Quotes About Space

For me space rock is something that takes you out of yourself and out of your normal realm. And if space happens to be that inner space or outer space it's a very personal thing. I think that mantra is space music. I think that Native American tribal drumming is space music. Anything that allows you to go inward to go outward and to move within a space that is not normal to your reality.

But as Van casually directed the searchlight of backthought into that maze of the past where the mirror-lined narrow paths not only took different turns, but used different levels (as a mule-drawn cart passes under the arch of a viaduct along which a motor skims by), he found himself tackling, in still vague and idle fashion, the science that was to obsess his mature years - problems of space and time, space versus time, time-twisted space, space as time, time as space - and space breaking away from time, in the final tragic triumph of human cogitation: I am because I die.

The base skill is listening: how I'm listening to the material, how I'm listening to the space. With electronic sound, it's a similar situation of how to produce it and place it so that it works in a space. The first consideration is adopting the space and having work that resonates in the space.

You have to say now that space is something. Space can vibrate, space can fluctuate, space can be quantum mechanical, but what the devil is it?

To view space as, "Well, let's go to Mars now," or "Let's do this now," maybe we should rethink of space as our backyard and have a suite of launch vehicles that can enable any ambition a person has regarding space. It's the same way you can go to buy a car: I want to go offroading, I'll buy this model. I'm a city driver, that's this model. I want to use less fuel, well, that's this model. They're not selling you one car, you have options. So when I think of space, I think of having options.

There is nothing mysterious about space-time. Every speck of matter, every idea, is a space-time event. We cannot experience anything or conceive of anything that exists outside of space-time. Just as experience precedes all awareness and creative expression, the visual language of our photographs should ever more strongly express the fourth dimensional structure of the real world.

The space station mission was kind of the culmination of all of my experience of being a NASA Astronaut, so it had brought all of my previous experience into play. I had to learn the Russian language to a fluent level so that I could function as the co-pilot of the Soyuz Spacecraft that we flew up and back from the space station. And then the challenge of being the Commander of the whole expedition, a six and a-half month flight aboard the international space station. I felt the burden of the whole mission on my shoulders, which was fine, and fortunately everything did go well.

Our body is not in space like things; it inhabits or haunts space. It applies itself to space like a hand to an instrument. And when we wish to move about, we do not move the body as we move an object.

Religion controls inner space; inner space controls outer space.

I think I need to continue to think and plan and marry all of the different things that we could do that make transportation in space from the earth to the space station, from the earth to the moon to space stations around the moon to visiting an asteroid.

I've always held the view that great states need strategic space. I mean, George Washington took his space from George III. Britain took it from just about everybody. Russia took all of Eastern Europe. Germany's taken it from everywhere they can, and China will want its space too.

I consider space to be a material. The articulation of space has come to take precedence over other concerns. I attempt to use sculptural form to make space distinct.

What differentiates time from space is that time does have a direction. In that sense it is different from space. I think that's certainly true that whereas spatial dimensions don't have direction or an arrow, time does. It runs from past to future. But I see that arrow of time as rooted in a deeper metaphysical reality, namely the reality of temporal becoming - of things coming to be and passing away. That is why time has this arrow. But it's not sufficient to simply say that time and space are distinct because time has a direction. The question will be: why does it have a direction?

The truth us that other systems of geometry are possible, yet after all, these other systems are not spaces but other methods of space measurements. There is one space only, though we may conceive of many different manifolds, which are contrivances or ideal constructions invented for the purpose of determining space.

By actively thinking about the implications a space has on its inhabitants, we can create great experiences for those who enter. Make Space is an articulate account about the importance of space; how we think about it, build it and thrive in it.

The search for an equilibrium is essential for the artist, to be as aware of inner space as he is of outer space.

There is a beautiful expression of this in the Chandogya Upanishad: 'There is this City of Brahman, (that is the body), and in this city there is a shrine, and in that shrine there is a small lotus, and in that lotus there is a small space, (akasa). Now what exists within that small space, that is to be sought, that is to be understood.' This is the great discovery of the Upanishads, this inner shrine, this guha, or cave of the heart, where the inner meaning of life, of all human existence, is to be found.

