Quotes About Storytelling

I love the supernatural in storytelling. The Twilight Zone was a huge influence on me, in terms of writing and storytelling, where you're not restricted to the parameters of reality to tell your tale.

Good storytelling doesn't have to be in the form of the classics. It doesn't have to be revered by everybody. In fact, to me, the best storytelling is not universally loved by every single person. I think you can water down the ethicacy of the work, itself.

I don't think that digital technology will ever take away the humanity of storytelling, because storytelling is entirely, in and of itself, a wholly human concern.

Because having your story told as a woman, as a person of color, as a lesbian, as a trans person, or as any member of any disenfranchised community, is sadly often still a radical idea. There is so much power in storytelling, and there is enormous power in inclusive storytelling, in inclusive representations.

Well, I suppose I'm interested in ways of storytelling and in stories that are about storytelling.

In my work, there is a lot of storytelling. The storytelling is not a new thing. Back in the [Howard] Thurston days, the [Harry] Houdini days, the [Harry] Blackstone days, it was stories, but the stories were, "We're going to the Egyptian temples, and we're going to vanish the Prince of Thebes," and, "On my last trip to the Orient ..."

Horror is great storytelling with scary elements on top of it, but if you don't have great storytelling, you can have all the scares in the world, but the movie won't work.

Normally my process is to sit in a room and read a script and talk about it and ask questions and just create a dialogue. That goes all the way through shooting. All kinds of thoughts and ideas can find their way in there. As long as you're all on - We're just all trying to tell the story so my job as a director is just to find out what this film wants to be based on, it's just words on a page at some point but then it just needs to go to some level of believable storytelling. I'm discovering the film as I make it, to some degree.

But, number one, I think traditional noir doesn't work in contemporary storytelling because we don't live in that world anymore

Really, for me, it's important to know who's pitching and who's catching - just what that scene is supposed to accomplish in terms of storytelling. That being said, on the day, basically what you're trying to get yourself into an open place. And if the character is in a state of anxiety or vulnerability, you try to find some touchstone.

I guess that storytelling would be for me to keep making art that touches people in a way that nothing else can.

Storytelling has always been at the heart of being human because it serves some of our most basic needs: passing along our traditions, confessing failings, healing wounds, engendering hope, strengthening our sense of community.

Storytelling is by far the most underrated skill in business.

Storytelling is the essential human activity. The harder the situation, the more essential it is.

I think video games are going to completely take over storytelling in our society. Video games are not a fad.

Lettering should be invisible. You shouldn't notice it, unless it is a determined piece of storytelling in graphic design. Whether handmade or digital, the lettering should be easy on the eye and well placed. It should help tell the story and do nothing to get in the way of it.

I love storytelling. I love stories, and I love the way in which we connect through stories.

No, the thing is, we all love storytelling, and as a writer you get to tell stories all the time.

There are very few films that I've ever seen in my life that would be as silent or vacant as something like Jeremiah Johnson, and that to me was unbelievably captivating. You can see the same about [The Outlaw] Josey Wales: there's very little dialogue, and yet it contains such a deep, rich story. I've always thought of the western as American storytelling at its best.

Storytelling has a narcotic power.

I think a culture can really be elevated through the arts, and it's always a dream come true when I come across roles that enable me to fuse my love of storytelling with my passion for activism and raising social awareness.

I'm interested in everything. I don't see why Borges can't work along with Neil Gaiman, or Stephen King can't be mixed with Balzac. It's just storytelling; it's different ways of using codes and images and words and sounds.

We actually try our best to be non-biased, but for me, that was the best movie ["Sicario"], filmmaking-wise and storytelling-wise, and connected to me the most. I thought it was great.

I've always loved news. I've always loved storytelling and being where the scene is.

Part of George R.R. Martins brilliant storytelling is taking the carpet out from under your feet.

Pulitzer's Gold is a goldmine of inspiration for both journalists and non-journalists. Those in the newspaper business, who now find themselves obsessing about staff cutbacks and circulation declines, should embrace this book as a reminder of the highest ideals, and the absolute thrills, to be found in their profession. As for regular readers, Pulitzer's Gold offers marvelous storytelling, real-life adventures, and absolute proof that journalism can change our world for the better.

