Twitter, to me, works if you're funny. Twitter doesn't work as a promotional tool unless you do it very, very, very occasionally.

When you improvise on the spot, people are very reluctant to have soft moments or quiet moments or sad moments because they're trying to fill up the spaces. So they always go towards, "How come you're late?! You're supposed to have my shirt ready! You call this a dry cleaner?!" That's what happens. That's why improvising on the spot gets very dicey.

I've always been in the middle of making my own movies, so taking acting jobs that take me away from that has been impossible.

A lot of alliteration from anxious anchors placed in powerful posts!

Someone asked me "what do you think of Donald Trump?" And I said, "I would rather vote for Hillary Clinton in jail." If she gets convicted, I'll vote for her for president.

What naturally stops you making the film is there is no more money in the budget. That's really what it is. If you had an unlimited budget, if you were a billionaire and you financed your own movies, then you can either date, because you can sit in an editing room for six years, like Howard Hughes, and never finish anything.

I take anything other than 'you big pig!' as a compliment.