt3 on the first, sometimes on the second, sometimes on the third, and sometimes only on the fourth move.

Small groups have always been the locus of change. What they do, in a sometimes offhand way, is constellate new cultural forms and give birth to the unexpected. Sometimes the talk is the thing, sometimes the feeling. When we risk talking about something we really care about it's infectious. Like any good infection, such talk can produce heat, a fever of intellectual excitement.

Sometimes you wake up from a dream. Sometimes you wake up in a dream. And sometimes, every once in a while, you wake up in someone else's dream.

You'll hunt me. You'll condemn me. Set the dogs on me. Because that's what needs to happen. Because sometimes truth isn't good enough. Sometimes people deserve more. Sometimes people deserve to have their faith rewarded.

It (the heart) is supposed in popular language, to be the seat sometimes, of courage, sometimes of affection, sometimes of honesty, or baseness.

Sometimes relationships are short, sometimes long, sometimes they're very deep and intense, and drama school is a hell of a learning curve.

I try to love my neighbor as myself but I'm not trying to be a people pleaser. Sometimes that's hard, because my human nature is to want people to be happy with me. But sometimes I feel my convictions are so great that it would be compromising the truth if I didn't do that. So sometimes it's a struggle to say, "This is what I think; this is what I believe, and if you don't agree with me, oh well." The hardest thing for people to accept is the gay-affirming issue. It's hard for people to agree to disagree on that one.

You shouldn't try to stop everything from happening. Sometimes you're supposed to feel awkward. Sometimes you're supposed to be vulnerable in front of people. Sometimes it's necessary because it's all part of you getting to the next part of yourself, the next day.

Sometimes you have to wait for the right deal. They all seem good, at least at first, and they may make you some quick money. But when the right deal comes, and it fits into your [overall] plan, it's just overwhelming success. Sometimes, with the long-term deals, you have to take a risk if you're going to get a reward. It's exactly like fighting. Sometimes you have to take chances to get that huge win.

I think sometimes I'm more fond of doing the research for the character because you learn so much. Sometimes shooting is really difficult because you wake up early and you're always hurrying. And sometimes I don't know what I'm doing. I'm here and there.

Sometimes I highjack memories. Sometimes I switch them around. Sometimes they're just in the background, like some little bass note. Those things have carried me through, especially when I first started writing. They're still there, but more in the distance these days.

I just try to keep busy. I find sometimes, when I put my emotions into records, I don't feel as depressed. It's so easy to get depressed. Sometimes it makes me feel better. Sometimes it makes me feel the same. But, the same squared. So, monumentally the same.

I would by all means have men beware, lest Æsop's pretty fable of the fly that sate [sic] on the pole of a chariot at the Olympic races and said, 'What a dust do I raise,' be verified in them. For so it is that some small observation, and that disturbed sometimes by the instrument, sometimes by the eye, sometimes by the calculation, and which may be owing to some real change in the heaven, raises new heavens and new spheres and circles.

We have a demon, we have an angel inside, within our souls, and you just play with it, and sometimes the evil part of you wins the battle, in a very important decision, or in a bedtime, with your lover. Sometimes you win, sometimes you lose.

Sometimes I may be totally arrogant, sometimes I may totally be the most humble guy you've ever met, sometimes I may be in between. But that's life. Who isn't like that? What's the big deal if I had an arrogant moment.

You put together two people who have not been put together before; and sometimes the world is changed, sometimes not. They may crash and burn, or burn and crash. But sometimes, something new is made, and then the world is changed. Together, in that first exaltation, that first roaring sense of uplift, they are greater than their two separate selves. Together, they see further, and they see more clearly.

Sometimes I get a little drunk, sometimes I get a little out of it, sometimes I get out of tune onstage, but that's something that shouldn't be dissected

Sometimes nudity is sexy. Sometimes it's not. Sometimes being clothed is more sexy than being nude. I think people tend to get the two mixed up.

I used to bug all of the comedians for interviews, and when people want to talk to me, sometimes I'm very receptive and sometimes I say no. Sometimes if I say no, I think, "If they're smart, they'll figure out how to not accept this no."

Sometimes they work, and sometimes they just won't. Sometimes you get hung up on them. When that happens, you just throw it back, and maybe come back to it two or three weeks later.

Things... well, things suck sometimes. And sometimes you can fix it. And sometimes you can't. It's just the way it is.

