Quotes About Storytelling

I love the supernatural in storytelling. The Twilight Zone was a huge influence on me, in terms of writing and storytelling, where you're not restricted to the parameters of reality to tell your tale.

I may love individual people, but I am contemptuous of the arrogance , and in a way, it's both ruined me and fuels me. It's ruined me because nobody cares about these issues, and then it's the source of most of my storytelling now, because I am so preoccupied with it. It fuels me, because this is my outrage. I do believe in that great tradition of literature and storytelling. You know, the downfall and the folly of it all.

My humor tends to be a little more edgy than is appropriate for 'Twilight', although I got some in there. That was fun! There's just a tonal difference. For me, storytelling is storytelling. But, I do like writing for grown ups.

The best memoirs - like This Boy's Life, or Crazy Brave [by Joy Harjo], for instance - bring you through a private river of storytelling that joins a major ocean of human struggle and joy. The act of enunciation - the forms and strategies of storytelling - are every bit as literarily serious as they are in poetry or other prose forms.

The relationship with actor and director is probably closer to theater, in that, when we record the dialogue, there is very little in the way of the creative collaboration - no cameras, lighting or even locations. Then, once we record, the post process is very similar to the post flow in filmmaking - editing, sound design, mixing, etc. At the end of the day, it's all about storytelling and honing in on a tone by developing a rhythm and structure that suits the storytelling.

Normally my process is to sit in a room and read a script and talk about it and ask questions and just create a dialogue. That goes all the way through shooting. All kinds of thoughts and ideas can find their way in there. As long as you're all on - We're just all trying to tell the story so my job as a director is just to find out what this film wants to be based on, it's just words on a page at some point but then it just needs to go to some level of believable storytelling. I'm discovering the film as I make it, to some degree.

There's not really genres as storytelling in Austria, unfortunately.

Certainly the goal with any sort of storytelling is to have an impact, to touch on some reader's life. And in some cases, there may be stories that actually have a particular goal like that in mind. So yeah, that sort of thing does happen in comics, fairly regularly.

What’s really important is storytelling. None of it matters if it doesn’t support the story.

That film, I mean "The shining" got me thinking about the way of telling stories and how effective it can be and how it can really shape people and move people to such a degree. It got me questioning storytelling.

I love all history because it’s storytelling. But, I will always have a special place in my heart for the Tudor dynasty.

For me, the best journalism is usually the best storytelling, and the best stories are those of real people.

There's a wealth of literature out there which, hopefully, will be, you know, exploded in the future, and I personally find it very rewarding to be involved with classic storytelling, and sort of legendary characters.

I’ve always believed that as an author, I do 50% of the work of storytelling, and the reader does the other 50%. There’s no way I can control the story you tell yourself from my book. Your own experiences, preferences, prejudices, mood at the moment, current events in your life, needs and wants influence how you read my every word.

When you don't put your initials behind your name, and I've got tons of them, and when you talk about storytelling or love or gratitude, you're diminishing your legitimacy and importance in this world.

A culture cannot evolve without honest, powerful storytelling. When a society repeatedly experiences glossy, hollowed-out, pseudo-stories, it degenerates. We need true satires and tragedies, dramas and comedies that shine a clean light into the dingy corners of the human psyche and society.

I grew up in Oklahoma and Missouri, and I just loved film. My folks would take us to the drive-in on summer nights, and we'd sit on the hood of the car. I just had this profound love for storytelling.

I'm too much left brain. I very much have an emotional response to things; I love literature and films and storytelling. I need to nourish my right side, it doesn't get a lot of exercise.

I'm really inspired right now by a lot of the actors and actresses who are pursuing storytelling outside of just acting. They're writing, producing, they are creating their own material. That's really exciting to me. It feels like the possibilities are endless as far the things that you can make and even where they can be shown.

In movies, storytelling and every single art form, we're creating wonder. You're starting with a blank page and creating something that doesn't exist.

Storytelling has a narcotic power.

I praise CBS for taking a risk, which is always the price you pay for opportunity. This is not standard movie of the week storytelling. I think movies of the week have fallen into a niche and that isn't my niche

I like storytelling movies and more than that I like historical movies; and I think someday I'll definitely make a movie about the past 50 years history.

I think I can work with different crews; I've worked with Bulgarian, Norwegian, Japanese, and Chinese crews. For me, the most important thing is the storytelling, and I'm really comfortable working with all kinds of languages.