I think good storytelling continues to teach you how it unfolds. And so I don't think that film and stage are mutually exclusive at all. It's just that you're always in a wide shot.

I always loved silent movies. I was not a specialist, but I loved them. And when I started directing, I became really fascinated by the format - how it works, the device of the silent movie. It's not the same form of expression as a talkie. The lack of sounds makes you participate in the storytelling

I'm seeing more and more interesting horror come my way. More and more interesting thrillers and genre films are coming my way from the studio level, and they're financed and they have movie stars attached and all of that. But a lot of times, the storytelling just doesn't speak to me. It feels like it's still oftentimes coming out of a kind of prescribed notion of normalcy, prescribed notion of gender roles. There's not a lot of "new" seeming to be happening.

We want to be famous as a writer, as a poet, as a painter, as a politician, as a singer, or what you will. Why? Becauwse we really don't lov what we are doing. If you loved to sing, or to paint, or to write poems - if you really loved it - you would not be concerned with whether you are famous or not. ... Our present education is rotten because it teaches us to love Nothing is allowed to die in a society of storytelling people.

I mean, I'm in the business of storytelling, not message making.

I think the reason the stories are briskly paced, when they are, is that I like story. I like stories where things happen and there are surprises and reversals, in addition to vivid characters and a memorable voice. So those are the kinds of stories I try to write. And it turns out that's pretty much the only kind of writing that works for TV. It's a medium that just devours story, demands surprises and reversals. So my sensibility is suited to TV storytelling, at least as we think of it today.

All novels are about crime. You'd be hard pressed to find any novel that does not have an element of crime. I don't see myself as a crime novelist, but there are crimes in my books. That's the nature of storytelling, if you want to reflect the real world.

I just loved storytelling. That's what I thought I would end up doing. I thought I would probably go to school and end up writing for a magazine or something.

I look for really great characters. I say great because as long as they're really good, there's something you can do. And really good storytelling. And when people ask me what the story is, I say it's really several stories really. They're intermeshed.

I love REAL set construction and think that sets are very important part of the storytelling and scope of a film.

There's a great tradition in storytelling that's thousands of years old, telling stories about kings and their palaces, and that's really what I wanted to do.

Legal ethics is a misnomer ... lawyers conducting themselves legally are not necessarily conducting themselves morally ."...and ..."The zero sum nature of the legal system, combined with the universal adoption of zealotry as the marching orders of practioners and prosecutors, transforms the moral mission of the legal system from one of truth-seeking, storytelling, and justice, to one of fabrication, distortion, and manipulation in pursuit of victory. These victories, however, make us all losers.

If there is one thing I think I have accomplished, it's that I always thought of myself as a very literal songwriter, and as I look at some of those older records, I don't hear it now the way I did when I was 20. I think it is undeniable that the songs have become more instantaneously descriptive and literal. I'd like the songs to be more storytelling, but also have the turns of phrase within them that would hopefully distance my writing from the pack. I feel like on those older records there are a lot of attempts at clever turns of phrase.

Well, we look for sources of inspiration in pop culture in general. It's very important for us that, when it comes to storytelling, we don't look into other video games. We'd rather look into other mediums - movies, television series and books - for sources of inspiration.

I hope that as my career continues I get to create and work on more LGBT projects and bring LGBT storytelling into more mainstream media!

But I do think that, when you slow the conveyor belt down, the quality control tends to go up. You have a lot more time between seasons to talk about what worked and what didn't work, and plan for the future. And the pacing of the storytelling, particularly for on-going serialized dramas, means that you don't need to do non-essential episodes, just because you have to fill this pre-existing schedule.

From early on there were two things that filled my life - music and storytelling, both of them provoked by my father. He was a jazz pianist and also a very good storyteller, an avid reader. He passed both those interests on to me.

Reading is like breathing in and writing is like breathing out, and storytelling is what links both: it is the soul of literacy. The most powerful tool that we have to strengthen literacy is often the most underused and overlooked, and that is a child's own stories.

I think that my sensibilities are becoming slightly less delicate and I'm venturing out in a storytelling world.

We need time to relax and enjoy ourselves too, no matter how dark the story. The occasional humorous moment helps with that. That's one of the things that Joss Whedon excels at in his storytelling.

Storytelling is what lights my fire.

When the storytelling goes bad in a society, the result is decadence.