Whenever poetry and politics are mentioned in the same breath, we tend to miss the point entirely - as I often have - and we ask ourselves whether poetry and politics even belong together, because they're often so poorly married that we think of them as oil and water.
Andre Naffis-SahelyTranslators who choose to work on canonized writers can usually lean on an extensive critical apparatus around either the author or the book in question, especially in the case of writers like [Honore] Balzac and [Emil] Zola.
Andre Naffis-Sahely[Abdellatif Laรขbi] was a poet and worked as a high school teacher; and although he hadn't broken any laws, the Moroccan government was determined to "gag" him - I use the term specifically since one of my favorite sequences of his is entitled "The Poem Beneath The Gag."
Andre Naffis-SahelyThat boom town [Abu Dhabi] proved to be the reef against which my family crashed, the story of many who seek the promised land, and my poetry is a versification of that personal history. History is all I have.
Andre Naffis-SahelyI'm of the opinion that poetry is always political, and cannot help but be so, regardless of the poet's intent, given that refusing to deal in politics is in itself a political act.
Andre Naffis-SahelyRegardless of whether the authors I've translated have been "dead and canonized," or "living and established," or even simply "emerging," I must put myself to the same, old test: "can I do their texts justice?" I've translated twenty-one books, and except for three commissions, I "hand-picked" all my authors on the basis of whether my own peculiar idiosyncrasies would complement their own.
Andre Naffis-Sahely