Anything that I wanted to do in my career that I wanted to do always worked out. The stuff I got talked into always failed. All the stuff I was talked into, by brilliant managers, because it always came down to, "Know how much money you'll make?" And then it would just fail.

Being onstage and performing, the high of that, and people coming to see you, and getting to make them laugh - that's what gets me hyped up. It's a nervous excitement.

I always wanted to give people the more exciting version of what I think a comedian should be - because I didn't grow up with comics, I grew up with rock 'n' roll. And when I saw a lot of comics, no matter how good they might have been material-wise, I would get a little bored with them after 10 minutes, only because I feel comedians don't really know performance.

Whether you're gay, straight, you can't tell anybody who to love and who to marry. It's unconstitutional and it's morally wrong.

When I did a sitcom and played a postman, I was brought to tears playing that postman, because I felt like one. I didn't grow up even wanting to be a post man. Now, I understand the meaning of the term "postal." I was bored to tears. And what was funny was that the producer actually looked like a bug.

Anybody can go onstage and be dirty. You have to be funny, that's the key. You can say anything as long as it's funny. You can't take it too seriously up there. And people coming to see you can't take it too seriously.

I certainly don't walk around my home or being with my family and just using profane language all the time, but on stage, it's a constant.