Sometimes, songs spill out of you very fast, and sometimes you have to wrangle them to the floor. But the same thing is true of comedy, where sometimes it really flows.

Sometimes compromise is important. Sometimes it's better to give in to someone else's wishes in order to have fun as a group or as a couple, or for the benefit of the team. Sometimes compromise is dangerous. We need to guard against compromising our standards to gain the approval or love of someone else. Decide when you can, and when you cannot, compromise. If it's not harmful and you are ambivalent about a decision, then compromise. If it could lead to breaking your values, compromise isn't a good idea.

Sometimes I'm an ass, sometimes I'm sweet as peaches.

They leave things behind sometimes, the guests. A bottle of scent. A crumpled handkerchief. A pearl button that fell off a dress and rolled under a bed. And sometimes they leave other sorts of things. Things you can't see. A sigh trapped in a corner. Memories tangled in the curtains. A sob fluttering against the windowpane like a bird that flew in and can't get back out. I can feel these things. They dart and crouch and whisper.

Sometimes they come to you and it's a small role, so it's about the experience and the journey and mixing with people you know you will learn from. Or sometimes it's a scene in a movie that you think, 'I just have to play this person.'

Sometimes it isn't easy to be sane, smart, and responsible. Sometimes it sucks. Sucks wang. Camel wang. But that doesn't turn wrong into right or stupid into smart.

Life is about change, sometimes it's painful, sometimes it's beautiful, but most of the time it's both.

Sometimes I write music, sometimes I don't. I think I'm just writing more what's close to my heart, and musical stuff is close to my heart, and it's fun to write, and when something's fun to write you don't think about what statement you're trying to make or what genre you're trying to hone in on.

I cannot remember a time when I was not enraptured or tortured by words. Always there have been words which, sometimes for their sound alone, sometimes for their sound and sense, I would not use. From a loathing of their grossness or sickliness, their weight or want of weight. Their inexactitude, their feeling of acidity or insipidity. Their action, not only on the intelligence but on the nerves, was instant.

Sometimes I even say that I have surpassed Lasker in using psychology. How? Well, sometimes I use psychology with a portion of risk. That is something else, something that Lasker wouldn't allow.

I think that distance is good for some people for certain projects. I mean this is sort of a dynamic question. Some projects require more distance than others, some don't require it at all. Sometimes you need it and sometimes you don't.

When you're studying drama, when you're a young actor, there are simple rules about acting. "Why am I here? What prevents me from leaving? What am I trying to get? How do I hide something?" So when you're making a film like Abel's movie, you want to be thinking about those things all the time. And you wanna be armed with those things, and you hope the other actors you're working with have the same understanding of drama and scene and acting. Sometimes it works and sometimes it doesn't.

I am sometimes a fox and sometimes a lion. The whole secret of government lies in knowing when to be the one or the other.

At the happy ending of the Tempest, Prospero brings the kind back togeter with his son, and finds Miranda's true love and punishes the bad duke and frees Ariel and becomes a duke himself again. Everyone - except Caliban - is happy, and everyone is forgiven, and everyone is fine, and they all sail away on calm seas. Happy endings. That's how it is in Shakespeare. But Shakespeare was wrong. Sometimes there isn't a Prospero to make everything fine again. And sometimes the quality of mercy is strained.

Sometimes things don't turn out the way you want them to, Haven. Sometimes the people you choose to believe are wrong.

There is a correlation between evil. There is a primary evil that comes directly from the Devil. Even though all evil stems from the Devil, the Devil sometimes interacts with people in the physical world and the spiritual world and sometimes there's just plain evil that people do to one another. And I've seen plenty of that over the course of 20 years.

A bloody and complete victory has sometimes yielded no more than the possession of the field and the loss of ten thousand men has sometimes been sufficient to destroy, in a single day, the work of ages.

Sometimes maybe it's good to have someone doing a sci-fi show who's not actually necessarily from that background. It also means that sometimes I fall into the most elementary of traps.

. . . life is sometimes life and sometimes only a drama, and one must learn to distinguish t'other from which . . .

I get into the studio and I try to make visible what's in the choreographer's mind. Sometimes a choreographer wants you to have an idea, and sometimes you are the idea.

Sometimes people feel mind is merely the - in some animal, the energy or something from the brain. Now there are little sort of curiosities or I think doubt sometimes a sheer sort of mental attitude, some change in our brain. So these fields, now scientists are showing some interest.