Quotes About Space

In 2009 I went up on the space shuttle. I was in space for 16 days and docked at the space station for 11 days. The entire crew did five space walks, of which I was involved with three of them. When you're doing a space walk, you always have a buddy with you. It's a very dangerous environment when you're doing a space walk.

I really believe in empty spaces, although, as an artist, I make a lot of junk. Empty space is never-wasted space. Wasted space is any space that has art in it. An artist is somebody who produces things that people don't need to have but that he, for some reason, thinks it would be a good idea to give them.

The Americans are still the leaders in human space flight. I feel we have a danger here of kind of stagnating. We're kind of resting on our laurels and there's a danger going forward if we don't take bold steps to really support human space flight in this country that we could fall behind. After the space shuttle is retired, we're going to have a big gap, five to seven years, at least where we're not going to have the ability to send our own astronauts into space, we'll have to buy rides on the Russian Soyuz, and so that will be a pretty big step down for us.

Empty space is never-wasted space. Wasted space is any space that has art in it.

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My mother would write letters when I was away at camp and say, 'There's an Ann-shaped space around the house. Nobody fills an Ann-shaped space except an Ann.' I'm convinced we all have a God-shaped space in us, and until we fill that space with God, we'll never know what it is to be whole.

We have aspects in our music that refer to space, like Kometenmelodie, but we also have some very earthly aspects that are very direct and not from outer space but from inner space like from the human being and the body, and very close to every day life.

There is nothing mysterious about space-time. Every speck of matter, every idea, is a space-time event. We cannot experience anything or conceive of anything that exists outside of space-time. Just as experience precedes all awareness and creative expression, the visual language of our photographs should ever more strongly express the fourth dimensional structure of the real world.

Basically, most good science in space flight has to do with the behavior of the human body in space. That is where we are lacking info, and where info can only be obtained by flying in space.

All space must be attached to a value, to a public dimension. There is no private space. The only private space that you can imagine is the human mind.

Space, time, mass, and energy originate from Chaos, have their being in Chaos, and through the agency of the aether are moved by Chaos into the multiple forms of existence. Some of the various densities of the aether have only a partial or probablistic differentiation into existence, and are somewhat indeterminate in space and time. In the same way that mass exists as a curvature in space-time, extending with a gradually diminishing force to infinity that we recognize as gravity, so do all events, particularly events involving the human mind, send ripples through all creation.

I think I need to continue to think and plan and marry all of the different things that we could do that make transportation in space from the earth to the space station, from the earth to the moon to space stations around the moon to visiting an asteroid.

When I look at things, I always see the space they occupy. I always want the space to reappear, to make a comeback, because it's lost space when there's something in it.

What differentiates time from space is that time does have a direction. In that sense it is different from space. I think that's certainly true that whereas spatial dimensions don't have direction or an arrow, time does. It runs from past to future. But I see that arrow of time as rooted in a deeper metaphysical reality, namely the reality of temporal becoming - of things coming to be and passing away. That is why time has this arrow. But it's not sufficient to simply say that time and space are distinct because time has a direction. The question will be: why does it have a direction?

I believe that all centers that appear in space - whether they originate in biology, in physical forces, in pure geometry, in color - are alike simply in that they all animate space. It is this animated space that has its functional effect upon the world, that determines the way things work, that governs the presence of harmony and life.

Is negative space the space you don't like, or the space that is not there? And if it's not there how can you tell?

By actively thinking about the implications a space has on its inhabitants, we can create great experiences for those who enter. Make Space is an articulate account about the importance of space; how we think about it, build it and thrive in it.

The more you learn about the real vastness of space and the real challenges of space travel, the more completely you appreciate the necessity of taking very good care of this world and being good stewards of it.

I love producing my kids and my wife's TV show. I love doing that. I think that's my most natural space in the business. I would say the most natural space for me is producing or editing. That's just where I thrive.

The theory I propose may therefore be called a theory of the Electromagnetic Field because it has to do with the space in the neighbourhood of the electric or magnetic bodies, and it may be called a Dynamical Theory, because it assumes that in the space there is matter in motion, by which the observed electromagnetic phenomena are produced.

What I love about L.A. and Washington, D.C. is that they're almost the opposite of each other. L.A. is a very creative space while D.C. is a very cerebral space. So, they're the ying and the yang in my world. I like them both for their own reasons.

I'm not sure if I could tell the difference—between just staring into space and thinking. We're usually thinking all the time, aren't we? Not that we live in order to think, but the opposite isn't true either—that we think in order to live. I believe, contrary to Descartes, that we sometimes think in order not to be. Staring into space might unintentionally have the opposite effect.

That you write a phrase or you think of something and it seems to have a deeper charge because the title has to be some kind of marker, something setting out a space, creating a space for what's going to come.

As I currently explore things like augmented and virtual reality, I constantly bring us back to actual bodies in space, real dancers that have physical manifestations not just phantoms that exist in digital space.