I'm part of the consumer culture... I'm just using the space I am given to express something that is out of the space so I'm part of the consumer system but I'm advocating stepping out. Which is a contradiction but I could be part of he consumer system and say, 'let's consume even more.'

NEEMO missions are a challenging and exciting aspect of astronaut training. The research we conduct during those missions allows us to test new technologies and exploration concepts in conditions similar to the ones we'll experience in space. They are a great opportunity to help me expand my knowledge and develop new tools for future space exploration.

Space really means the level of awareness or presence, not thinking. So, can you look at your partner and not think? Two conscious beings realize that the essence of the relationship is the space in it. Even when there is an egoic overlay, it is not too dense or heavy for you to sense the essence underneath it. You don't need to react to the egoic overlay. When you don't react to it you don't strengthen it.

The photograph contains and constrains within its own boundaries, excluding all else, a microcosmic analogue of the framing of space which is knowledge. As such it becomes a metaphor of power, having the ability to appropriate and decontextualize time and space and those who exist within it.

I would love to see the world's space programs continue toward sending humans to an asteroid or to Mars, with, of course, a full plan in place to bring them back. That excites me. And one of the things that excites me most about space is that we can go up there and put spacecraft in orbit with sensors that will help us measure the health of our planet, which is becoming particularly important. Our planet needs to be observed.

After 1980, you never heard reference to space again. Surface, the most convincing evidence of the descent into materialism, became the focus of design. Space disappeared.

Along the way, female filmmakers will have the feeling that they're not good enough. And that's really just a result of being "otherized" from the moment they're born. Keep an eye out for all those insecurities, and even expect them. Borrow white male privilege and just move through the world as if it was created for you. You have to kind of talk yourself into an imaginary space where the world is on your side and expects you to speak and wants you to speak. You have to create that space for yourself over and over again. Every hour sometimes.

Between the fear that something would happen and the hope that still it wouldn't, there is much more space than one thinks. On that narrow, hard, bare and dark space a lot of us spend their lives.

As a member of the House Subcommittee on Space and Aeronautics, I am a firm believer in the American space program.

I was a risk-taker as a young man, and I don't regret it. I'm not adventurous in quite the same way now, but I still love the challenge of testing myself to the limits, flying around the world, or seeing if I can be the first to fly a balloon across the Atlantic, or trying to take people into space at an affordable price in an environmentally friendly way. I'll be going into space with three generations of my family!

When you have emptied all content - thoughts, desires, memories, projections, hopes - when all is gone, for the first time you find yourself, because you are nothing but that pure space, that virgin space within you. Unburdened by anything, that contentless consciousness, that's what you are! Seeing it, realizing it, one is free. One is freedom, one is joy, one is bliss.

I mean, in the campaign of '24 and in '28 and '32, you know, Eleanor Roosevelt insists that women have equal floor space. And this is a great victory over time. Then she wants women represented in equal numbers as men. And she wants the women to name the delegates. And the men want to name the delegates. Well, Eleanor is absolutely furious. And because they don't want her to walk away in 1924, she wins. And this is a great political victory. She has floor space equal to the men, and she has the right to name the women.

The whole universe is one. There is only one Self in the universe, only One Existence, and that One Existence, when it passes through the forms of time, space, causation, is called by different names, buddhi, fine matter, gross matter, all mental and physical forms. Everything in the universe is that One, appearing in various forms. When a little part of it comes, as it were, into this network of time, space and causation, it takes forms. Take off the network, and it is all one.

I have been very influenced by the Japanese concept of space - the preciousness of space, and how one's environment can be shaped to make the most out of limited resources. That's the kind of thing we need to look at again - how momentous the results can be from very subtle changes.

To venture into space we must be strong-willed and determined. We must be fully committed to its exploration and discovery; space permits no half measures and is unforgiving of mistakes.