I've always loved news. I've always loved storytelling and being where the scene is.

I feel that the power that storytelling has to change people, to bring them together, to have that cathartic sort of experience, is something that definitely has helped my life be worthwhile and better.

Children, only animals live entirely in the Here and Now. Only nature knows neither memory nor history. But man - let me offer you a definition - is the storytelling animal. Wherever he goes he wants to leave behind not a chaotic wake, not an empty space, but the comforting marker-buoys and trail-signs of stories. He has to go on telling stories. He has to keep on making them up. As long as there's a story, it's all right. Even in his last moments, it's said, in the split second of a fatal fall - or when he's about to drown - he sees, passing rapidly before him, the story of his whole life.

I want to do a stripped-down album. That style is actually where my heart is - storytelling and just letting the voice and the lyrics talk for themselves. I still want to write the perfect song and sing it in the most honest, undressed way. But I feel like I have to gather more experiences and more layers in my voice. I have to live more to be able to tell this tale. So I'm saving my folk record. I have a feeling nobody will understand it.

I think it's always a challenge when you're telling a story that people know. But hopefully, good storytelling - well, there's two things. One is, you definitely have to have surprises and changes so that people are - you keep them interested, you take them down roads that they didn't expect and give them suspense and surprise.

'St. Elmo's Fire' is one of my favorite films. I like the storytelling of those teenage American films. You don't get that now. Teenage American movies are all about sick jokes, puking a lot, arse jokes.

One of the things about being on Twitter, for me, is mostly about just being on the pulse of what people are interested in, what people are doing and what people are looking for. I look at entertainment projects and storytelling and I really try to think about what people want.

I think good storytelling continues to teach you how it unfolds. And so I don't think that film and stage are mutually exclusive at all. It's just that you're always in a wide shot.

With movies and TV, storytelling, it's a different medium. I really love it, but I'm one part of many, many pieces of that puzzle and a lot of it is out of my control.

Gareth [Edwards] was very open to just shaping the performances and the scenes to fit what was happening with the actors and the storytelling that was emerging.

Short forms are returning online. Interactivity is coming back; it was always there in oral storytelling. Each form has its pluses and its minuses.

I used to do a lot of story writing and storytelling coming up through grade school. By the time I got to college, I decided that I wanted to perform as well, and that's where I started.

Surely the job of fiction is to actually tell the truth. It's a paradox that's at the heart of any kind of storytelling.

One of the aspects I like about the film is that there is a kind of emotional, psychological discussion during the storytelling, ... Before taking a drug, go through yourself, experience yourself, all your hopes and fears in your own time. Before the pharmacology, do the psychology.

Minimalism seems closest to the sophisticated storytelling of movies. Movies have really educated contemporary audiences to be the most intelligent, sophisticated audiences in history. We don't any longer need to have the relationship between one scene and the next explained. We will figure it out ourselves.

Storytelling is very important. It is through context and relations that we understand the importance of human dignity. The concept means nothing as an abstraction. It's important for us to understand why people do the things they do, including the monsters - the suicide bomber and the war criminal. Understanding is not acceptance. Understanding is exploring the human psyche. If we want to put an end to violence, we need to have the sort of conversation I had with the teenage suicide bomber.

I think we're in this exciting moment of Internet streaming storytelling, and it's anybody's guess what that is or what it means. It can take on any form. That's what's so exciting about the time we're in; these filmmakers are coming in and letting the story tell itself as it wants to be told.

The storytelling in 'Doctor Who' is quite universal.

I've always thought of the western as American storytelling at its best.

So much of today's film culture, in England and America, is based on lies, really. The industry is very ambitious, and success has become such an opium, people start from the wrong place they forget sometimes that the core of what we do is storytelling. It serves a need, a purpose for the individual and society to pull us together in shared experience and help us realize we're not alone in that experience.

But I think we are seeing a resurgence of the graphic ghost story like The Others, Devil's Backbone and The Sixth Sense. It is a return to more gothic atmospheric ghost storytelling.

It's become almost a cliche at this point that movies in the general sense are the place you go for superheroes and explosions and TV is where you go for actual storytelling.

Storytelling and copulation are the two chief forms of amusement in the South. They're inexpensive and easy to procure.

Audiences are less intrigued, honestly, by battle. They're more intrigued by human relations. If you're making a film about the trappings of the period, and you're forgetting that human relationships are the most engaging part of the storytelling process, then you're in trouble.