I am in a space now where I can try anything; and with Pink Floyd we've always been in a space where we were able to try out anything. I think we were very young then and we were very keen to experiment and try things out. It seems to me that this sort of experimenting is like working yourself towards something and trying to find what you like and what you want.

In the past, it was only in science fiction novels that you could read about ordinary people being able to go to space... But you laid the foundation for space tourism.

I'd really love to go for a fourth trip into space with maybe Mr. Duceppe and Mr. Boisclair, and I am convinced, I am convinced that after such a trip, Quebec sovereignty will no longer be an issue. Space travel affects us that much.

Too many of us have lost the passion and emotion of the remarkable things we-ve done in space. Let us not tear up the future, but rather again heed the creative metaphors that render space travel a religious experience. When the blast of a rocket launch slams you against the wall and all the rust is shaken off your body, you will hear the great shout of the universe and the joyful crying of people who have been changed by what they-ve seen.

Mars is the next frontier, what the Wild West was, what America was 500 years ago. It's time to strike out anew....Mars is where the action is for the next thousand years....The characteristic of human nature, and perhaps our simian branch of the family, is curiosity and exploration. When we stop doing that, we won't be humans anymore. I've seen far more in my lifetime than I ever dreamed. Many of our problems on Earth can only be solved by space technology....The next step is in space. It's inevitable.

If there is only empty space, with no suns nor planets in it, then space loses its substantiality.

Space exploration and experimentation are critically valuable to our nation. I know of no better way to honor those seven who sacrificed their lives than to recommit ourselves to defend and enhance America's important strategies in space.

When this space walk will be completed, then the arm will be fully operational and ready for the next activity that will be pretty much the testing, the first flight testing of the space station arm.

I think that by arming the allies of ISIS, the Islamic rebels against [Bashar] Assad, that we created a safe space or made that space bigger for ISIS to grow.

Only in an open, nonjudgmental space can we acknowledge what we are feeling. Only in an open space where we're not all caught up in our own version of reality can we see and hear and feel who others really are, which allows us to be with them and communicate with them properly.

Space may seem distant, but is an integral part of our daily life. It drives our modern communication and connects even the remotest family to the ordinary. India's space programme is a perfect example of our vision of Scale, Speed and Skill.

Define the space horizontally rather than vertically in movie widescreen, 2.35:1 just having that rectangular shape and when you think of great horror movies like Halloween and Jaws that just really exploit the space so well and I just think we would have so many more opportunities in creating suspense and shocks.

I think no matter where we go in space to me the important thing is not only getting there and getting back, but it's also doing research, because that opens up as a possibility with that new distance of travel in space.

Young people today are flooded with disconnected images but lack a sympathetic instrument to analyze them as well as a historical frame of reference in which to situate them. I am reminded of an unnerving scene in Stanley Kubrick's epic film, 2001: A Space Odyssey, where an astronaut, his air hose cut by the master computer gone amok, spins helplessly off into space.

An army, great in space, may offer opposition in a brief span of time. One man, brief in space, must spread his opposition across a period of many years if he is to have a chance of succeeding.

They all knew the mothership was coming, they all knew it was a flying saucer, they all knew it came from another planet through the vacuum of space. And so what do they do, to the left of that monument? They set up runway lights. And I'm thinking, if you could travel through the vacuum of space, you don't need runway lights. Runway lights are if you're using air for lift. Aliens would not need air for lift.

I've been through the whole western world, and it seems to me that there's more retail floor space devoted to the sale of books than food! There's more retail floor space devoted to the sale of books than there's been in the entire history of humanity! It's grotesque!

On one level, I'm interested in how the space dictates the effect visually - how the composition of a given work changes depending on the nature of each wall. But I'm also trying to emphasize less tangible elements: the amount of time it takes to walk the gallery's perimeter; how one's physical distance affects his or her sense of the overall composition; how the size of the space creates a sense of visual rhythm. It's really a matter of seeing how much structure is necessary to impose for those things to become apparent.

My father was always very interested in space. I watch Star Trek and all those things, but I always had a different picture in my mind... maybe closer to Alien. I don't see it in space as much as I do see it in different planets, with each having its own strange characters.

We will certainly see teachers, journalists, artists and poets in space. Whatever it takes to the be the best is what it will take to get you into space.

It won't be an issue. The area we're modifying will have more breakout space, but I don't think it exceeds 1,000 feet. It's space we already have in the building, the public lobby area, which, in reality, we use now for breakouts and breakfast.

Her countenance was all expression; her eyes were not dark but impenetrably deep; you seemed to discover space after space in their intellectual glance.

Space travel will be like every other business. There will be competitors. . . . Thirty months from now, I'm confident we'll be flying people into space.

So my message is in whichever realm, be it going into space or going into the deep sea, you have to balance the yin and yang of caution and boldness, risk aversion and risk taking, fear and fearlessness. No great accomplishment takes place, whether it be a movie or a deep ocean expedition, or a space mission, without a kind of dynamic equipoise between the two. Luck is not a factor. Hope is not a strategy. Fear is not an option.