At two-tenths the speed of light, dust and atoms might not do significant damage even in a voyage of 40 years, but the faster you go, the worse it is--space begins to become abrasive. When you begin to approach the speed of light, hydrogen atoms become cosmic-ray particles, and they will fry the crew. ...So 60,000 kilometers per second may be the practical speed limit for space travel.

For early plays of mine, I started with character. But I think that's because I hadn't been in theaters; I hadn't worked that much. I'm very interested in character, obviously, but once I started having my plays produced, I became so fascinated by the theatrical experiment and the weirdness of theatrical space, so now all my plays start with space and stage picture and setting - or container is maybe the better way to put it.

Women are allowed to enter the spaces of the senses, the space of the body, the spaces opened by sensations, all kinds of feelings, but women are not allowed to enter the spaces of reason to the same extent, that is to say the space of ideas, political ideas.

Define the space horizontally rather than vertically in movie widescreen, 2.35:1 just having that rectangular shape and when you think of great horror movies like Halloween and Jaws that just really exploit the space so well and I just think we would have so many more opportunities in creating suspense and shocks.

Basketball is at its best when you have athletes in space making plays. It's the same for soccer, you have great athletes in space making plays and that's when the game becomes beautiful. You have spacing and skill and coaching. It's all synergetic. You don't have to be a basketball fan to appreciate that. You can be a person who appreciates movement. It's almost like a ballet at that point.

Instead of planning the retirement of the Space Shuttle program, America should be preparing the shuttles for their next step in space: evolving, not shutting them down and laying off thousands of people.

Other anatomical changes associated with long-duration space flight are definitely negative: the immune system weakens, the heart shrinks because it doesn't have to strain against gravity, eyesight tends to degrade, sometimes markedly (no one's exactly sure why yet). The spine lengthens as the little sacs of fluid between the vertebrae expand, and bone mass decreases as the body sheds calcium. Without gravity, we don't need muscle and bone mass to support our own weight, which is what makes life in space so much fun but also so inherently bad for the human body, long-term.

Not that the propositions of geometry are only approximately true, but that they remain absolutely true in regard to that Euclidean space which has been so long regarded as being the physical space of our experience.

Anytime that is ‘betwixt and between’ or transitional is the faeries’ favorite time. They inhabit transitional spaces: the bottom of the garden, existing in a space between manmade cultivation and wilderness. Look for them in the space between nurture and nature, they are to be found at all boarders and boundaries, or on the edges of water where it is neither land nor lake, neither path nor pond. They come when we are half-asleep. They come at moments when we least expect them; when our rational mind balances with the fluid irrational.

Time and space are not conditions of existence, time and space is a model for thinking

I didn't know someone could love me like this," she said. "Could love me and love me and love me without...needing space." Lincoln wasn't asleep. He rolled on top of her. "There's no air in space," he said.

I always call myself a space construction worker. We were only the second mission ever to go to the space station. There was nothing on board. We brought the first three tons of equipment, including some of the Imax camera stuff. We literally switched the light on to the station and walked in. It was an assembly mission.

We don't always choose the best solution but we carry on regardless, trying to remain upright and decent in order to do honor not to the walls or the doors or the windows but to the empty space inside, the space where we worship and venerate what is dearest and most important to us.

The ordinary adult never gives a thought to space-time problems ... I, on the contrary, developed so slowly that I did not begin to wonder about space and time until I was an adult. I then delved more deeply into the problem than any other adult or child would have done.

Solitude is a condition of peace that stands in direct opposition to loneliness. Loneliness is like sitting in an empty room and being aware of the space around you. It is a condition of separateness. Solitude is becoming one with the space around you. It is a condition of union. loneliness is small, solitude is large. loneliness closes in around you; solitude expands toward the infinite. loneliness has its roots in words, in an internal conversation that nodbody answers; solitude has it's roots in the great silence of eternity.

Hospitality means primarily the creation of free space where the stranger can enter and become a friend instead of an enemy. Hospitality is not to change people, but to offer them space where change can take place. It is not to bring men and women over to our side, but to offer freedom not disturbed by dividing lines.