I always wanted to give people the more exciting version of what I think a comedian should be - because I didn't grow up with comics, I grew up with rock 'n' roll. And when I saw a lot of comics, no matter how good they might have been material-wise, I would get a little bored with them after 10 minutes, only because I feel comedians don't really know performance.

Anything that I wanted to do in my career that I wanted to do always worked out. The stuff I got talked into always failed. All the stuff I was talked into, by brilliant managers, because it always came down to, "Know how much money you'll make?" And then it would just fail.

I do whatever I do. I go to the club. I work on material. While other people are sleeping, I'm awake. I always liked that. I like being able to drive when there's no traffic. It's almost like you own the street at night.

I have no problem today letting people know I'm part of what they live. That's why I know about the things that make people the assholes they are. They have no choice but to be part of it.

I want to be able to make people laugh as hard as they possibly can, and I really think they need that.

All the subject matter I talk about isn't new; all comics talk about the same things. But it's how you talk about them or present them or what you look like up there that makes the difference between an okay comic and a great one.

Being onstage and performing, the high of that, and people coming to see you, and getting to make them laugh - that's what gets me hyped up. It's a nervous excitement.